29 resultados para duty of fair representation

em Consorci de Serveis Universitaris de Catalunya (CSUC), Spain


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Companies are under IAS 40 required to report fair values of investment properties on the balance sheet or to disclose them in the notes. The standard requires also that companies have to disclose the methods and significant assumptions applied in determining fair values of investment properties. However, IAS 40 does not include any illustrative examples or other guidance on how to apply the disclosure requirements. We use a sample with publicly traded companies from the real estate sector in the EU. We find that a majority of the companies use income based methods for the measurement of fair values but there are considerable cross-country variations in the level of disclosures about the assumptions used in determining fair values. More specifically, we find that Scandinavian and German origin companies disclose more than French and English origin companies. We also test whether disclosure quality is associated with enforcement quality measured with the “Rule of Law” index according to Kaufmann et al. (2010), and associated with a secrecy- versus transparency-measure based on Gray (1988). We find a positive association between disclosure and earnings quality and a negative association with secrecy.

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There is an intense debate on the convenience of moving from historical cost (HC) toward the fair value (FV) principle. The debate and academic research is usually concerned with financial instruments, but the IAS 41 requirement of fair valuation for biological assets brings it into the agricultural domain. This paper performs an empirical study with a sample of Spanish farms valuing biological assets at HC and a sample applying FV, finding no significant differences between both valuation methods to assess future cash flows. However, most tests reveal more predictive power of future earnings under fair valuation of biological assets, which is not explained by differences in volatility of earnings and profitability. The study also evidences the existence of flawed HC accounting practices for biological assets in agriculture, which suggests scarce information content of this valuation method in the predominant small business units existing in the agricultural sector in advanced Western countries

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We propose an edge detector based on the selection of wellcontrasted pieces of level lines, following the proposal ofDesolneux-Moisan-Morel (DMM) [1]. The DMM edge detectorhas the problem of over-representation, that is, everyedge is detected several times in slightly different positions.In this paper we propose two modifications of the originalDMM edge detector in order to solve this problem. The firstmodification is a post-processing of the output using a generalmethod to select the best representative of a bundle of curves.The second modification is the use of Canny’s edge detectorinstead of the norm of the gradient to build the statistics. Thetwo modifications are independent and can be applied separately.Elementary reasoning and some experiments showthat the best results are obtained when both modifications areapplied together.

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Intonation is a fundamental music concept that has a special relevance in Indian art music. It is characteristic of the rāga and intrinsic to the musical expression of the performer. Describing intonation is of importance to several information retrieval tasks like the development of rāga and artist similarity measures. In our previous work, we proposed a compact representation of intonation based on the parametrization of the pitch histogram of a performance and demonstrated the usefulness of this representation through an explorative rāga recognition task in which we classified 42 vocal performances belonging to 3 rāgas using parameters of a single svara. In this paper, we extend this representation to employ context-based svara distributions, which are obtained with a different approach to find the pitches belonging to each svara. We quantitatively compare this method to our previous one, discuss the advantages, and the necessary melodic analysis to be carried out in future.

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Natural images are characterized by the multiscaling properties of their contrast gradient, in addition to their power spectrum. In this Letter we show that those properties uniquely define an intrinsic wavelet and present a suitable technique to obtain it from an ensemble of images. Once this wavelet is known, images can be represented as expansions in the associated wavelet basis. The resulting code has the remarkable properties that it separates independent features at different resolution level, reducing the redundancy, and remains essentially unchanged under changes in the power spectrum. The possible generalization of this representation to other systems is discussed.

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Peer-reviewed

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El objetivo de este estudio es contribuir al entendimiento, desde un punto de vista histórico, del papel que juega el cine en los procesos de popularización de la ciencia, la medicina y la tecnología. El punto de partida es la consideración de la medicina y del cine como conjuntos complejos y multidimensionales de “prácticas y discursos” de carácter científico-tecnológico y, por tanto, como formas particulares de acción e interacción cotidiana entre personas, colectivos e instituciones que juegan un papel básico en los procesos de construcción y funcionamiento de las sociedades contemporáneas. Así, mediante el análisis de la representación y articulación de las prácticas y los discursos médico-sanitarios en el cine documental colonial español del primer franquismo, es decir, en el caso particular de la construcción, legitimación y consolidación de un régimen totalitario, se aportan algunas claves explicativas sobre las múltiples relaciones entre diferentes colectivos (expertos y no-expertos) en cuanto a la naturaleza y el nivel de intervención en los procesos de generación y gestión de conocimiento científico-tecnológico. Como resultado, el cine se revela como un espacio no sólo de evasión y entretenimiento, sino también de ciencia y educación, donde la capacidad de definir y solucionar problemas cotidianos de la población, y por tanto, su impacto en la construcción de la arquitectura social, ideológica, económica, política y cultural de las sociedades contemporáneas, se fundamenta en la combinación de sus aspectos como espectáculo narrativo y científico-tecnológico.

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La acelerada invención de nuevos hardware y software van modificando, casi diariamente, la percepción del mundo, y, por lo tanto, la producción cultural, permeabilizando conceptos como arte-literatura, cuadro-libro, imagen-texto. Si bien estas parejas han sido siempre objeto del discurso teórico, la discusión asume hoy una urgencia creciente al momento que las nuevas tecnologías exponen lo que estaba refugiado en el reino de la teoría. La misma forma de comprender la realidad se ve afectada por la inmediatez de estos medios. La investigación analiza la obra de diferentes autores de los nuevos medios que trabajan en torno a la problemática de la representación de la memoria en esta perspectiva contemporánea. El trabajo de investigación desarrollado en la Tesis Doctoral se centra en la forma de representación de la memoria, así como esta planteada en la obra de Chris Marker. Interesan especialmente los últimos dispositivos creados por el autor en el marco de las llamadas nuevas tecnologías y los nuevos espacios de exposición de cine. El proyecto propone un análisis en torno a la memoria que dichos discursos sugieren a través de los temas que les son propios: archivo, identidades culturales, contribución del espectador, base de datos y tratamiento tecnológico de la información. Se ha seleccionado la obra de Chris Marker por las características de realización y de discurso que permiten una amplia discusión sobre las llamadas nuevas tecnologías y el mundo que éstas representan en el nuevo espacio híbrido construido entre las artes visuales, la literatura y la tecnología.

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We consider linear optimization over a nonempty convex semi-algebraic feasible region F. Semidefinite programming is an example. If F is compact, then for almost every linear objective there is a unique optimal solution, lying on a unique \active" manifold, around which F is \partly smooth", and the second-order sufficient conditions hold. Perturbing the objective results in smooth variation of the optimal solution. The active manifold consists, locally, of these perturbed optimal solutions; it is independent of the representation of F, and is eventually identified by a variety of iterative algorithms such as proximal and projected gradient schemes. These results extend to unbounded sets F.

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In the PhD thesis “Sound Texture Modeling” we deal with statistical modelling or textural sounds like water, wind, rain, etc. For synthesis and classification. Our initial model is based on a wavelet tree signal decomposition and the modeling of the resulting sequence by means of a parametric probabilistic model, that can be situated within the family of models trainable via expectation maximization (hidden Markov tree model ). Our model is able to capture key characteristics of the source textures (water, rain, fire, applause, crowd chatter ), and faithfully reproduces some of the sound classes. In terms of a more general taxonomy of natural events proposed by Graver, we worked on models for natural event classification and segmentation. While the event labels comprise physical interactions between materials that do not have textural propierties in their enterity, those segmentation models can help in identifying textural portions of an audio recording useful for analysis and resynthesis. Following our work on concatenative synthesis of musical instruments, we have developed a pattern-based synthesis system, that allows to sonically explore a database of units by means of their representation in a perceptual feature space. Concatenative syntyhesis with “molecules” built from sparse atomic representations also allows capture low-level correlations in perceptual audio features, while facilitating the manipulation of textural sounds based on their physical and perceptual properties. We have approached the problem of sound texture modelling for synthesis from different directions, namely a low-level signal-theoretic point of view through a wavelet transform, and a more high-level point of view driven by perceptual audio features in the concatenative synthesis setting. The developed framework provides unified approach to the high-quality resynthesis of natural texture sounds. Our research is embedded within the Metaverse 1 European project (2008-2011), where our models are contributting as low level building blocks within a semi-automated soundscape generation system.

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Aquest projecte consisteix en generar un programa escrit en llenguatge Java, que utilitzant un motor d'inferència a través d'una llibreria anomenada JESS, pugui llegir un document en format OWL que és una representació de l'ontologia (representació del coneixement) sobre una assignatura, transformant-lo al format de triples que és capaç d'interpretar JESS.

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Aquest treball té dues parts, una de teòrica i una de pràctica: la primera part és una introducció als sistemes d'informació geogràfica, amb una descripció però també amb una explicació de la implementació interna; la segona part és un plantejament general d'un projecte SIG, consistent en la representació de la xarxa d'aigua potable d'una població qualsevol.

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Aquest document ens acosta als sistemes d'informació geogràfica donant-nos una definició de què fan, descrivint què són els objectes geogràfics (entitats amb informació geomètrica i temàtica) i tractant de la problemàtica de la seva representació. També ens mostra els passos que cal fer en un sistema d'informació geogràfica, des de la introducció de les dades fins a la presentació dels resultats, passant per la consulta i l'anàlisi.

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While the Internet has given educators access to a steady supply of Open Educational Resources, the educational rubrics commonly shared on the Web are generally in the form of static, non-semantic presentational documents or in the proprietary data structures of commercial content and learning management systems.With the advent of Semantic Web Standards, producers of online resources have a new framework to support the open exchange of software-readable datasets. Despite these advances, the state of the art of digital representation of rubrics as sharable documents has not progressed.This paper proposes an ontological model for digital rubrics. This model is built upon the Semantic Web Standards of the World Wide Web Consortium (W3C), principally the Resource Description Framework (RDF) and Web Ontology Language (OWL).

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La carencia de unmodelo bien definido de representaciónde la informaciónen la web ha traído consigoproblemas de cara a diversosaspectos relacionados con suprocesamiento. Para intentarsolucionarlos, el W3C, organismoencargado de guiar la evoluciónde la web, ha propuestosu transformación hacia unanueva web denominada websemántica. En este trabajo sepresentan las posibilidades queofrece este nuevo escenario, asícomo las dificultades para suconsecución, prestando especialatención a las ontologías,herramientas de representacióndel conocimiento fundamentalespara la web semántica. Porúltimo, se analiza el papel delprofesional de la biblioteconomíay documentación en estenuevo entorno.