El volcanismo neógeno-cuaternario de Catalunya: caracteres estructurales, petrológicos y geodinámicos

El volcanismo neógenocuaternario de Catalunya está asociado al sistema de fracturas escalonadas, de orientación preferente SW-NE y NW-SE, que condiciona también las depresiones tectónicas o fosas neógenas. Las dataciones radiométricas ponen de manifiesto una actividad volcánica entre 10 y 0.1 m.a., localizándose las erupciones más antiguas en la fosa del Empordà, mientras que el volcanismo cuaternario se concentra en las proximidades de Olot (La Garrotxa). El magmatismo es de carácter alcalino, con términos exclusivamente básicos (basanitas), salvo un afloramiento traquítico. Son frecuentes los xenolitos de rocas sedimentarias y plutónicas básicas y ácidas, presentando estos últimos el mayor grado de transformación. Los caracteres estructurales, geoquímicos y mineralógicos, junto a las relaciones isotópicas Sr8YlSr86 apoyan un origen profundo, subcrustal, del magma, y definen un volcanismo intraplaca como el que corresponde a un modelo de rift embrionario sin atenuación litosférica y con escasas manifestacion

Antonio Agustín, Bologna e l’antiquaria del Cinquecento

One of the founders of numismatics in Modern Age was the archbishop of Tarragona and renowned jurist Antonio Agustín. He was educated during the mid-sixteenth century mainly in Italy, particularly in Bologna and Padua. His role in the development of antiquarian studies – and interest in collecting – ran parallel to the development of numismatics in the Cinquecento. His interest in realia , i.e., the materials and documents perceived as primary evidence of history understood in a global sense, make him a pioneer in setting the trends and methodologies which would be later employed by Bernard de Montfaucon. The period Antonio Agustín spent in Bologna, at the Reale Collegio di Spagna, between 1539 and 1544, afforded him the opportunity to enter a very cultivated circle where the admiration and study of the Antique was well established since the mid-fifteenth century. The cultural effervescence taking place in Bologna was encouraged by the court of Giovanni II Bentivoglio and the University alike. Artists also contributed to the development of antiquarian knowledge, and the painter Amico Aspertini (ca. 1475-1552) exemplifies this. It is clear that Antonio Agustín certainly benefited from the scholarly environment in Bologna during the first half of the Cinquecento, which had been firmly anchored since the fertile Quattrocento. Although the documentary evidence is scarce, and it is difficult to pinpoint the details, it is undeniable that Antonio Agustín was heavily influenced by his Bolognese experience.

Diseño e implementación de un juego paraplataforma Android : Jim Adventure

Creación de un juego tipo runner para plataforma Android usando Unity3D e Inkscape.