58 resultados para Genetics -- Popular works


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En el relativament breu lapse de temps que suposen les tres darreres dècades, l'art contemporani xinès ha passat de ser pràcticament invisible i desconegut per al públic general, a ser present en un gran nombre d'escenaris a nivell internacional relacionats amb el món de l'art, sobre tot des de finals de la dècada dels noranta. El present TdR ha intentat apropar-se a qüestions com la imatge i les idees que sobre la RP Xina s'han transmès en l'última dècada a través de les obres o de les accions dels artistes xinesos contemporanis més exposats o cotitzats internacionalment i que viuen a la Xina, i a com s'ha arribat a inserir la producció artística d'aquests autors en el procés de globalització i hibridació de la cultura que estem vivint. Hem delimitat el camp de recerca, bàsicament a l'estudi de l'obra de cinc autors (Song Dong, Ai Weiwei, Zeng Fanzhi, Yue Minjun i Wang Qingsong) i a la seva presència en l'escena internacional de l'art contemporani a través de les subhastes de les dues cases més importants del món, Christie's i Sotheby's.

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In human Population Genetics, routine applications of principal component techniques are oftenrequired. Population biologists make widespread use of certain discrete classifications of humansamples into haplotypes, the monophyletic units of phylogenetic trees constructed from severalsingle nucleotide bimorphisms hierarchically ordered. Compositional frequencies of the haplotypesare recorded within the different samples. Principal component techniques are then required as adimension-reducing strategy to bring the dimension of the problem to a manageable level, say two,to allow for graphical analysis.Population biologists at large are not aware of the special features of compositional data and normally make use of the crude covariance of compositional relative frequencies to construct principalcomponents. In this short note we present our experience with using traditional linear principalcomponents or compositional principal components based on logratios, with reference to a specificdataset

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El Cru són les formes d'expressió de procedència no professional que combinen so i imatge en moviment i que, a partir de principis de la dècada dels 90 del sègle XX i pel context històric de l'època, estan a l'abast d'una part significativa i creixent de la població mundial, amb una també creixent potencialitat de difusió massiva a escala planetària, el que dota al conjunt d'una visibilitat en augment en la societat i el torna, en conseqüència, un referent ineludible. Erigit el Cru com un referent cada vegada més important en la nostre societat, trobem lògic pensar que el cinema realitzat per a la seva projecció a sales d'exhibició, hagi pogut veure-s'hi influenciat. El present treball de recerca pretén demostrar i analitzar aquesta influència del Cru en el cinema del canvi de mil•lenni

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El treball es centra en analitzar els efectes generats per la relació política entre Taiwan i la Xina sobre la seva relació econòmica i comercial durant el període comprés entre 1987 i 2010.

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This paper applies random matrix theory to obtain analytical characterizations of the capacity of correlated multiantenna channels. The analysis is not restricted to the popular separable correlation model, but rather it embraces a more general representation that subsumesmost of the channel models that have been treated in the literature. For arbitrary signal-to-noise ratios (SNR), the characterization is conducted in the regime of large numbers of antennas. For the low- and high-SNR regions, in turn, we uncover compact capacity expansions that are valid for arbitrary numbers of antennas and that shed insight on how antenna correlation impacts the tradeoffs between power, bandwidth and rate.

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Expressions relating spectral efficiency, power, and Doppler spectrum, are derived for Rayleigh-faded wireless channels with Gaussian signal transmission. No side information on the state of the channel is assumed at the receiver. Rather, periodic reference signals are postulated in accordance with the functioning of most wireless systems. The analysis relies on a well-established lower bound, generally tight and asymptotically exact at low SNR. In contrast with most previous studies, which relied on block-fading channel models, a continuous-fading model is adopted. This embeds the Doppler spectrum directly in the derived expressions, imbuing them with practical significance. Closed-form relationships are obtained for the popular Clarke-Jakes spectrum and informative expansions, valid for arbitrary spectra, are found for the low- and high-power regimes. While the paper focuses on scalar channels, the extension to multiantenna settings is also discussed.

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The idea that immigration controls in Western developed states are a response to popular pressure is axiomatic in the academic literature on migration. In the academic literature and in policy circles it is also commonplace to hear that migration is eroding the sovereignty of states. This article challenges both of these ideas. We argue that both of these ideas overlook or ignore the erosion of popular sovereignty from within states. We argue that engaging with, rather than evading, public debate on migration can potentially help to reinvigorate popular sovereignty.

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En plena ocupació alemanya de França, amb la intel·lectualitat catalana fraccionada entre els escriptors de l’interior i els de l’exili, i aquests últims encara repartits entre els diversos països que van acollir la diàspora republicana, l’escriptor Ferran Canyameres va tenir la idea de crear una editorial popular per acostar al public lector de Catalunya l’obra de l’inoblidable creador del comissari Maigret

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Thanks to a powerful intellectual weapon, paradox, Oscar Wilde also discovers the dark side of both Classicism and Hellenism. An accurate analysis of his works from the point of view of the Classical Tradition shows an Oscar Wilde who is quite different from the usual Philhellenic one and, above all, from the Platonic one. The aim of this article is to approach a theme which has been hardly studied by classical philologists, that is, anti-classicism and anti-hellenism as an intellectual urge.

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A number of statistical tests for detecting population growth are described. We compared the statistical power of these tests with that of others available in the literature. The tests evaluated fall into three categories: those tests based on the distribution of the mutation frequencies, on the haplotype distribution, and on the mismatch distribution. We found that, for an extensive variety of cases, the most powerful tests for detecting population growth are Fu"s FS test and the newly developed R2 test. The behavior of the R2 test is superior for small sample sizes, whereas FS is better for large sample sizes. We also show that some popular statistics based on the mismatch distribution are very conservative. Key words: population growth, population expansion, coalescent simulations, neutrality tests

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This paper presents the preliminary findings of pH and colour measurements carried out on artworks on paperand on wood that had been treated with a poly(vinyl acetate) (PVAC) based adhesive in the 1980s. In both cases, areas treated with PVAC proved to be less acidic than untreated areas. Contrary to expectations, the conservation treatments have not, as yet, increased acidity levels in the objects under study. Colour measurements of the works on paper showed that those that had been backed with a cotton fabric using a mixture of methylcellulose and PVAC were less yellow than those from the same print run that had not been backed. This finding suggests that the backing somehow prevented the natural degradation of the support. In view of these preliminary results, further research is clearly needed. This study forms part of a broader ongoing project to assess the role of PVAC in the conservation of a range of cultural assets.

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Al final dels anys setanta neix una nova manera d'explicar contes, a partir de contistes sovint urbans i cultes, utilitzant recursos no directament tradicionals, i amb una relació amb l'auditori que s'apropa més aviat a l'espectacle instituït que no pas a la transmissió de coneixements i fantasies deis nostres avantpassats. Es configura una etapa caracteritzada per l'arraconament i l'oblit del conte popular catala; paral-lelament van desenvolupant-se noves técniques que proporcionen educació i basicament distracció als nens i nenes.

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This paper presents the preliminary findings of pH and colour measurements carried out on artworks on paperand on wood that had been treated with a poly(vinyl acetate) (PVAC) based adhesive in the 1980s. In both cases, areas treated with PVAC proved to be less acidic than untreated areas. Contrary to expectations, the conservation treatments have not, as yet, increased acidity levels in the objects under study. Colour measurements of the works on paper showed that those that had been backed with a cotton fabric using a mixture of methylcellulose and PVAC were less yellow than those from the same print run that had not been backed. This finding suggests that the backing somehow prevented the natural degradation of the support. In view of these preliminary results, further research is clearly needed. This study forms part of a broader ongoing project to assess the role of PVAC in the conservation of a range of cultural assets.

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Este libro surge del interés por explorar un ámbito, el de la cultura popular, que en su misma definición entraña un componente ideológico, pues parece que se delimite exclusivamente por oposición a la «alta cultura». Esta estructuración dicotómica de la producción cultural se ha convertido en el eje sobre el que pivotan otras oposicionesduales, como las que conciernen a la calidad vs. la falta de calidad, al conservadurismo vs. el carácter subversivo, el valorestético vs. su potencialidad política, el consumo formado y elitista vs. el consumo masivo al que no se le supone criterio estético, la prevalencia de soportes o formatos «convencionales» vs. formatosalternativos o desarrollados con las tecnologías actuales…

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Este libro surge del interés por explorar un ámbito, el de la cultura popular, que en su misma definición entraña un componente ideológico, pues parece que se delimite exclusivamente por oposición a la «alta cultura». Esta estructuración dicotómica de la producción cultural se ha convertido en el eje sobre el que pivotan otras oposicionesduales, como las que conciernen a la calidad vs. la falta de calidad, al conservadurismo vs. el carácter subversivo, el valorestético vs. su potencialidad política, el consumo formado y elitista vs. el consumo masivo al que no se le supone criterio estético, la prevalencia de soportes o formatos «convencionales» vs. formatosalternativos o desarrollados con las tecnologías actuales…