De generatione viventium

Arkit: 1 arkintunnukseton lehti, A-D4 E1.

De sensibus externis

Arkit: A-B4 C2.

Dell'arcano del mare / Robert Dudley (junior) Earl of Warwick and Leicester, Duke of Northumberland

Sir Robert Dudleyn arvokas karttateos Dell´Arcano del Mare, osat I-III, on varhaisin koko maapallon kattava merikartasto. Se on myös ensimmäinen merikartasto, joka on laadittu Mercatorin projektion mukaan. Kartastoon on koottu yhteen kaikki silloinen tietämys merenkulusta. Se sisältää merenkulun ja navigoinnin teoriaa, laivanrakennusta ja astronomiaa käsittelevät tekstiosuudet, 145 merikarttaa sekä 180 kuvaliitettä, joiden tekijänä on tunnettu kaivertaja Antonio Francesco Lucini. Kaiverrukset, joiden tekemiseen Lucini oli käyttänyt 12 vuotta, ovat poikkeuksellisen hienolaatuisia, kuten teoksen muukin painotyö. Dudleyn kartasto kuuluu Kansalliskirjaston A. E. Nordenskiöldin karttojen ja kartografisen kirjallisuuden kokoelmaan, joka on liitetty ainoana suomalaisena kohteena Unescon Memory of the World –rekisteriin.

Eettinen kasvu ja dialogisuus draaman näyttämöllä : valokiilassa päiväkodin draamaprosessi

This research is a phenomenological-hermeneutic case-study based on the methods of action research in which narrative methods are used to examine a process drama carried out in a day-care centre, focusing on its dialogicality and possibilities of offering children and adults ethical problems to examine and solve. A process drama built around a story was carried out in a Finnish day-care centre in 1999 with the aim of bringing ethical education to the level of conscious consideration and action. The research consists of two case-studies. The first focuses on Risto, one of the children who participated in the process, his actions in group situations, his commitment to the rules set by the leaders, his attitude towards the group and its members as well as the common agreements concerning the group, and his solutions to fictive dilemmas in relation to Lawrence Kohlberg’s and Carol Gilligan’s concepts of justice and care. On this basis conclusions are made on how drama can be applied to dealing with ethical dilemmas with children aged four to seven. The second case-study searches for ethical themes and signs of dialogicality in the story that was created together by the children and leaders, and in the action that took place in the drama sessions. The subjects of this study consist of two groups participating in the process drama, both consisting of seven children aged four to seven. Narratives were written on each child based on his/her participation in four drama sessions selected to be used in this study. The narratives include the writer’s interpretations of the dialogicality of the drama and the ethical themes observed and recognised in the videos and in the transcriptions of the video recordings. The description and interpretation of the dialogicality and the ethical themes observed in the drama sessions is based on the researcher’s dialogue with the writings of Georg Henrik von Wright, Martin Buber and Mihail Bahtin, as well as Nicholas C. Burbules’ definitions of the basic conditions for dialogical teaching. As a result of the study, drama activity proved to be a means by which dialogically abstract ethical questions and conflicts could be dealt with even with young children and which revealed the zone of proximal development of both children and adults. Drama became a stage for ethical growth and dialogicality, and the common play of children and adults could be seen as an indicator of deep dialogicality. On the basis of this study, it can be said that drama is a very suitable way of establishing a shape and form of ethical education in which it is possible to make planned, target-oriented progress and which can be consciously observed by following the development of both the child and the educator.

24+1 kansainvälisten suhteiden perusoppikirjaa : havaintoja ja arvioita

Kirjallisuusarvostelu

Internet edellyttää aktiivista ja kriittistä toimijuutta

Kirjallisuusarvostelu

Salattuja elämiä 1700-luvulla : monipuolista suomalaista tutkimusta eliittien historiasta ja kirjakulttuurista

Kirjallisuusarvostelu

Johdon laskentatoimen menetelmät toimittajavalinnassa

Tutkimuksessa käydään läpi ja arvioidaan johdon laskentatoimen menetelmiä toimittajavalinnassa sekä hankintatoimessa kustannusnäkökulmasta. Vaikka käsitellyt menetelmät ovat yleisiä, niitä sovelletaan vähän alan kirjallisuudessa ja tutkimuksissa hankintatoimen näkökulmasta. Työ on kirjallisuustutkimus, joka koostuu alan keskeisistä julkaisuista kirjoista ja artikkeleista. Tutkielmassa käytiin läpi kuusi johdon laskentatoimen menetelmää: kustannustietojen jakaminen, kokonaiskustannuslaskenta, toimintolaskenta, suorituskyvyn mittaaminen, tasapainotettu mittaristo ja benchmarking. Teoreettisten viitekehysten lisäksi työssä käydään läpi case-tapauksia siitä miten menetelmiä sovelletaan yrityksissä. Toimittajavalinnassa huomattiin pehmeillä valintakriteereillä olevan suurempi merkitys yrityksen suoriutumiseen kuin määrällisillä kriteereillä. Käsitellyissä menetelmissä on paljon samoja piirteitä tai ne ovat toisiaan tukevia, joten useamman menetelmän käyttö hankintatoimessa on siksi suotavaa. Menetelmien käyttö toimittajavalinnassa ja hankintatoimessa vaikuttaa olevan vielä vähän sovellettu asia, mikä todennäköisesti muuttuu tulevaisuudessa.

Jälkisanat jälkisanoista

Kirjallisuusarvostelu

Verkkomaksamisratkaisu Voyager-ympäristöön

Nicholas Volkin esitys Kansalliskirjaston kirjastoverkkopalveluiden Asiantuntijaseminaarissa 14.2.2013 Helsingissä.

Kaupunkien kasvun hallinnan haasteellisuudesta

Kirjallisuusarvostelu

Att tala om det osägbara : Nicolaus Cusanus cirkulära filosofi i verket De coniecturis med särskild hänsyn till Nelson Pikes tankar om unio mystica

In my dissertation called Speaking of the unsayable: The circular philosophy of Nicholas of Cusa in his work De coniecturis, I presuppose an internal (conceptual) relation between the personal experience of God of Nicholas of Cusa (1401-64) in 1438 and, on the other hand, his philosophy. I hence try to describe the precise character of this relation. Referring to the Norwegian scholars Egil Wyller and Viggo Rossvær, I assume that there is a circularity in Cusanus’ philosophy which appears as self-references (= a sentence refers to itself: A is explained by B and B is explained by A). Wyller finds three phases in the thought of Cusanus (1. De docta ignorantia I-III, 2. De coniecturis I-II, 3. all subsequent works). Rossvær finds it impossible to presuppose certain phases, as the philosophy of Cusanus continuously proceeds and remains open to new ideas. As Cusanus however treats his experience of God far more consciously in his second work De coniecturis than in De docta ignorantia, I find it possible to distinguish between the earlier Cusanus (De docta ignorantia including his earlier works) and the later Cusanus (De coniecturis, about 1444, as well as the following works). Cusanus creates a philosophy of language in outline expressed in De coniecturis, in which he presents two concepts of necessity, i.e. absolute necessity and logical, or reasonable, necessity. These are interrelated in the sense that the mind, or the self, logically affirms the absolute, or unsayable, necessity, which shows itself in the mind and which the mind affirms conjecturally. The endeavour conceptually to understand absolute necessity implies intuitive (or intellectual) contemplation, or vision (investigatio symbolica), in which the four mental unities (the absolute, the intellectual, the rational and the sensuous) work together according to the rules described in De coniecturis. In De coniecturis Cusanus obviously turns from a negative concept of the unsayable to a paradigmatic, which implies that he looks for principles of speaking of the unsayable and presents the idea of a divine language (divinaliter). However, he leaves this idea behind after De coniecturis, although he continues to create new concepts of the unsayable and incomprehensible. The intellectual language of absolute seeing is expressed in the subjunctive, i.e. conditionally. In order to describe the unsayable, Cusanus uses tautologies, the primary one of which is a concept of God, i.e. non aliud est non aliud quam non aliud (the non-other is non-other than the nonother). Wyller considers this the crucial point of the philosophy of Cusanus (De non aliud), described by the latter as the definition of definitions, i.e. the absolute definition. However, this definition is empty regarding its content. It demonstrates that God surpasses the coincidence of opposites (coincidentia oppositorum) and that he is “superunsayable” (superineffabilis), i.e. he is beyond what can be conceived or said. Nothing hence prevents us from speaking of him, provided that he is described as unsayable (= the paradigmatic concept of the unsayable). Here the mode of seeing is decisive. Cusanus in this context (and especially in his later literary production) uses modalities which concern possibility and necessity. His aim is to conduct any willing reader ahead on the way of life (philosophia mentalis). In De coniecturis II he describes the notion of human self-consciousness as the basis of spiritual mutuality in accordance with the humanistic tradition of his time. I mainly oppose the negatively determined concept of Christian mysticism presented by the German philosopher Kurt Flasch and prefer the presentation of Burkhard Mojsisch of the translogical and conjectural use of language in De coniecturis. In particular, I take account of the Scandinavian research, basically that of Johannes Sløk, Birgit H. Helander, Egil Wyller and Viggo Rossvær, who all consider the personal experience of God described by Cusanus a tacit precondition of his philosophy.