2 resultados para Montlosier, François-Dominique de Reynaud, comte de, 1755- 1838.
em Consorci de Serveis Universitaris de Catalunya (CSUC), Spain
Resumo:
This painting with an exceptional iconography of the Assumption of the Virgin with All the Saints, was saved from a altarpiece in the church of Santa Maria de l'Alba in Manresa, which was burnt during the Spanish Civil War. The article attributes this painting to Antoni Viladomat i Manalt (1678-1755), one of the most relevant figures in the Catalan artistic scene in the 18th century, and it dates it to the latter years of his extensive artistic career. An analysis of the work shows that the Catalan painter incorporated some figurative elements that he borrowed from an engraving of the Swiss engraver, Jakob Frey (1681-1752), interpreted from a canvas of the Italian painter Sebastiano Conca (1680-1764). This helps to relate the canvas of the Barcelona painter-based on his previous figurative work with high Roman baroque- to the new proposals of the so-called Roman barrochetto. In addition the study hopes to offer the reader an artistically cultural view of Antoni Viladomat, openly concerned by the novelties that constantly reached Catalonia by means of the engravings
Resumo:
This book is the result of a one-year seminar series"Islam médiéval d"Occident (VIIe-XVe)", held at the Colegio de España in Paris in 2006-07 by the Association des doctorants en histoire des mondes musulmans médievaux (Diwan http://diwan.hypotheses.org), and a second volume focusing on Arabization is expected (p. 33). The contributors" experience, alongside their university and research backgrounds, have led to the publication of articles of an outstandingly high level throughout this book. This scholarly achievement is combined with a thought-provoking theoretical framework, where Arabization and Islamization give a common theme to the proceedings, which are developed in four parts.
