17 resultados para Bulgarian Iconography

em Consorci de Serveis Universitaris de Catalunya (CSUC), Spain


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El present treball tracta el tema de les nominalitzacions búlgares en el marc teòric de Principis i Paràmetres. Es proposa que la formació dels nominals resulta de la fusió d’un nucli nominalitzador [nº] amb una arrel o radical on [nº] és un morfema de gènere o un sufix derivacional amb gènere inherent. El diferent comportament de les nominalitzacions s’explica per una diferència a l’estructura sintàctica. També demostro que sense estructura eventiva no hi ha estructura argumental i que podem distingir entre nominals d’estructura argumental, d’estructura de participants i nominals de resultat. Finalment, proposo que la seqüència correcta tan dels prefixos com dels sufixos s’obté, exclusivament, mitjançant moviments de projeccions màximes.

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Many of the newly established private enterprises in transition economies in Central and Eastern Europe (CEE) are owned and managed by women (Degtiar, 2000). However, there are limited research and knowledge on gender, management, and organization in CEE (Metcalfe and Afanassieva, 2005) and, particularly, on the performance of female-owned companies. Sporadic empirical evidence shows that female-owned companies have worse performance than male-owned companies in transition economies (Drnovsek and Glas, 2006; Aidis, 2006). The purpose of this paper is twofold. First, we study the factors that affect the performance of female-owned companies in a transition context. Second, we compare how performance varies between female and male-owned businesses in such a context. Combining the Feminist Theory, the Institutional Theory, and the literature on determinants of firm performance, we derive hypotheses about the determinants of the performance of female-owned companies and about gender differences in performance. The proposed hypotheses are tested in a sample of 501 private Bulgarian companies. Our results indicate that a number of individual, organizational, and environmental characteristics are significant determinants of the performance of both female and male-owned companies. Although there are gender differences in performance, they disappear when other factors are controlled for. We conclude with some recommendations for policy implications and place the current results in respect to future research.

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This paper describes the development of a two-way shallow-transfer rule-based machine translation system between Bulgarian and Macedonian. It gives an account of the resources and the methods used for constructing the system, including the development of monolingual and bilingual dictionaries, syntactic transfer rules and constraint grammars. An evaluation of thesystem's performance was carried out and compared to another commercially available MT system for the two languages. Some future work was suggested.

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Treball de recerca realitzat per alumnes d'ensenyament secundari i guardonat amb un Premi CIRIT per fomentar l'esperit científic del Jovent l'any 2009. Aquesta recerca ha consistit en fer una base de dades a partir de la iconografia de la revista modernista ''Pèl&Ploma''. Es tracta de fer un inventari de les il•lustracions que hi surten des de la primera publicació -3 de juny de 1899- fins a la número 76, publicat el 15 de maig de 1901. S’ha fet una fitxa de cadascuna de les imatges on s’hi recull: el nom de l'autor, el títol de l'obra, el número de la revista i la pàgina on apareix, la tècnica utilitzada i un petit comentari. A més, inclou una introducció general sobre la revista i una fitxa bibliogràfica de cada artista que hi participa.

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The principal focus of the PhD thesis lies in the Social Software area and the appropriation of technology in "non-Western" societies taking the example of Bulgaria. The term "non-Western" is used to explain places considered technologically underdeveloped. The aims have been to capture how Bulgarian users creatively interpret and appropriate Internet identifying the sociocultural, political and subjective conditions in which that appropriation occurs, to identify emerging practices based on the interpretation and use of Internet and the impact they had on society and what conditions could influence the technological interpretation and the meaning these practices had for both users and social configuration of Internet as media in Bulgaria. An ethnographic approach has been used simultaneously in different online and offline contexts. On the one hand, this study is based on exploration of the Bulgarian Internet Space through online participant observation in forums and websites reviews and on the other hand, on semi-structured interviews with different types of users of the virtual platforms found, made both face to face and online and finally online participant observation at the same platforms. It is based on some contributions of the ethnographic work of Christine Hine in virtual environments and the notions of time and space of Barbara Czarniawska contextualized in the modern form of organization that occurs in a network of multiple and fragmented contexts across many movements.

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El fascinant mite de Dànae ha inspirat artistes de múltiples disciplines; poetes, escriptors, escultors, gravadors i pintors han quedat subjugats per aquesta història i per la seva ductilitat. En aquest document concentrarem la nostra anàlisi en l'estudi d'un conjunt representatiu i divers de pintures sobre l'escena de la pluja d'or del mite de Dànae.

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This paper describes an experiment to explore the effects of the TENCompetence infrastructure for supporting lifelong competence development which is now in development. This infrastructure provides structured, multi-leveled access to learning materials, based upon competences. People can follow their own learning path, supported by a listing of competences and their components, by competence development plans attached to competences and by the possibility to mark elements as complete. We expected the PCM to have an effect on (1) control of participants of their own learning, and (2) appreciation of their learning route, (3) of the learning resources, (4) of their competence development, and (5) of the possibilities of collaboration. In the experiment, 44 Bulgarian teachers followed a distance learning course on a specific teaching methodology for six weeks. Part of them used the TENCompetence infrastructure, part used an infrastructure which was similar, except for the characterizing elements mentioned above. The results showed that in the experimental condition, more people passed the final competence assess-ment, and people felt more in control of their own learning. No differences between the two groups were found on the amount and appreciation of collaboration and on further measures of competence development.

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Son numerosas las representaciones del donante que hallan un punto de referencia en la Adoración de los reyes de Oriente. Por este camino es lícito interpretar algunas de las imágenes del arte de época medieval y moderna que hacen comparecer al donante ante la Virgen y el Niño como renovadas epifanías (o nuevas epifanías). Su sentido puede apoyarse en un notorio elenco de textos medievales que revelan la existencia de contenidos similares o análogos entre distintos tipos de escenas. Este trabajo recopila y revisa sobre todo aquellas obras que, al situar al donante arrodillado o en oración junto a los reyes de la Epifanía histórica, mejor evidencian su conversión en aprendiz de rey mago.

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En este artículo analizamos y clasificamos los testimonios iconográficos y epigráficos de época prerromana y romana en Hispania sobre los combates cuerpo a cuerpo sin armas. La primera evidencia es una escultura ibérica de lucha del siglo V a.C. Con la romanización, se generalizan por toda la Península las competiciones grecorromanas de lucha, pugilato y pancracio. En los siglos II y III estas pruebas conocen su periodo de esplendor; se conservan nscripciones y mosaicos en establecimientos termales. En época visigoda desaparecen los testimonios, coincidiendo con el ocaso de la vida urbana romana.

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Several studies over the last few years have shown that newly arising (de novo) mutations contribute to the genetics of schizophrenia (SZ), autism (ASD) and other developmental disorders. The strongest evidence comes from studies of de novo Copy Number Variation (CNV), where the rate of new mutations is shown to be increased in cases when compared to controls [23, 24]. Research on de novo point mutations and small insertion-deletions (indels) has been more limited, but with the development of next-generation sequencing (NGS) technology, such studies are beginning to provide preliminary evidence that de novo single-nucleotide mutations (SNVs) might also increase risk of SZ and ASD [25, 26] Advanced paternal age is a major source of new mutations in human beings [27] and could thus be associated with increased risk for developing SZ, ASD or other developmental disorders. Indeed, advanced paternal age is found to be a risk factor for developing SZ and ASD in the offspring [28, 29] and new mutations related to advanced paternal age have been implicated as a cause of sporadic cases in several autosomal dominant diseases, some neurodevelopmental diseases, including SZ and ASD, and social functioning. New single-base substitutions occur at higher rates at males compared to females and this difference increases with paternal age. This is due to the fact that sperm cells go through a much higher number of cell divisions (~840 by the age of 50), which increases the risk for DNA copy errors in the male germ line [30] . By contrast, the female eggs (oocytes) undergo only 24 cell divisions and all but the last occur during foetal life. The aim of my project is to determine the parent-of-origin of de novo SNVs, using large samples of parent-offspring trios affected with schizophrenia (SZ). From whole exome sequencing of 618 Bulgarian proband-offspring trios affected, nearly 1000 de novo (SNVs or small indels) have been identified and from these, the parent-of-origin of at least 60% of the mutations (N=600) can be established. This project is contained in a main one that consists on the determination of the parental origin of different types of de novo mutations (SNVs, small indels and large CNVs).

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This work is conceived to provide a general approach to the study of the different structures of Roman architecture - and of its representations – that combine the arched system with the architrave and that are traditionally grouped under terms like “arcuated trabeation” and “Syrian pediment” or other similar (“Syrian arch”, “arcuated lintel”, “arcuated architrave”, “arcuated gable”, “arcuated pediment”). This paper will address all-round issues of form and terminology, of origin and spread (with particular attention to the problem presented by the site of Sî῾ Syria), of use in constructions and iconography and of possible symbolic value. The study focuses on key concepts and basic bibliography as well as on some technical, functional and symbolic aspects able to broaden what has been outlined so far.

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Aquest projecte és fruit de la meva necessitat de buscar amb el meu instrument, la percussió, i més concretament amb la pandereta, recursos tècnics i interpretatius per abordar la interpretació de la música antiga. Com a punt de partida he analitzat iconografia i algunes fonts literàries per tal d’entendre i poder explicar que s’entén quan parlem de la percussió històrica. Posteriorment s’observen algunes pràctiques encara existents en les tradicions musicals italianes i àrabs i com aquestes poden ser el punt de partida per a configurar una maner pròpia i moderna d’ interpretar i anotar la música històrica.

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This painting with an exceptional iconography of the Assumption of the Virgin with All the Saints, was saved from a altarpiece in the church of Santa Maria de l'Alba in Manresa, which was burnt during the Spanish Civil War. The article attributes this painting to Antoni Viladomat i Manalt (1678-1755), one of the most relevant figures in the Catalan artistic scene in the 18th century, and it dates it to the latter years of his extensive artistic career. An analysis of the work shows that the Catalan painter incorporated some figurative elements that he borrowed from an engraving of the Swiss engraver, Jakob Frey (1681-1752), interpreted from a canvas of the Italian painter Sebastiano Conca (1680-1764). This helps to relate the canvas of the Barcelona painter-based on his previous figurative work with high Roman baroque- to the new proposals of the so-called Roman barrochetto. In addition the study hopes to offer the reader an artistically cultural view of Antoni Viladomat, openly concerned by the novelties that constantly reached Catalonia by means of the engravings

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El dogma de la Inmaculada Concepción originó la creación de la "Confraria del Senyor Rei", también denominada "Cofradía de la Copncepción de María Immaculada" en la Corona de Aragón. La confraternidad fue fundada en Zaragoza por Pedro IV el 8 de mayo de 1333. Con nuestro estudio queremos mostrar un manuscrito inédito, custodiado en la Biblioteca del Monasterio de Poblet. Se trata de un códice de lujo que contiene los estatutos de la confraternidad. El manuscrito fue iluminado mediante dos ilustraciones. La primera realizada durante el reinado de Martín el Humano, la segunda datada en torno a 1440. durante el reinado de Alfonso el Magnánimo.

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The present article treats of the painter Joan Arnau Moret, catalan painter of the 17th century. Aspects treat each other as the order of the great picture preserved in the cathedral of Barcelona with the iconography The de live ry o f the ke ys of the city of Barcelona to the Immaculate, the biographical news it extracted of the process of canonization of santa Maria of Cervelló or the professional relation that Joan Arnau joined with the prince Joan Josep d’Àustria newly finished the Segadors war (The Reapers’ War). Of them the study also announces a work – the Saint Cathe rine o f Ale xandria of the chapel of Saint Catherine of the cathedral of Girona – proposes to attribute four paintings more – the paintings of the altarpiece of The Saints fo ur Martyrs of the cathedral of Girona – and thinks about the controversial paintings of the altarpiece of the Castle of Vilassar and of the monastery of Sant Joan of the Abadesses. Finally, by means of the stylistic reading of the new works, which the author considers of the best of his catalogue, one tries to demonstrate that thesources of your figurative culture and stylistic are in the painting of Madrid of the first decades of the 17th century