5 resultados para Tension Parallel to grain
Resumo:
This paper gives a short description of main stratigraphic unities from the early Cretaceous in Estremadura and Algarve, with their lithological, sedimentological and paleontological characteristics. The distribution of facies enable to propose a paleogeographic frame including eroded high areas and sedimentary low areas roughly parallel to the present coast. The early Cretaceous from Estremadura is splited up into three megasequences each one with regressive then transgressive tendencies: this fact must be connected with the leading action of distensive, slow or sudden, movements. Beyond the hercynian fault of Messejana, Algarve presents a different sedimentary evolution during the early Cretaceous.
Resumo:
Dissertação apresentada na Faculdade de Ciências e Tecnologia da Universidade Nova de Lisboa para obtenção do grau de Mestre em Engenharia Mecânica
Resumo:
Photo-interpretation of aerial stereopairs of the Sintra region on the approx. 1/32 000 scale together with field work allowed the production of the present Tectonic Map of the Sintra region. It is now possible to separate structures which resulted from two different tectonic events: one, corresponding to the intrusion of the Late Cretaceous Sintra igneous diapir, and the other the Miocene compressive event, the most important tectonic inversion phase of the Lusitanian Basin. The former are present to the south, southeast and east of the intrusion and within the intrusion itself, affecting the peripheral granites and their contacts with the gabbro-syenite core. These structures comprehend: i) faults and conical fractures striking parallel to the massif boundary, which were intruded by dykes, ii) vertical faults and fractures of two conjugate sets, dextral NNW-SSE and sinistral NNE-SSW. These faults are certainly associated with the E-W striking massif's northwards directed thrust and indicate a N-S oriented horizontal maximum compressive stress. The Miocene compressive event reactivated most of the inherited structures as follows. The NNWSSE faults located on the Sintra southern platform were reactivated as dextral strike slip faults and the E-W thrust along the northern boundary of the massif was also reactivated. This thrust propagated to the east. It also enhanced the asymmetry of the rim-syncline, uplifted the massif and reactivated the NNE-SSW faults as sinistral lateral ramps, which also accommodated vertical throw. The present Tectonic Map of Sintra together with the available geophysical data (MOREIRA, 1984, KULLBERG et al., 1991, SILVA & MIRANDA, 1994) allowed reassessment of the models proposed for the emplacement of the Sintra, Sines and Monchique igneous massifs, which intruded during Late Cretaceous times along the deep dextral NNW-SSE oriented strike slip fault (RIBEIRO et al., 1979; TERRINHA, 1998; TERRINHA & KULLBERG, 1998).
Resumo:
Part of this thesis will be published in the following: Gomes, B.C., Santos, B. 2015. Methods for studying microRNAs expression and their targets in formalin-fixed, paraffin-embedded (FFPE) breast cancer tissues. In Methods in Molecular Biology: Cancer Drug Resistance (Rueff, J. & Rodrigues, A.S. eds), Springer Protocols.
Resumo:
The hegemonic definition of Modernism has been subjected to an intense critical revision process that began several decades ago. This process has contributed to the significant broadening of the modernist canon by challenging its primal essentialist assumptions and formalist interpretations in the fields of both the visual arts and architecture. This conference aims to further expand this revision, as it seeks to discuss the notion of “Southern Modernisms” by considering the hypothesis that regional appropriations, both in Southern Europe and the Southern hemisphere, entailed important critical stances that have remained unseen or poorly explored by art and architectural historians. In association with the Southern Modernisms research project (FCT – EXPL/CPC-HAT/0191/2013), we want to consider the entrenchment of southern modernisms in popular culture (folk art and vernacular architecture) as anticipating some of the premises of what would later become known as critical regionalism. It is therefore our purpose to explore a research path that runs parallel to key claims on modernism’s intertwinement with bourgeois society and mass culture, by questioning the idea that an aesthetically significant regionalism – one that resists to the colonization of international styles and is supported by critical awareness – occurred only in the field of architecture, and can only be represented as a postmodernist turn. (...)