Learning through Computer Model Improvisations

It has been convincingly argued that computer simulation modeling differs from traditional science. If we understand simulation modeling as a new way of doing science, the manner in which scientists learn about the world through models must also be considered differently. This article examines how researchers learn about environmental processes through computer simulation modeling. Suggesting a conceptual framework anchored in a performative philosophical approach, we examine two modeling projects undertaken by research teams in England, both aiming to inform flood risk management. One of the modeling teams operated in the research wing of a consultancy firm, the other were university scientists taking part in an interdisciplinary project experimenting with public engagement. We found that in the first context the use of standardized software was critical to the process of improvisation, the obstacles emerging in the process concerned data and were resolved through exploiting affordances for generating, organizing, and combining scientific information in new ways. In the second context, an environmental competency group, obstacles were related to the computer program and affordances emerged in the combination of experience-based knowledge with the scientists' skill enabling a reconfiguration of the mathematical structure of the model, allowing the group to learn about local flooding.

Using Pareto optimality to explore the topology and dynamics of the human connectome.

Graph theory has provided a key mathematical framework to analyse the architecture of human brain networks. This architecture embodies an inherently complex relationship between connection topology, the spatial arrangement of network elements, and the resulting network cost and functional performance. An exploration of these interacting factors and driving forces may reveal salient network features that are critically important for shaping and constraining the brain's topological organization and its evolvability. Several studies have pointed to an economic balance between network cost and network efficiency with networks organized in an 'economical' small-world favouring high communication efficiency at a low wiring cost. In this study, we define and explore a network morphospace in order to characterize different aspects of communication efficiency in human brain networks. Using a multi-objective evolutionary approach that approximates a Pareto-optimal set within the morphospace, we investigate the capacity of anatomical brain networks to evolve towards topologies that exhibit optimal information processing features while preserving network cost. This approach allows us to investigate network topologies that emerge under specific selection pressures, thus providing some insight into the selectional forces that may have shaped the network architecture of existing human brains.

Business IT Alignment from Business Model to Enterprise Architecture

In this paper, we show how business model modelling can be connected to IT infrastructure, drawing parallels from enterprise architecture models such as ArchiMate. We then show how the proposed visualization based on enterprise architecture, with a strong focus on business model strategy, can help IT alignment, at both the business model and the IT infrastructure level.

Business model design: an evaluation of paper-based and computer-aided canvases

In recent years, Business Model Canvas design has evolved from being a paper-based activity to one that involves the use of dedicated computer-aided business model design tools. We propose a set of guidelines to help design more coherent business models. When combined with functionalities offered by CAD tools, they show great potential to improve business model design as an ongoing activity. However, in order to create complex solutions, it is necessary to compare basic business model design tasks, using a CAD system over its paper-based counterpart. To this end, we carried out an experiment to measure user perceptions of both solutions. Performance was evaluated by applying our guidelines to both solutions and then carrying out a comparison of business model designs. Although CAD did not outperform paper-based design, the results are very encouraging for the future of computer-aided business model design.

Histoire culturelle et représentations transversales de Crans-Montana (1896-2014) : paysages, arts visuels, architecture, littérature et cinéma

La station valaisanne de Crans-Montana est richement représentée par la photographie, la peinture, les affiches et l'architecture. Cette thèse de doctorat s'emploie à réunir un large corpus de photographies et de représentations : peintures, affiches, cartes postales et reproductions de bâtiments emblématiques (voir le corpus illustré et documentaire annexé). Les questions liées à l'identité du territoire et son image sont les fils conducteurs de ce travail qui a débuté en 2008. Un premier ensemble visuel a été réuni par le Dr Théodore Stephani (1868-1951), un acteur fondamental pour l'histoire de la naissance de la station. Médecin, mais également photographe, il réalise une collection de plus de 1300 clichés, réunie en six albums, sur une période de trente-sept ans (1899-1936). Les photographies du médecin, originaire de Genève, fondateur de ce lieu désormais touristique sont le point de départ de cette recherche et son fil rouge. Celle-ci tentera d'articuler des représentations sur l'évolution du paysage et l'urbanisation de la station autour d'acteurs illustres, tels que les peintres Ferdinand Hodler (1853-1918) et Albert Muret (1874-1955), l'écrivain Charles-Ferdinand Ramuz (1878-1947) et les nombreux hôteliers ou médecins qui ont marqué l'histoire de la naissance du Haut-Plateau. Les représentations débutent en 1896 car c'est à ce moment-là que le Dr Stephani s'établit à Montana. Les architectes les plus connus de la première période sont François-Casimir Besson (1869-1944), Markus Burgener (1878-1953), suivi de la deuxième génération autour de Jean-Marie Ellenberger (1913-1988), André Perraudin (1915-2014) et André Gaillard (1921-2010). Parallèlement ou avant eux, les peintres déjà cités, Ferdinand Hodler et Albert Muret, - suivis de René Auberjonois (1872-1957), Henri-Edouard Bercher (1877-1970), Charles-Clos Olsommer (1883-1966), Oskar Kokoschka (1886-1980), Albert Chavaz (1907¬1990), Paul Monnier (1907-1982) et Hans Emi (1909-2015) - qui appartiennent tous à l'histoire culturelle de la région. Quant aux écrivains qui ont résidé dans la région, nous citons Elizabeth von Arnim (1866-1941), sa cousine Katherine Mansfield (1888-1923) alors que l'oeuvre de Charles-Ferdinand Ramuz est largement développée par une interprétation de son oeuvre Le Règne de l'esprit malin (1917) et un clin d'oeil pour Igor Stravinsky (1882¬1971). Nous présenterons aussi les films de trois cinéastes qui se sont inspirés des oeuvres écrites par Ramuz lors de son passage à Lens, à savoir Dimitri Kirsanoff (1899-1957), Claude Goretta (1929) et Francis Reusser (1942). Le concept du « village » est abordé depuis l'exposition nationale suisse (1896) jusqu'au projet des investisseurs russes, à Aminona. Ce « village » est le deuxième mégaprojet de Suisse, après celui d'Andermatt. Si le projet se réalise, l'image de la station s'en trouvera profondément transformée. En 1998, la publication de Au bord de la falaise. L'histoire entre certitudes et inquiétudes amène une grande visibilité aux propositions de Roger Chartier, qui lie l'étude des textes aux objets matériels et les usages qu'ils engendrent dans la société. Il définit l'histoire culturelle comme "une histoire culturelle du social" alors que pour Pascal Ory, une histoire culturelle est "comme une forme d'histoire sociale", ce qui revient presque au même, mais nous choisirons celle d'Ory pour une histoire sociale du paysage et de l'architecture. Ce travail adopte ainsi plusieurs points de vue : l'histoire sociale, basée sur les interviews de nombreux protagonistes de l'histoire locale, et l'histoire de l'art qui permet une sélection d'objets emblématiques ; l'histoire culturelle offre ainsi une méthode transversale pour lire et relier ces différents regards ou points de vue entre les paysages, les arts visuels, l'architecture, la littérature et le cinéma.

Population Variation and Genetic Control of Modular Chromatin Architecture in Humans.

Chromatin state variation at gene regulatory elements is abundant across individuals, yet we understand little about the genetic basis of this variability. Here, we profiled several histone modifications, the transcription factor (TF) PU.1, RNA polymerase II, and gene expression in lymphoblastoid cell lines from 47 whole-genome sequenced individuals. We observed that distinct cis-regulatory elements exhibit coordinated chromatin variation across individuals in the form of variable chromatin modules (VCMs) at sub-Mb scale. VCMs were associated with thousands of genes and preferentially cluster within chromosomal contact domains. We mapped strong proximal and weak, yet more ubiquitous, distal-acting chromatin quantitative trait loci (cQTL) that frequently explain this variation. cQTLs were associated with molecular activity at clusters of cis-regulatory elements and mapped preferentially within TF-bound regions. We propose that local, sequence-independent chromatin variation emerges as a result of genetic perturbations in cooperative interactions between cis-regulatory elements that are located within the same genomic domain.