144 resultados para Patrons de colonisation
Resumo:
Treball final de carrera per a la creació d'un nou framework Java fent referència als patrons de disseny.
Resumo:
Presentación de cómo organizar datos para que adopten patrones visuales que sean fácilmente perceptibles por los usuarios. Creación de herramientas que los usuarios puedan utilizar para analizar los datos y descubrir en ellos realidades en las que el diseñador, en ocasiones, ni siquiera había pensado.
Resumo:
Peer-reviewed
Resumo:
Peer-reviewed
Resumo:
En aquest article descrivim les tendències entonatives que caracteritzen la locució dels titulars de les notícies per mitjà de sis de les veus més conegudes de la televisió catalana (tv3 i 3/24): Xavier Coral, Agnès Marquès, Ramon Pellicer, Joan Carles Peris, Raquel Sans i Núria Solé. Per portar a terme la investigació, ens hem basat en el mètode Anàlisi Melòdica de la Parla, descrit a Cantero (2002), i hem utilitzat l'aplicació d'anàlisi i síntesi de veu Praat. Prenent com a base els patrons melòdics i els èmfasis de la parla espontània del català, hem constatat que per a aquest tipus de locució, pròpia d'un registre formal, solament es fan servir de forma continuada i repetitiva una part dels trets melòdics ja descrits, amb la qual cosa s'aconsegueix un efecte característic que la fa singular i la distancia de la parla espontània. També hem descrit els trets melòdics que tenen en comú els sis locutors i els trets en què difereixen.
Resumo:
Hem realitzat dues investigacions d'anàlisi melòdica: una sobre els trets melòdics bàsics del parlar del pallarès, formada per 96 enunciats de parla espontània emesos per 21 informants de diferents zones del Pallars. S'han obtingut contorns dels 6 primers patrons entonatius descrits en el català, i també diversos trets d'èmfasi bàsics. I, una altra, sobre les preguntes absolutes que fan els estudiants Erasmus. Es basa en 31 preguntes emeses per 15 aprenents de català com a l2. Es constata que aquests gairebé mai no segueixen l'estructura pròpia de les preguntes absolutes del català, la qual cosa explica els malentesos que tenen lloc entre un parlant, que fa una pregunta, i un interlocutor, que la percep com una afirmació i, per consegüent, no respon.
Resumo:
Species structure and composition in Mediterranean riparian forests are determined by hydrological features, longitudinal zonation, and riverbank topography. This study assesses the distribution of four native riparian plants along the riverbank topographic gradient in three river stretches in southern Spain, with special emphasis on the occupation of adult and young feet of each species. The studied stretches suffered minimal human disturbances, displayed semi-arid conditions, and had wide riparian areas to allow the development of the target species: black alder (Alnus glutinosa), salvia leaf willow (Salix salviifolia), narrow-leafed ash (Fraxinus angustifolia), and oleander (Nerium oleander). Thalweg height was used to define the riverbank topographic gradient. The results showed a preferential zone for black alder and salvia leaf willow in the range of 0-150 cm from the channel thalweg, with adult alders and willows being more common between 51 and 150 cm and young alders being more common under 50 cm. Conversely, narrow-leafed ash and oleander were much more frequent, and showed greater development, in the ranges of 151-200 cm and 201-250 cm, respectively, whereas the young feet of both species covered the entire topographic range. Adult feet of the four species were spatially segregated along the riverbank topographic gradient, indicating their differential ability to cope with water stress from the non-tolerant alders and willows to more tolerant narrow-leafed ash trees and oleanders. Young feet, however, showed a strategy more closely linked to the initial availability of colonisation sites within riparian areas to the dispersion strategy of each species and to the distribution of adult feet. In Mediterranean areas, where riparian management has traditionally faced great challenges, the incorporation of species preferences along riverbank gradients could improve the performance of restoration projects.
Resumo:
Background: Since the use of pneumococcal conjugate vaccines PCV7 and PCV13 in children became widespread, invasive pneumococcal disease (IPD) has dramatically decreased. Nevertheless, there has been a rise in incidence of Streptococcus pneumoniae non-vaccine serotypes (NVT) colonising the human nasopharynx. Nasopharyngeal colonisation, an essential step in the development of S. pneumoniae-induced IPD, is associated with biofilm formation. Although the capsule is the main pneumococcal virulence factor, the formation of pneumococcal biofilms might, in fact, be limited by the presence of capsular polysaccharide (CPS). Methodology/Principal Findings: We used clinical isolates of 16 emerging, non-PCV13 serotypes as well as isogenic transformants of the same serotypes. The biofilm formation capacity of isogenic transformants expressing CPSs from NVT was evaluated in vitro to ascertain whether this trait can be used to predict the emergence of NVT. Fourteen out of 16 NVT analysed were not good biofilm formers, presumably because of the presence of CPS. In contrast, serotypes 11A and 35B formed >45% of the biofilm produced by the non-encapsulated M11 strain. Conclusions/Significance This study suggest that emerging, NVT serotypes 11A and 35B deserve a close surveillance.
Resumo:
This project addresses methodological and technological challenges in the development of multi-modal data acquisition and analysis methods for the representation of instrumental playing technique in music performance through auditory-motor patterning models. The case study is violin playing: a multi-modal database of violin performances has been constructed by recording different musicians while playing short exercises on different violins. The exercise set and recording protocol have been designed to sample the space defined by dynamics (from piano to forte) and tone (from sul tasto to sul ponticello), for each bow stroke type being played on each of the four strings (three different pitches per string) at two different tempi. The data, containing audio, video, and motion capture streams, has been processed and segmented to facilitate upcoming analyses. From the acquired motion data, the positions of the instrument string ends and the bow hair ribbon ends are tracked and processed to obtain a number of bowing descriptors suited for a detailed description and analysis of the bow motion patterns taking place during performance. Likewise, a number of sound perceptual attributes are computed from the audio streams. Besides the methodology and the implementation of a number of data acquisition tools, this project introduces preliminary results from analyzing bowing technique on a multi-modal violin performance database that is unique in its class. A further contribution of this project is the data itself, which will be made available to the scientific community through the repovizz platform.