Minimalist perspectives for psycholinguistic research

A particular approach to the study of psycholinguistic processes is presented, which is based on a minimalist conception of language. A procedural model of language acquisition is sketched, which reconciles infants speech processing and the idea of innately guided learning with a minimalist view of the initial state of language acquisition in an account of the bootstrapping problem. Language acquisition is viewed as proceeding with the progressive specification of formal features of the functional categories of the lexicon. The possibility of a minimalist derivation to be incorporated in a sentence production and/or comprehension model is discussed. Possible sources of language impairment, as manifested in SLI (Specific Language Impairment) syndrome, are considered in the light of this integrative approach. Reference is made to experimental work carried out in Brazilian Portuguese, with some extension to European Portuguese and River-Plate Spanish.

Review about neuropsychological processing of tonal attributes of music in the Western context

Many discussions about the music processing have occurred over the years. It is stated, on one hand, the existence of a single joint for grasping the music or any of its attributes by the Central Nervous System. Furthermore, it is claimed also the existence of multiple and diverse systems to understand each aspect of music. In general, model-independent set, studies focusing on the processing of sound components, specifically the musical tones, can significantly clarify the basic functioning of the auditory system and other higher brain functions. In this sense, one of the most prominent approaches in the study of sensory and perceptual processes of hearing, or changed unharmed, has been Neuroscience, which is interested in the interaction between the brain areas corresponding to different cognitive processes. Thus, the purpose of this study was to review the studies that dealt processing models of the attributes of tonal Western music, based on the conception that neuropsychological neural structures are interdependent sensory pathways.