Inverting the lives of 'others': retelling the Nazi past in 'Ehe im Schatten' and 'Das Leben der Anderen'

The article compares Florian Henckel von Donnersmarck's film Das Leben der Anderen (2006) with Kurt Maetzig's early post-war film Ehe im Schatten (1947). The comparison is based on significant narrative and thematic elements which the films share: They both have a ‘theatre couple’, representatives of the ‘Bildungsbürgertum’, at the centre of the story; in both cases the couple faces a crisis caused by the first and second German dictatorship respectively and then both try to solve the crisis by relying on the classical ‘bürgerliches Erbe’, particularly the ‘bürgerliches Trauerspiel’. The extensive use of the ‘bürgerliches Erbe’ in the films activates the function this heritage had for the definition of the German nation in the nineteenth century. However, while Maetzig's film shows how the ‘heritage’ and its representatives fail in the face of National Socialism, von Donnersmarck's film claims the effectiveness of this ‘heritage’ in the fight against the East German dictatorship. Von Donnersmarck thus inverts a critical film tradition of which Ehe im Schatten is an example; furthermore, as this tradition emerged from dealing with the Third Reich, von Donnersmarck's film, it will be argued, is more interested in the redemption of the Nazi past than the East German past.

Im Interesse der Macht: Ungarns neues Wahlsystem

Until December 2011, Hungary had the most stable electoral system in Eastern Europe: except for an increase in the electoral threshold in 1994, no significant change had taken place since the transition from communism in 1989. On 23rd December 2011, however, Parliament passed a wholly new electoral law, which will first be used in the elections due in 2014. The purposes of this article are twofold. The first is to outline the change of electoral system that took place. The previous electoral law was, famously, one of the most complex in the world. The new law is somewhat simpler, but nevertheless retains many of the old law’s features. The second purpose is to analyse the origins and implications of the new law. Did it simply reflect the interests of those in power or did it also respond to public concerns? Can it be expected to enhance or detract from the quality of Hungarian democracy?