3 resultados para Fabric Sculpture

em Universidad del Rosario, Colombia


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La presente monografía analiza el proceso de génesis de la política pública distrital para la reintegración de excombatientes en Bogotá, así como los momentos de cambio de dicha política durante las administraciones de los alcaldes Luis Eduardo Garzón y Samuel Moreno. Para este fin, esta monografía recurre a enfoques teóricos del policy change, incluyendo el “Enfoque de Corrientes Múltiples” de John Kingdon, el modelo de formación de la agenda desarrollado por Charles Elder y Roger Cobb, y la “Teoría del Equilibrio Puntuado” de Frank Baumgartner y Bryan Jones. Con base en entrevistas semi-estructuradas a funcionarios de los programas distritales de atención a los desmovilizados y fuentes secundarias, la presente investigación describe las acciones emprendidas por las diferentes administraciones en el periodo 2003-2013 y analiza los cambios que la política experimentó en sus instrumentos de intervención. Así, las acciones iniciales que hacían énfasis en el desmovilizado y su núcleo familiar con el propósito de fortalecer el tejido social, dieron paso a acciones enfocadas principalmente en la reintegración económica de los desmovilizados. Un análisis crítico del proceso de formación de esta política pública y sus principales cambios constituye no solo una contribución empírica a la extensa literatura sobre policy change, sino que provee lecciones para futuros procesos de reintegración de excombatientes en contextos urbanos.

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This article presents a visual artist’s point of view about art. This view confronts the Eurocentric traditional cannon with some ignored, but valuable traditions, thus proposing a contra-canon. These ideas are examined on the light of a variety of sources, including prehistoric, pre-Columbian, and 20th century art expressions, in a variety of media, from sculpture to literature. Recent art expressions are characterized by their incorporation of minority values and perspectives that challenge “universal” views. Using samples of works from Latino and African American artists, the author shows that, even today, art is a means to know the world and its people, to exhibit personal life, to create personal symbolism, and to show one’s identity or the search for it. Like the human nature it represents, art has multiple faces.

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This paper describes women’s roles in the processes of territory construction and the Colombian Caribbean coast regionalization. First, we present women participation in the adaptation of the fi rst inhabitants, through their contribution to creating the most important cultures that emerged in that region, such as Tairona and Sinu. This paper also considers native women’s resistance actions against Spanish invasion; women participation in African, native, mestizo, zambo, and criollo freeing fi ghts against colonialism and in the consolidation of the Republic; along with their contribution to building the social fabric that consolidated the social life of new born towns and cities; which transformed women into family group integrators, new generation socializing forces, and sponsorsof the family structure performance. The second line of argument addressed in this article refers to women involvement in the regionalization of the Colombian Caribbean, by establishing and concluding that, although regionalization has happened, the recognition of its practical and strategic interests has not been guaranteed to allow changes in the social, economic, and political position. The reason is that, even though such interests were expressed insome forums held to reach an agreement on the vision and the requirements of the region, the social movement has not had any access to decision making, though this has not prevented its gaining strength in the last decades.