23 resultados para Gray, Thomas, 1716-1771.

em Consorci de Serveis Universitaris de Catalunya (CSUC), Spain


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La "Phoronomia", primer libro de mecánica escrito tras los "Principia", es representativo del proceso de transición que transformó la dinámica a principios del XVIII y que concluye con la "Mecánica" de Euler (1736). Está escrita en estilo geométrico y algebraico, y mezcla los conceptos y métodos de Leibniz y Newton de forma idiosincrásica. En esta obra se encuentra por primera vez la segunda ley de Newton escrita en la forma en que hoy la conocemos, así como un intento de construcción de la estática y la dinámica de sólidos y fluidos basado en reglas generales diferenciales.

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A Pair of Blue Eyes ha estat considerada tradicionalment como el primer exemple de pessimisme i fatalisme en les novel·les de Hardy. Aquest treball pretén mostrar que la novel·la no segueix aquest patró, sinó que en base al model aristotèlic de catarsis, mostra l’ error que suposa seguir falsos models amorosos.

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Partint de l'estudi del llibre El retrat de Dorian Gray d'Oscar Wilde s'analitzarà, des del punt de vista de la cultura actual, una societat que s'aferra a la joventut i utilitza tots els mètodes tecnològics per defugir de la vellesa.

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In this paper we propose a generalization of the density functional theory. The theory leads to single-particle equations of motion with a quasilocal mean-field operator, which contains a quasiparticle position-dependent effective mass and a spin-orbit potential. The energy density functional is constructed using the extended Thomas-Fermi approximation and the ground-state properties of doubly magic nuclei are considered within the framework of this approach. Calculations were performed using the finite-range Gogny D1S forces and the results are compared with the exact Hartree-Fock calculations

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The properties of hot, dense stellar matter are investigated with a finite temperature nuclear Thomas-Fermi model.

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We analyze the influence of the density dependence of the symmetry energy on the average excitation energy of the isoscalar giant monopole resonance (GMR) in stable and exotic neutron-rich nuclei by applying the relativistic extended Thomas-Fermi method in scaling and constrained calculations. For the effective nuclear interaction, we employ the relativistic mean field model supplemented by an isoscalar-isovector meson coupling that allows one to modify the density dependence of the symmetry energy without compromising the success of the model for binding energies and charge radii. The semiclassical estimates of the average energy of the GMR are known to be in good agreement with the results obtained in full RPA calculations. The present analysis is performed along the Pb and Zr isotopic chains. In the scaling calculations, the excitation energy is larger when the symmetry energy is softer. The same happens in the constrained calculations for nuclei with small and moderate neutron excess. However, for nuclei of large isospin the constrained excitation energy becomes smaller in models having a soft symmetry energy. This effect is mainly due to the presence of loosely-bound outer neutrons in these isotopes. A sharp increase of the estimated width of the resonance is found in largely neutron-rich isotopes, even for heavy nuclei, which is enhanced when the symmetry energy of the model is soft. The results indicate that at large neutron numbers the structure of the low-energy region of the GMR strength distribution changes considerably with the density dependence of the nuclear symmetry energy, which may be worthy of further characterization in RPA calculations of the response function.

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We derive analytical expressions for the excitation energy of the isoscalar giant monopole and quadrupole resonances in finite nuclei, by using the scaling method and the extended ThomasFermi approach to relativistic mean-field theory. We study the ability of several nonlinear σω parameter sets of common use in reproducing the experimental data. For monopole oscillations the calculations agree better with experiment when the nuclear matter incompressibility of the relativistic interaction lies in the range 220260 MeV. The breathing-mode energies of the scaling method compare satisfactorily with those obtained in relativistic RPA and time-dependent mean-field calculations. For quadrupole oscillations, all the analyzed nonlinear parameter sets reproduce the empirical trends reasonably well.

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By using the scaling method we derive the virial theorem for the relativistic mean field model of nuclei treated in the ThomasFermi approach. The ThomasFermi solutions statisfy the stability condition against scaling. We apply the formalism to study the excitation energy of the breathing mode in finite nuclei with several relativistic parameter sets of common use.

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En Muerte en Venecia Thomas Mann se refiere explícitamente al Simposio y al Fedro de Platón para explicar la relación entre Gustav von Aschenbach y Tadzio, pero oculta que su novela se inspira también en el Erótico de Plutarco. ¿Por qué? El objetivo de este artículo es justamente revelar las razones de este proceder. En efecto, Plutarco elogia el amor matrimonial en el Erótico y éste no es el camino que sigue Mann, pero, al mismo tiempo, el escritor alemán halla en el diálogo plutarqueo todo lo necesario para construir su historia de amor masculino y decide no prescindir de él.

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In Death in Venice Thomas Mann refers explicitly to Plato's Symposium and Phaedrus in order to explain the relationship between Gustav von Aschenbach and Tadzio but he hides that his novel also depends on Plutarch's Eroticus. Why? The aim of this article is precisely to reveal the different reasons for such an attitude. Indeed, Plutarch speaks highly of conjugal love in his Eroticus and this way is not followed by Mann in Death in Venice but, at the same, the German writer finds in this Plutarch's philosophical dialogue all the necessary elements to build his story of masculine love and decides not to manage without it.

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A Mort a Venècia Thomas Mann es refereix explícitament al Simposi i al Fedre de Plató per explicar la relació entre Gustav von Aschenbach i Tadzio, però amaga que la seva novel·la s'inspira també en l'Eròtic de Plutarc. Per què? L'objectiu d'aquest article és justament revelar les raons d'aquest capteniment. En efecte, Plutarc elogia l'amor matrimonial a l'Eròtic i aquest no és el camí que segueix Mann, però, alhora, l'escriptor alemany troba en el diàleg plutarqueu tot el que necessita per bastir la seva història d'amor masculí i decideix no prescindir-ne.

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El 1716 es publicà a Milà un text que fa una àmplia justificació històrica i política de la causa de Carles III d'Àustria a la Guerra de Successió d'Espanya (1702-1715). L'obra, de dimensions considerables (72 pàgines), va ser redactada per un eclesiàstic castellà que participà a la defensa de Barcelona durant el darrer setge i que va ser desterrat a Itàlia per les noves autoritats borbòniques. L'article analitza algunes de les idees centrals del text, com ara: l'oposició a la tirania borbònica i la defensa d'una monarquia moderada; la identificació de l'entronització de Felip V com el trencament de l'equilibri europeu i el punt culminant de la decadència d'Espanya; la denúncia de la traïció dels aliats; la vindicació de l'austriacisme castellà i la crítica al borbonisme d'alguns sectors catalans; i la descripció de la repressió i de l'exili.

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The appearance and popularization of the internet has created new forms of writing, which compel us to think anew about identity and subjectivity. Webjournals or blogs are specially interesting because they are a massive phenomenon that use autobiographical writing in a peculiar way. These forms of writing stress a particular paradox of the genre: the coexistence between a purpose of private, confessional and spontaneous writing and a public image, carefully built, as a result of its writing. The technology is new, but, in fact, the paradox is old. This paper tries to explore this old paradox, our eternal condition of cyborgs, our use of technologies in order to construct a public, unique and recognizably identity. In oder to do so, I will try to show the virtual condition of any written individual ¿this issue has already been dealt with by autobiographical studies¿, focusing on blogs, and especially on concrete example (Lord Whimsy¿s Journal). I will pay attention to gender as a technology that constructs identity and, at the same time, is deconstructed by the autobiographical narratives analyzed. In short, I attempt to show that virtual and autobiographical discourse do not bring forth a new kind of subject but the permanence of an old phenomenon "clearly developed by dandyism, for instance¿: the use of tehnologies to re-invent, re-formulate and re-construct us as multiple, hybrid and mixed subjects."