10 resultados para Jacques Rancière

em CentAUR: Central Archive University of Reading - UK


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The recent celebrations of the centenary of the publication of the Futurist manifesto led to a renewed discussion of the ideas and artworks of the Italian artists group. Jacques Rancière related the Futurist ethos with the modernist project of liberating art from representation. Franco Bifo Berardi, in his post-Futurist manifesto, also identified a historical irony at play in the emptying out of Futurisms promise: a liberated mechanical humanity did indeed materialize, in a global economic system premised on financial servitude to the future via debt. However, these models continue to assess Futurism against an unchallenged humanism, finding it either supporting ideals of freedom and human rights despite itself, or else lacking in these areas. But Futurism is potentially more relevant than ever not in spite of its anti-humanist agenda, precisely because of it. Tom McCarthy annexes not Futurist art but Futurist writing to an emerging object oriented ontology that seeks to challenge the primacy of the human. If Futurism is to be repurposed as a critical concept, it can only do so by countering the humanist myth the liberal subject that underlies the current cultural and political hegemony of neo-liberalism.

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L'organisation des manuscrits arthuriens du cycle du Graal de Jacques d'Armagnac (BNF fr. 117-120 qu'il a hrit de son arrire-grand-pre le duc Jean de Berry et dont il a fait retoucher les peintures et BNF fr. 113-116 qu'il a fait excuter entre 1470 et 1475), leur agencement, leur illustration et leurs subdivisions sont un indice prcieux de la conception et de la rception de ces compilations. Ils soulignent l'effort de constitution d'un ensemble romanesque cohrent centr sur la figure de Lancelot.

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The presidency of Jacques Chirac in France (1995-2007) was scarred by two crushing defeats: the parliamentary elections of 25 May and 1 June 1997, and the referendum on the European Constitution of 29 May 2005. As both were highly personal setbacks, since both votes were taken at Chiracs initiative they suggest that a dominant presidential position, twice won, was twice squandered owing to a failure of leadership. This chapter argues, firstly, that the weaknesses of the presidency arose chiefly from the three decades of Chiracs career before the 1995 election and, secondly, that Chiracs record of presidential leadership, though limited, is more substantial than these two major failures suggest.

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This article establishes the authenticity of a half length portrait of Napoleon, long thought to be a copy.