4 resultados para Êtres surnaturels

em Dalarna University College Electronic Archive


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In this thesis, the main male characters in three of the plays written by Federico García Lorca are analysed with the aim of seeingthe role they play in the frustration of desire. After two chapters dedicated to a review of published critical studies on Lorca and tocertain theoretical considerations, Chapter Three examines desire drawing on Ubersfeld's actancial model and observes that thesemale characters can be divided into two groups: those who are desired and those who are undesired.In Chapter Four this classification is linked to an analysis of absence, prohibition and lack. Absence is here defined not asrelated to their non-appearance on stage but rather to their non-presence in the lives of the desiring female protagonists. It isobserved that a number of male characters are absent in the plays mainly due to death or a journey. As far as prohibition isconcerned, in two of the works, there is a moral code associated with concepts such as "honour" and "decency", which blocks thefemale characters' access to the males they desire. Chapter Four also shows how several characters can be considered as lacking inthe sense that they do not possess the ideal male qualities contained in the plays. This chapter reaches the conclusion that desiredmale characters are either absent or forbidden in the world of the desiring female, whereas undesired male characters are lacking inthe sense that they fail to live up to the ideal highlighted in the plays.Chapter Five analyses the female characters' perception of the male figures, making use of René Girard's notion of"transfiguration", which alludes to a process of idealisation of the object of desire. Our analysis reveals a connection betweendesire, denied access to the object of desire and transfiguration in the main subjects of desire. The phenomenon of "transfiguration"has several functions in the play: firstly, the creation of hyperbolical male characters; secondly, that of transmitting the intensity ofthe desire experienced and, finally, the highlighting of the lack of certain qualities in several male characters.We thus observe that, in these three plays written by García Lorca, Girard's pessimistic view of desire is confirmed, since desireneeds a series of obstacles, such as absence or prohibition, to survive. However, this is not the only explanation for the frustrationof desire: other factors, like the actions of certain male characters or destiny, also play a decisive role.

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Este trabajo analizará a la protagonista de la novela Las tres bodas de Manolita, de laescritora española Almudena Grandes, desde el punto de vista de la teoría psicológica de laresiliencia. Pretendemos comprender qué tipo de mecanismos y factores hacen que se puedaconsiderar a Manolita un personaje resiliente. Al tratarse de una interpretación del texto deGrandes se abordará el estudio siguiendo el método hermenéutico. Se basará el análisisindividual del personaje en los estudios, principalmente de observación, llevados a cabo por elpsicólogo británico Michael Rutter; y el análisis desde el punto de vista social o colectivo enlos estudios realizados por el psicólogo español Juan de Dios Uriarte. Las conclusiones denuestra investigación nos llevarán a confirmar que, siguiendo la teoría que se expone,Manolita presenta las características y actitudes individuales necesarias, además de una redsocial de apoyo, para superar los reveses tan graves que le acontecen durante la novela.

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El objetivo de este trabajo es identificar qué competencias generales y qué competencias comunicativas, según el enfoque comunicativo, se promueven en tres libros de texto de español como lengua extranjera y determinar su relación con la variable afectiva de la ansiedad. Para alcanzar los planteamientos de nuestra investigación utilizamos una aproximación cualitativa, empleando el cuestionario de análisis NAKIBAR 2004 perteneciente al trabajo de investigación realizado por Joseba Ezeiza Ramos (2004). Los resultados muestran que los tres materiales didácticos satisfacen cada criterio del enfoque comunicativo en diversos grados. Sin embargo, ambos libros constituyen la exteriorización de dicho método, con el fin preciso de apoyar al estudiante en desarrollar la habilidad de poner en función los procesos de comunicación. Es por esto por lo que este tipo de actividades podrían potencialmente activar sentimientos de aprensión