5 resultados para Merleau-Ponty, Maurice

em Brock University, Canada


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Abstract This thesis is an investigation of Maurice Merleau-Ponty's notion of style via the individual, artwork, and the world. It aims to show that subject-object, self-other, and perceiver-perceived are not contrary, but are reverses of one another each requiring the other for meaningful experience. In experience, these cognitive contraries are engaged in relationships of communication and communion that render styles of interaction by which we have/are a world. A phenomenological investigation of Merleau-Ponty's notion of style via existential meaningfulness, corporeal and worldly understanding, stylistic nuances (with respect to the individual, the artwork, and the world), and the existential temporal dynamic provide the foundation for understanding our primordial connection with the world. This phenomenological unpacking follows Merleau-Ponty's thought from Phenomenology of Perception to "Cezanne's Doubt" and "Eye and Mind" through The Visible and the Invisible.

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Professor of English and former Dean of Humanities.

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Dr. Yacowar speaking to a class.

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Dr. Yacowar at work in his office.

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The wrestler's name is Maurice "The Angel" Tillet and the number stamped on the reverse of the card is 459. He was born in France and moved to North America to start a wrestling career. He suffered from acromegaly - a condition where bones continue to grow uncontrollably. His appearance made him a classic villain in the wrestling ring.