Les Violettes rouges suivi de L'échec du système des genres dans La Maladie de la mort de Marguerite Duras

Le roman, Les Violettes rouges, met en scène une jeune femme cherchant vengeance à l'époque de la conquête de l'Ouest américain. Il joue sur les codes du western, tout en les transgressant, puisque le héros cow-boy et vengeur est une femme, Lou. Plus libre encore que les héros du western traditionnel, Lou s'approprie des éléments du « masculin » et du « féminin » pour incarner un corps puissant et sensuel qui sera vecteur de violence. Les systèmes hiérarchiques et injustes érigés par l'homme blanc se voient ébranlés par les actes de révolte de Lou. L'essai L'échec du système des genres dans La Maladie de la mort de Marguerite Duras explore, par le biais de la pensée de certains théoriciens féministes et par l'entremise de certaines questions sur les identités sexuées selon la catégorie d'analyse du gender, l'impossible rencontre entre l'homme et la femme du récit de Duras. L'échec du système double et duel entre le masculin et le féminin est exprimé, entre autres, par un système de voiles et de voilements, de regards aveugles, par un féminin fuyant et, ultimement, par un renversement des pouvoirs. Ici, la conception double des genres se voit remise en cause puisqu'elle rend stérile toute rencontre entre l'homme et la femme du récit et ultimement, entre le masculin et le féminin.

Woman and partner-perceived partner responses predict pain and sexual satisfaction in vestibulodynia couples

Introduction.  Provoked vestibulodynia (PVD) is a highly prevalent vulvovaginal pain condition that results in significant sexual dysfunction, psychological distress, and reduced quality of life. Although some intra-individual psychological factors have been associated with PVD, studies to date have neglected the interpersonal context of this condition. Aim.  We examined whether partner responses to women's pain experience—from the perspective of both the woman and her partner—are associated with pain intensity, sexual function, and sexual satisfaction. Methods.  One hundred ninety-one couples (M age for women = 33.28, standard deviation [SD] = 12.07, M age for men = 35.79, SD = 12.44) in which the woman suffered from PVD completed the spouse response scale of the Multidimensional Pain Inventory, assessing perceptions of partners' responses to the pain. Women with PVD also completed measures of pain, sexual function, sexual satisfaction, depression, and dyadic adjustment. Main Outcome Measures.  Dependent measures were women's responses to: (i) a horizontal analog scale assessing the intensity of their pain during intercourse; (ii) the Female Sexual Function Index; and (iii) the Global Measure of Sexual Satisfaction Scale. Results.  Controlling for depression, higher solicitous partner responses were associated with higher levels of women's vulvovaginal pain intensity. This association was significant for partner-perceived responses (β = 0.29, P < 0.001) and for woman-perceived partner responses (β = 0.16, P = 0.04). After controlling for sexual function and dyadic adjustment, woman-perceived greater solicitous partner responses (β = 0.16, P = 0.02) predicted greater sexual satisfaction. Partner-perceived responses did not predict women's sexual satisfaction. Partner responses were not associated with women's sexual function. Conclusions.  Findings support the integration of dyadic processes in the conceptualization and treatment of PVD by suggesting that partner responses to pain affect pain intensity and sexual satisfaction in affected women.

Gender, Authorship and Male Domination : Mary Shelley’s Limited Freedom in "Frankenstein" and "The Last Man"

Ever since Ellen Moer's "Literary Women" (1976), "Frankenstein" has been recognized as a novel in which issues about authorship are intimately bound up with those of gender. The work has frequently been related to the circumstance of Shelley's combining the biological role of mother with the social role of author. [...]