13 resultados para Love poetry, Arabic.

em Dalarna University College Electronic Archive


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Prosodic /template Morphology, that "draws heavily on the theoretical apparatus and formalisms of the generative phonology model known as autosegmental phonology" (Katamba, F. 1993: 154), is the best analysis that can handle Arabic morphology. Verbs in Arabic are represented on three independent tiers: root tier, the skeletal tier and the vocalic melody tier (Katamba, F. 1993). Vowel morphemes, which are represented by diacritics, are inserted within the consonant morphemes, which are represented by primary symbols, to form words. The morpheme tier hypothesis paves the way to understand the nonconcatenative Arabic morphology. This paper analyzes gender in perfect active and passive 3rd person singular verbs on the basis of PM. The focus of the analysis shall be drawn heavily on the most common Arabic verbs; triconsonantal verbs, with brief introduction of the less common verbs; quadriconsonantal perfect active and passive masculine and feminine 3rd person singular verbs. I shall, too, cast the light on some vowel changes that some verbs undergo when voice changes.

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Dylan Thomas' work is often explored in light of the poet himself, and he has been referred to as modernism's l'enfant terrible or even described as a late romanticist. The aim in this essay is to explore the poetry without regard to his personal life as well as highlight previously ignored oedipal elements in said poetry. The main goal is to assert Thomas' place amongst the modernist literati, of which most were heavily influenced by Freud, as well as to be an acknowledgement of his work without considering his biography.

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Most approaches to Duffy’s work have been a feminist reading of poetry, focusing on the portrayal of women within the theoretical framework of feminism. However, little attention has been paid to the religious elements in Duffy’s work, something that Duffy herself has recognized. This essay will therefore focus on the centrality of religion in Duffy’s work, and will argue that her poems constitute an arena where religion is redefined and female experience and theology are reconciled. The poems under focus, “Delilah”, “Salome”, “Pilate’s wife”, “Pope Joan”, “Mrs Lazarous” and “Queen Herod” are examined in two separate sections: their portrayal of love and sexuality, and their portrayal of motherhood respectively, within the theoretical framework of feminist theology.

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This thesis uses zonal travel cost method (ZTCM) to estimate consumer surplus of Peace & Love festival in Borlänge, Sweden. The study defines counties as zones of origin of the visitors. Visiting rates from each zone are estimated based on survey data. The study is novel due to the fact that mostly TCM has been applied in the environmental and recreational sector, not for short term events, like P&L festival. The analysis shows that travel cost has a significantly negative effect on visiting rate as expected. Even though income has previously shown to be significant in similar studies, it turns out to be insignificant in this study. A point estimate for the total consumer surplus of P&L festival is 35.6 million Swedish kronor. However, this point estimate is associated with high uncertainty since a 95 % confidence interval for it is (17.9, 53.2). It is also important to note that the estimated value only represents one part of the total economic value, the other values of the festival's totaleconomic value have not been estimated in this thesis.

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Abstract This article addresses the theme of place in the poetry of W. B. Yeats and Patrick Kavanagh, focusing on the concept of place as a physical and psychological entity. The article explores place as a creative force in the work of these two poets, in relation to the act of writing. Seamus Heaney, in his essay “The Sense of Place,” talks about the “history of our sensibilities” that looks to the stable element of the land for continuity: “We are dwellers, we are namers, we are lovers, we make homes and search for our histories” (Heaney 1980: 148-9). Thus, in a physical sense, place is understood as a site in which identity is located and defined, but in a metaphysical sense, place is also an imaginative space that maps the landscapes of the mind. This article compares the different ways in which Yeats and Kavanagh relate to their place of writing, physically and artistically, where place is understood as a physical lived space, and as a liberating site for an exploration of poetic voice, where the poet creates his own country of the mind.

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This article addresses the theme of place in the poetry of W. B. Yeats and Patrick Kavanagh, focusing on the concept of place as a physical and psychological entity. The article explores place as a creative force in the work of these two poets, in relation to the act of writing. Seamus Heaney, in his essay “The Sense of Place,” talks about the “history of our sensibilities” that looks to the stable element of the land for continuity: “We are dwellers, we are namers, we are lovers, we make homes and search for our histories” (Heaney 1980: 148-9). Thus, in a physical sense, place is understood as a site in which identity is located and defined, but in a metaphysical sense, place is also an imaginative space that maps the landscapes of the mind. This article compares the different ways in which Yeats and Kavanagh relate to their place of writing, physically and artistically, where place is understood as a physical lived space, and as a liberating site for an exploration of poetic voice, where the poet creates his own country of the mind.

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Syftet med denna rapport är att kartlägga samt värdera och presentera ekonomiska effekterkopplade till Peace & Love festivalen 2011 genom att tillämpa segmenteringsansatsen.Utgångspunkten är en uppdelning av festivalbesökarna i olika kategorier (segment) som därefteranvänds för att skatta den direkta ekonomiska effekten av festivalen. Uppskattningen av deekonomiska effekter som presenteras är baserade på enkätsvar från 1036 festivalbesökare samt1540 intervjuer vid entréerna. Resultatet från studien pekar på att den traditionella metoden med uppskattning av effekter via enuppdelning av konsumtion mellan turister och icke turister överskattar den totala effekten jämförtmed uppskattning via boendesegmentering med ca 10 procent. Den totala effekten viaboendesegmentering uppskattas till dryga 185 Mkr. Besökarnas konsumtion i samband medPeace & Love festivalen kan omräknas till 61,85 helårsverken. Peace & Love festivalen beräknasskapa drygt 22 helårsverken inom restaurang och handel i Borlängeregionen utöver de 23helårsverken som festivalorganisationen skapar.

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Denna rapport syftar till at kartlägga samt värderat och presenterat ekonomiska effekter koppladetill Peace & Love festivalen 2010. Utgångspunkten är en definition av festivalens intressenter.Uppskattningen av de ekonomiska effekter som presenterats är baserade på enkätsvar från 519festivalbesökare. Resultaten från studien pekar på att festivalbesökare definierade som turister igenomsnitt spenderar drygt 2000 kr i samband med sitt besök exklusive utgifter för resa ochfestivalbiljett. Den totala festivalkopplade konsumtionen beräknas till 154 Mkr genom attmultiplicera siffrorna för genomsnittlig festivalkonsumtion för en besökare med det totala antaletbetalande besökare. Studien visar också att det finns ett betydande läckage ur den regionalaekonomin till följd av att försäljare inom festivalområdet kommer från andra delar i Sverige.Peace & Love-festivalens bidrag till den lokala ekonomin inklusive biljettintäkter beräknas istudien till 89 Mkr. Slutligen pekar studien på att fördjupade studier innehållande en mernoggrann uppskattning över besökargruppernas andelar respektive konsumtion krävs vid nästaårs festival för att säkerställa de resultat denna studie redovisar.