3 resultados para b-D-Galactopyranose

em Consorci de Serveis Universitaris de Catalunya (CSUC), Spain


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El objetivo de este estudio es analizar la pronunciación del español por parte de hablantes chinos para poder detectar posibles dificultades a la hora de adquirir el sistema fónico español

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The numerous yeast genome sequences presently available provide a rich source of information for functional as well as evolutionary genomics but unequally cover the large phylogenetic diversity of extant yeasts. We present here the complete sequence of the nuclear genome of the haploid-type strain of Kuraishia capsulata (CBS1993(T)), a nitrate-assimilating Saccharomycetales of uncertain taxonomy, isolated from tunnels of insect larvae underneath coniferous barks and characterized by its copious production of extracellular polysaccharides. The sequence is composed of seven scaffolds, one per chromosome, totaling 11.4 Mb and containing 6,029 protein-coding genes, ~13.5% of which being interrupted by introns. This GC-rich yeast genome (45.7%) appears phylogenetically related with the few other nitrate-assimilating yeasts sequenced so far, Ogataea polymorpha, O. parapolymorpha, and Dekkera bruxellensis, with which it shares a very reduced number of tRNA genes, a novel tRNA sparing strategy, and a common nitrate assimilation cluster, three specific features to this group of yeasts. Centromeres were recognized in GC-poor troughs of each scaffold. The strain bears MAT alpha genes at a single MAT locus and presents a significant degree of conservation with Saccharomyces cerevisiae genes, suggesting that it can perform sexual cycles in nature, although genes involved in meiosis were not all recognized. The complete absence of conservation of synteny between K. capsulata and any other yeast genome described so far, including the three other nitrate-assimilating species, validates the interest of this species for long-range evolutionary genomic studies among Saccharomycotina yeasts.

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Dins l"art occidental el tema del retrat davant una finestra té una llarga tradició que parteix de la pintura alemanya, flamenca i italiana del segle XV. Ja en aquestes produccions va quedar fixada una tipologia que tindria continuïtat en els segles posteriors, i que quedà conformada bàsicament per la forta relació establerta entre figura i paisatge. No necessàriament aquesta relació havia de ser de naturalesa al·legòrica; freqüentment la imbricació entre tots dos elements es plantejava senzillament en termes de complementarietat compositiva, cromàtica o llumínica, fins i tot de vegades informativa topogràficament parlant, donat que la inclusió dins el paisatge d"alguns accidents geogràfics característics o bé d"algun edifici emblemàtic ajudava l"espectador a identificar la procedència del personatge retratat.