134 resultados para Art Conservation


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To involve citizens in developing the processes of city making is an objective that occupies part of the agenda of political parties in the context of the necessary renewal in representative democracy. This paper aims to provide some answers to the following questions: Is it possible to overcome the participatory processes based exclusively on the consultation? Is it possible to"train" residents to take an active role in decision-making? How can we manage, proactively, the relationship between public actors, technicians and politicians, in a participatory process? We analyse the process development for creating the Wall of Remembrance in the Barcelona neighbourhood of Baró de Viver, a work of public art, created and produced by its neighbours, in the context of a long participatory process focused on changing the image of the neighbourhood and the improvement of public space. This result and this process have been possible in a given context of cooperation among neighbours, local government and the research team (CR-Polis, Art, City, Society at the University of Barcelona). The development of a creative process of citizen participation between 2004 and 2011 made possible the direct management of decision making by the residents on the field of the design of public space in the neighbourhood. However, the material results of the process does not overshadow the great achievement of the project: the inclusion of a neighbourhood in taking informed decisions because of their empowerment in public space design and management of their remembrances.

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The adequate selection of indicator groups of biodiversity is an important aspect of the systematic conservation planning. However, these assessments differ in the spatial scale, in the methods used and in the groups considered to accomplish this task, which generally produces contradictory results. The quantification of the spatial congruence between species richness and complementarity among different taxonomic groups is a fundamental step to identify potential indicator groups. Using a constructive approach, the main purposes of this study were to evaluate the performance and efficiency of eight potential indicator groups representing amphibian diversity in the Brazilian Atlantic Forest. Data on the geographic range of amphibian species that occur in the Brazilian Atlantic Forest was overlapped to the full geographic extent of the biome, which was divided into a regular equal-area grid. Optimization routines based on the concept of complementarily were applied to verify the performance of each indicator group selected in relation to the representativeness of the amphibians in the Brazilian Atlantic Forest as a whole, which were solved by the algorithm"simulated annealing", through the use of the software MARXAN. Some indicator groups were substantially more effective than others in regards to the representation of the taxonomic groups assessed, which was confirmed by the high significance of data (F = 312.76; p < 0.01). Leiuperidae was considered as the best indicator group among the families analyzed, as it showed a good performance, representing 71% of amphibian species in the Brazilian Atlantic Forest (i.e. 290 species), which may be associated with the diffuse geographic distribution of its species. This study promotes understanding of how the diversity standards of amphibians can be informative for systematic conservation planning on a regional scale.

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Międzyrzecz Fortified Front, were Natura 2000 site PLH080003 Nietoperek is situated, was built by the Germans in the 1930s and during the World War II. It is composed of above ground bunkers connected by underground tunnels of ca. 32 km total length. Nietoperek is the eighth largest bats hibernation site in EU. Monthly censuses were carried out from October to April during three consecutive winter seasons (2011/12 – 2013/14) in area covering ca. 30% of the undergrounds. The aims of the study were: (1) to describe changes in numbers of each species in the course of hibernation season, (2) to suggest deadlines for counting particular bat species to obtain maximal numbers and (3) to describe negative impact of tourism on hibernating bats. The results will be useful for restriction of winter tourism in Nietoperek. The total number of bats observed during the study was 37869 individuals of 9 species. Because of difficulties in distinguishing without handling M. mystacinus and M. brandtii were treated as one group. M. myotis constituted from 53% (first season) to 64% (last season) of all hibernating bats. The maximal numbers of individuals were observed in November (first two seasons) and in December (third season). M. daubentonii constituted from 27% (first season) to 21% (last season) and M. nattereri from 10% (first season) to 11% (second season) of all bats. During the three seasons the maximal numbers of M. daubentonii and M. nattereri were observed in November and December respectively. B. barbastellus and P. auritus constituted from 4% (first season) to 2% (last season) of the multi species colony. The maximal numbers of B. barbastellus were observed in January and P. auritus in January (first and second seasons) and in December (third season). Results indicated that the best period for counting maximal numbers of M. myotis and M. daubentonii is November, for M. nattereri is December and for B. barbastellus and P. auritus is January. The study undertaken in the part visited by tourists in winter (total length of 900 m) proved negative effect caused by human disturbance with 23% decline of total bat numbers.

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El present treball és un estudi sobre l'estigma social en la malaltia mental i la representació d'aquest al cinema. Aquesta anàlisi s'ha portat a terme a partir de dues línies de treball. Per una banda amb l'anàlisi interpretativa de dotze pel·lícules utilitzant els indicadors de 'perillositat'; 'incapacitat per a la vida'; 'incurabilitat'; 'pèrdua de rols socials'; 'por al rebuig i/o por a les relacions socials'; i per l'altra banda a partir d'un grup de discussió, en el qual s'han visionat fragments de cinc pel·lícules amb set estudiants del Grau d'Educació Social de la Universitat de Vic. Dels resultats obtinguts es desprèn que la pel·lícula és un mitjà de comunicació mitjançant el qual els estereotips són usats en favor de l'espectacle, estigmatitzant així les persones diagnosticades de malaltia mental. Aquest és un dels motius que fan valorar el cinema com un recurs educatiu a considerar tant en la formació d'educadors i educadores socials com en els projectes d'intervenció socioeducativa.

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This article analyses the cómic book Maus, by Art Spiegelman (1986-1991), from two angles: as a work of art dealing with the Holocaust, and as a cómic that subverts the fictional tradition of the genre, opening itself up to history and the narration of reality. Maus, the first cómic book to treat the topic of the Holocaust in depth, was written by a second-generation witness. It is a story of both physical survival and enduring trauma in the family. At the same time, an analysis of the stratevival and enduring trauma in the family. At the same time, an analysis of the strateof the traditional cómic reveals how Spiegelman has used the genre to recount, instead of fiction and for the first time, a historically authentic biographical tale

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Els frontals d'altar medievals conservats a Catalunya i a la Catalunya Nord presenten unes similituds en els seus suports de fusta que permeten agrupar- los entre el ls segons els seus modelsconstructius.Per altra banda també permeten arribar a concebre com es van construir les diferents parts que els composen i amb quines eines es va treballar la fusta .L'estudi presentat es centra concretament en les marques de les eines de fuster que han quedat gravades als suports ¡ que ens permeten saber de quines eines es tractava, com s'utilitzaven ¡quinsistema es va seguir per la construcció d'aquestes estructures.Històricament no s'ha donat gens de valor als suports de fusta d'aquestes peces en comparació amb la seva capa pictòrica i, per aquest motiu, s'han portat a terme mutilacions del suport o reparacionsestructurals que no han tingut en compte la conservació dels seus elements originals. Les marques d'eina sovint han passat desapercebudes i en molts casos s'han malmès o bé s'han eliminat degut ales intervencions poc respectuoses que s'han fet al llarg del segle XX.L'objectiu de la recerca que s'està portant a terme és identificar les marques a la fusta original delssuports i poder relacionar-les amb les eines que es van utilitzar en el seu moment i fer un inventaride les marques per poder utilitzar-lo en estudis posteriors.Aquest treball s'ha desenvolupat dins la línia d'investigació del Grup de Recerca ConsolidatConservació-Restauració del Patrimoni 2014-16 - SGR 459G de la Facultat de Belles Arts, Universitatde Barcelona, anomenada Estudi tecnològic dels suports de béns culturals: materials i tècniques de producció.

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Com a resultat de les práctiques realitzades al Museu Nacional d'Art de Catalunya (MNAC), entrenovembre de 2010 i febrer de 2011, emmarcades dins del Practicum del Màster de Direcció de Projectes de Conservació Restauració (Facultat de Belles Arts, Universitat Barcelona) vaig entraren contacte amb l'activitat del préstec d'obres d'art per a exposicions temporals. L'interès que em va suscitar, juntament amb el desconeixement que tenia en la matèria, em van portar a dedicarel Treball Final de Master a la recerca deis diferents aspectes que envolten el préstec de Béns Culturals en exposicions temporals, començant per una visió més global i acabant de centrar laproposta en l'àmbit de la conservació-restauració (i especialment en l'activitat documental que requereix).El treball pretén demostrar que la sistematització d'aquesta documentació és una eina bàsica per a un bon desenvolupament del procés de préstec, i ho fa fixant-se especialment en la documentació que depen de l'Àrea de Conservació-Restauració que, al cap i a la fi, és la documentació que hade permetre neutralitzar els riscos que pot comportar el préstec per a la integritat de les obres en trànsit...

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Freshwater species worldwide are experiencing dramatic declines partly attributable to ongoing climate change. It is expected that the future effects of climate change could be particularly severe in mediterranean climate (med-) regions, which host many endemic species already under great stress from the high level of human development. In this article, we review the climate and climate-induced changes in streams of med-regions and the responses of stream biota, focusing on both observed and anticipated ecological responses. We also discuss current knowledge gaps and conservation challenges. Expected climate alterations have already been observed in the last decades, and include: increased annual average air temperatures; decreased annual average precipitation; hydrologic alterations; and an increase in frequency, intensity and duration of extreme events, such as floods, droughts and fires. Recent observations, which are concordant with forecasts built, show stream biota of med-regions when facing climate changes tend to be displaced towards higher elevations and upper latitudes, communities tend to change their composition and homogenize, while some life-history traits seem to provide biota with resilience and resistance to adapt to the new conditions (as being short-lived, small, and resistant to low streamflow and desiccation). Nevertheless, such responses may be insufficient to cope with current and future environmental changes. Accurate forecasts of biotic changes and possible adaptations are difficult to obtain in med-regions mainly because of the difficulty of distinguishing disturbances due to natural variability from the effects of climate change, particularly regarding hydrology. Long-term studies are needed to disentangle such variability and improve knowledge regarding the ecological responses and the detection of early warning signals to climate change. Investments should focus on taxa beyond fish and macroinvertebrates, and in covering the less studied regions of Chile and South Africa. Scientists, policy makers and water managers must be involved in the climate change dialogue because the freshwater conservation concerns are huge.

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In Chile, mediterranean climate conditions only occur in the Central Zone (ChMZ). Despite its small area, this mediterranean climate region (med-region) has been recognised as a hotspot for biodiversity. However, in contrast to the rivers of other med-regions, the rivers in the ChMZ have been studied infrequently, and knowledge of their freshwater biodiversity is scarce and fragmented. We gathered information on the freshwater biodiversity of ChMZ, and present a review of the current knowledge of the principal floral and faunal groups. Existing knowledge indicates that the ChMZ has high levels of endemism, with many primitive species being of Gondwanan origin. Although detailed information is available on most floral groups, most faunal groups remain poorly known. In addition, numerous rivers in the ChMZ remain completely unexplored. Taxonomic specialists are scarce, and the information available on freshwater biodiversity has resulted from studies with objectives that did not directly address biodiversity issues. Research funding in this med-region has a strong applied character and is not focused on the knowledge of natural systems and their biodiversity. Species conservation policies are urgently required in this highly diverse med-region, which is also the most severely impacted and most populated region of the country.

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Els frontals d'altar medievals conservats a Catalunya i a la Catalunya Nord presenten unes similituds en els seus suports de fusta que permeten agrupar- los entre el ls segons els seus modelsconstructius.Per altra banda també permeten arribar a concebre com es van construir les diferents parts que els composen i amb quines eines es va treballar la fusta .L'estudi presentat es centra concretament en les marques de les eines de fuster que han quedat gravades als suports ¡ que ens permeten saber de quines eines es tractava, com s'utilitzaven ¡quinsistema es va seguir per la construcció d'aquestes estructures.Històricament no s'ha donat gens de valor als suports de fusta d'aquestes peces en comparació amb la seva capa pictòrica i, per aquest motiu, s'han portat a terme mutilacions del suport o reparacionsestructurals que no han tingut en compte la conservació dels seus elements originals. Les marques d'eina sovint han passat desapercebudes i en molts casos s'han malmès o bé s'han eliminat degut ales intervencions poc respectuoses que s'han fet al llarg del segle XX.L'objectiu de la recerca que s'està portant a terme és identificar les marques a la fusta original delssuports i poder relacionar-les amb les eines que es van utilitzar en el seu moment i fer un inventaride les marques per poder utilitzar-lo en estudis posteriors.Aquest treball s'ha desenvolupat dins la línia d'investigació del Grup de Recerca ConsolidatConservació-Restauració del Patrimoni 2014-16 - SGR 459G de la Facultat de Belles Arts, Universitatde Barcelona, anomenada Estudi tecnològic dels suports de béns culturals: materials i tècniques de producció.

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Com a resultat de les práctiques realitzades al Museu Nacional d'Art de Catalunya (MNAC), entrenovembre de 2010 i febrer de 2011, emmarcades dins del Practicum del Màster de Direcció de Projectes de Conservació Restauració (Facultat de Belles Arts, Universitat Barcelona) vaig entraren contacte amb l'activitat del préstec d'obres d'art per a exposicions temporals. L'interès que em va suscitar, juntament amb el desconeixement que tenia en la matèria, em van portar a dedicarel Treball Final de Master a la recerca deis diferents aspectes que envolten el préstec de Béns Culturals en exposicions temporals, començant per una visió més global i acabant de centrar laproposta en l'àmbit de la conservació-restauració (i especialment en l'activitat documental que requereix).El treball pretén demostrar que la sistematització d'aquesta documentació és una eina bàsica per a un bon desenvolupament del procés de préstec, i ho fa fixant-se especialment en la documentació que depen de l'Àrea de Conservació-Restauració que, al cap i a la fi, és la documentació que hade permetre neutralitzar els riscos que pot comportar el préstec per a la integritat de les obres en trànsit...

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Brown trout is a cold-adapted freshwater species with restricted distribution to headwater streams in rivers of the South European peninsulas, where populations are highly vulnerable because Mediterranean regions are highly sensitive to the global climatic warming. Moreover, these populations are endangered due to the introgressive hybridization with cultured stocks. Individuals from six remnant populations in Western Mediterranean rivers were sequenced for the complete mitochondrial DNA control region and genotyped for 11 nuclear markers. Three different brown trout lineages were present in the studied region. Significant genetic divergence was observed among locations and a strong effect of genetic drift was suggested. An important stocking impact (close to 25%) was detected in the zone. Significant correlations between mitochondrial-based rates of hatchery introgression and water flow variation suggested a higher impact of stocked females in unstable habitats. In spite of hatchery introgression, all populations remained highly differentiated, suggesting that native genetic resources are still abundant. However, climatic predictions indicated that suitable habitats for the species in these rivers will be reduced and hence trout populations are highly endangered and vulnerable. Thus, management policies should take into account these predictions to design upstream refuge areas to protect remnant native trout in the region