An observing system simulation experiment to evaluate the scientific merit of wind and ozone measurements from the future SWIFT instrument

(from author) One of the first papers in the peer-review literature to discuss an OSSE to evaluate future wind observations in the stratosphere. Provides key evidence to justify the construction of the SWIFT instrument (currently planned to be built by the Canadian Space Agency for launch on ~ 2010).

Death has a touch of class: society and space in Brookwood Cemetery, 1853-1903

Changes in the cultures and spaces of death during the Victorian era reveal the shifting conceptualisations and mobilisations of class in this period. Using the example of Brookwood Necropolis, established 1852 in response to the contemporary burial reform debate, the paper explores tensions within the sanitary reform movement, 1853–1903. Whilst reformist ideology grounded the cemetery's practices in a discourse of inclusion, one of the consequences of reform was to reinforce class distinctions. Combined with commercial imperatives and the modern impulse towards separation of living and dead, this aspect of reform enacted a counter-discourse of alienation. The presence of these conflicting strands in the spaces and practices of the Necropolis and their changes during the time period reflect wider urban trends.

Swift's razor

The razors, knives and “tools for cutting” that appear so often in Jonathan Swift’s writings represent linguistic instruments for the performance of speech acts. Swift often imagines them being deployed for some identifiable purpose, typically the discouragement of “fools” or “knaves” by anatomization. Their sharpness is associated with linguistic acuity, and specifically with the refinement, keenness and power of Swift’s own writing. The focus of this article, however, is on another set of associations that Swift attaches to his blades. They tend also to involve ideas of latency, divagation, bluntness, and misappropriation.