20 resultados para CAGE MATE
Resumo:
Con el presente trabajo queremos dar a conocer los primeros resultados de un Pro-yecto de Innovación Docente (UB), “Competencias de exposición oral en contextos académicos: trabajo en equipo docente interasignaturas”; concretamente dos mate-riales elaborados en el marco de desarrollo del mencionado proyecto.
Resumo:
Con el presente trabajo queremos dar a conocer los primeros resultados de un Pro-yecto de Innovación Docente (UB), “Competencias de exposición oral en contextos académicos: trabajo en equipo docente interasignaturas”; concretamente dos mate-riales elaborados en el marco de desarrollo del mencionado proyecto.
Resumo:
Many Ophidiidae are active in dark environments and display complex sonic apparatus morphologies. However, sound recordings are scarce and little is known about acoustic communication in this family. This paper focuses on Ophidion rochei which is known to display an important sexual dimorphism in swimbladder and anterior skeleton. The aims of this study were to compare the sound producing morphology, and the resulting sounds in juveniles, females and males of O. rochei.Results: Males, females, and juveniles possessed different morphotypes. Females and juveniles contrasted with males because they possessed dramatic differences in morphology of their sonic muscles, swimbladder, supraoccipital crest, and first vertebrae and associated ribs. Further, they lacked the ‘rocker bone’ typically found in males. Sounds from each morphotype were highly divergent. Males generally produced non harmonic, multiple-pulsed sounds that lasted for several seconds (3.5 ± 1.3 s) with a pulse period of ca. 100 ms. Juvenile and female sounds were recorded for the first time in ophidiids. Female sounds were harmonic, had shorter pulse period (±3.7 ms), and never exceeded a few dozen milliseconds (18 ± 11 ms). Moreover, unlike male sounds, female sounds did not have alternating long and short pulse periods. Juvenile sounds were weaker but appear to be similar to female sounds.Conclusions: Although it is not possible to distinguish externally male from female in O. rochei, they show a sonic apparatus and sounds that are dramatically different. This difference is likely due to their nocturnal habits that may have favored the evolution of internal secondary sexual characters that help to distinguish males from females and that could facilitate mate choice by females. Moreover, the comparison of different morphotypes in this study shows that these morphological differences result from a peramorphosis that takes place during the development of the gonads
Resumo:
The encapsulation of metal clusters in endohedral metallofullerenes (EMFs) takes place in cages that in most cases are far from being the most stable isomer in the corresponding hollow fullerenes. There exist several possible explanations for the choice of the hosting cages in EMFs, although the final reasons are actually not totally well understood. Moreover, the reactivity and regioselectivity of (endohedral metallo)fullerenes have in the past decade been shown to be generally dependent on a number of factors, such as the size of the fullerene cage, the type of cluster that is being encapsulated, and the number of electrons that are transferred formally from the cluster to the fullerene cage. Different rationalizations of the observed trends had been proposed, based on bond lengths, pyramidalization angles, shape and energies of (un)occupied orbitals, deformation energies of the cages, or separation distances between the pentagon rings. Recently, in our group we proposed that the quest for the maximum aromaticity (maximum aromaticity criterion) determines the most suitable hosting carbon cage for a given metallic cluster (i.e. EMF stabilization), including those cases where the IPR rule is not fulfilled. Moreover, we suggested that local aromaticity plays a determining role in the reactivity of EMFs, which can be used as a criterion for understanding and predicting the regioselectivity of different reactions such as Diels-Alder cycloadditions or Bingel-Hirsch reactions. This review highlights different aspects of the aromaticity of fullerenes and EMFs, starting from how this can be measured and ending by how it can be used to rationalize and predict their molecular structure and reactivity
Resumo:
La restauració és una disciplina que moltes vegades es caracteritza per saber incorporar noves tècniquesi solucions basades en les innovacions que es produeixen en altres sectors més o menys afins, des dela medicina, fins a les ciències experimentals, la informàtica o I'enginyeria, entre tantes d'altres.Aquesta capacitat desacomplexada de treballar de manera interdisciplinar amb altres professionalssol ser pal de palier de I'ideari de la restauració, contribuint en gran mesura al seu creixement i a larecerca de noves tècniques i solucions.Tot i això, potser la comunicació i difusió de les intervencions de restauració sigui un dels àmbitsen els quals tinguem més camp per recórrer, per tal d'aconseguir obrir la restauració i els seusconeixements al públic general. Un treball costós que s'ha d'abordar transversalment però que ens pot oferir la complicitat i el recolzament social que requereix una professió que treballa amb el patrimoni col·lectiu . Ja que com a custodis de I'art, potser també tinguem un deure envers el retorn d'aquest a la societat.Amb aquest projecte s'analitza aquesta situació específica i es pretén oferir una proposta de plataforma on-line per difondre i promoure les intervencions de restauració en tot l'àmbit català, segons el context i les oportunitats actuals.D'aquesta manera, la xarxa RESTAURO busca promoure I'accés i la difusió de les intervencions de conservació i restauració que es realitzen sobre el patrimoni moble català per tal d'aprofundir en lavivència i el coneixement del mate ix per part del públic general.No satisfà donar una imatge estàtica i finalitzada del patrimoni, sinó que es vol que el ciutadà puguiconèixer la importància de les tasques de restauració i conservació en I'apreciació dels monuments o obres d'art i la seva imatge actual.