Epidemiologia da malária em Cabo Verde - Factores genéticos humanos e estrutura populacional do mosquito vector

A malária, doença parasitária complexa que resulta da interacção entre parasita, hospedeiros humano e vector, constitui um dos principais problemas de saúde a nível mundial. À semelhança de outras doenças parasitárias e infecciosas a malária tem um papel importante na evolução, tendo já sido demonstrado o papel da variação genética humana na resistência à infecção. Após quase meio século de controlo, a malária persiste na ilha de Santiago onde, apesar da baixa endemicidade, os indivíduos apresentam geralmente manifestações moderadas, são diagnosticadas infecções abaixo do nível detectável pela microscopia e o vector se encontra muito próximo da população supostamente susceptível, desconhecendo-se a frequência dos principais polimorfismos genéticos humanos mais relacionados com a doença e a estrutura populacional do mosquito vector. Os objectivos gerais de trabalho desta tese assentam 1) no estudo dos dois clássicos factores genéticos do hospedeiro humano relacionados com a malária, nomeadamente os afectos à anemia das células falciformes, à deficiência em G6PD e a análise dum provável envolvimento da PK e 2) na análise genética das populações do mosquito vector, tentando contribuir para a compreensão da epidemiologia da doença na Ilha, e para a escolha de medidas de controlo apropriadas. Os trabalhos incidiram na detecção do alelo responsável pela hemoglobina S, de polimorfismos no gene da G6PD e da PK em indivíduos não aparentados (Infectados e não Infectados) com análise da sua provável associação com a infecção e, ainda, na genotipagem de loci microssatélites de Anopheles arabiensis com recurso a técnicas baseadas na PCR. Relativamente à anemia falciforme, a frequência dos portadores do traço (indivíduos HbAS) e do alelo HbS foi 6% e 5%, respectivamente, e para as variantes da G6PD, 0,8% para G6PDA- e 0,0% para a G6PDMed, não tendo sido encontrado associação entre os genótipos desses dois factores e a presença de infecção. No que concerne ao gene PKLR não foi encontrada uma associação clara entre os polimorfismos analisados e o estado de infecção, mas foi detectado um acentuado desequilíbrio de linkage entre os loci, apenas nos Não Infectados, o que pode significar que essa região do gene, aparentemente conservada, tenha sido seleccionada por fornecer protecção contra a infecção e/ou doença. A diversidade genética das populações de A. arabiensis em onze loci microssatélites foi moderada com valores médio de He, variando de 0,481 a 0,522 e a Rs de 4 a 5. O valor da diferenciação genética baseado em 7 loci polimórficos foi baixo (FST=0,012; p<0,001) mas significativo, variando entre 0,001 e 0,023 entre os pares de populações. Não foram detectados os alelos de resistência associados ao gene Kdr. A baixa frequência dos alelos associados à G6PD (A- e Med) tem implicações importantes nas estratégias de controlo definidas pelo Programa Nacional de Luta contra o Paludismo (PNLP), uma vez que a primaquina pode continuar a ser administrada como complemento aos regimes terapêuticos, em caso de necessidade. A população de A. arabiensis em Santiago revelou-se relativamente homogénea e com uma estrutura reduzida o que pode, por um lado, representar uma desvantagem por permitir uma provável dispersão dos genes de resistência. Por outro lado, essa relativa homogeneidade poderá representar uma vantagem para a introdução de um programa de controlo baseado na libertação de mosquitos transgénicos.

Res Publica: Citizenship and Political Representation in Portugal, 1820-1926

The term res publica (literally “thing of the people”) was coined by the Romans to translate the Greek word politeia, which, as we know, referred to a political community organised in accordance with certain principles, amongst which the notion of the “good life” (as against exclusively private interests) was paramount. This ideal also came to be known as political virtue. To achieve it, it was necessary to combine the best of each “constitutional” type and avoid their worst aspects (tyranny, oligarchy and ochlocracy). Hence, the term acquired from the Greeks a sense of being a “mixed” and “balanced” system. Anyone that was entitled to citizenship could participate in the governance of the “public thing”. This implied the institutionalization of open debate and confrontation between interested parties as a way of achieving the consensus necessary to ensure that man the political animal, who fought with words and reason, prevailed over his “natural” counterpart. These premises lie at the heart of the project which is now being presented under the title of Res Publica: Citizenship and Political Representation in Portugal, 1820-1926. The fact that it is integrated into the centenary commemorations of the establishment of the Republic in Portugal is significant, as it was the idea of revolution – with its promise of rupture and change – that inspired it. However, it has also sought to explore events that could be considered the precursor of democratization in the history of Portugal, namely the vintista, setembrista and patuleia revolutions. It is true that the republican regime was opposed to the monarchic. However, although the thesis that monarchy would inevitably lead to tyranny had held sway for centuries, it had also been long believed that the monarchic system could be as “politically virtuous” as a republic (in the strict sense of the word) provided that power was not concentrated in the hands of a single individual. Moreover, various historical experiments had shown that republics could also degenerate into Caesarism and different kinds of despotism. Thus, when absolutism began to be overturned in continental Europe in the name of the natural rights of man and the new social pact theories, initiating the difficult process of (written) constitutionalization, the monarchic principle began to be qualified as a “monarchy hedged by republican institutions”, a situation in which not even the king was exempt from isonomy. This context justifies the time frame chosen here, as it captures the various changes and continuities that run through it. Having rejected the imperative mandate and the reinstatement of the model of corporative representation (which did not mean that, in new contexts, this might not be revived, or that the second chamber established by the Constitutional Charter of 1826 might not be given another lease of life), a new power base was convened: national sovereignty, a precept that would be shared by the monarchic constitutions of 1822 and 1838, and by the republican one of 1911. This followed the French example (manifested in the monarchic constitution of 1791 and in the Spanish constitution of 1812), as not even republicans entertained a tradition of republicanism based upon popular sovereignty. This enables us to better understand the rejection of direct democracy and universal suffrage, and also the long incapacitation (concerning voting and standing for office) of the vast body of “passive” citizens, justified by “enlightened”, property- and gender-based criteria. Although the republicans had promised in the propaganda phase to alter this situation, they ultimately failed to do so. Indeed, throughout the whole period under analysis, the realisation of the potential of national sovereignty was mediated above all by the individual citizen through his choice of representatives. However, this representation was indirect and took place at national level, in the hope that action would be motivated not by particular local interests but by the common good, as dictated by reason. This was considered the only way for the law to be virtuous, a requirement that was also manifested in the separation and balance of powers. As sovereignty was postulated as single and indivisible, so would be the nation that gave it soul and the State that embodied it. Although these characteristics were common to foreign paradigms of reference, in Portugal, the constitutionalization process also sought to nationalise the idea of Empire. Indeed, this had been the overriding purpose of the 1822 Constitution, and it persisted, even after the loss of Brazil, until decolonization. Then, the dream of a single nation stretching from the Minho to Timor finally came to an end.

Popular music exhibitions in Portugal: practices of representation from 2007 to 2013

This thesis focuses on the representation of Popular Music in museums by mapping, analyzing, and characterizing its practices in Portugal at the beginning of the 21st century. Now that museums' ability to shape public discourse is acknowledged, the examination of popular music's discourses in museums is of the utmost importance for Ethnomusicology and Popular Music Studies as well as for Museum Studies. The concept of 'heritage' is at the heart of this processes. The study was designed with the aim of moving the exhibiting of popular music in museums forward through a qualitative inquiry of case studies. Data collection involved surveying pop-rock music exhibitions as a qualitative sampling of popular music exhibitions in Portugal from 2007 to 2013. Two of these exhibitions were selected as case studies: No Tempo do Gira-Discos: Um Percurso pela Produção Fonográfica Portuguesa at the Museu da Música in Lisbon in 2007 (also Faculdade de Letras, 2009), and A Magia do Vinil, a Música que Mudou a Sociedade at the Oficina da Cultura in Almada in 2008 (and several other venues, from 2009 to 2013). Two specific domains were observed: popular music exhibitions as instances of museum practice and museum professionals. The first domain encompasses analyzing the types of objects selected for exhibition; the interactive museum practices fostered by the exhibitions; the concepts and narratives used to address popular music discursively, as well as the interpretative practices they allow. The second domain, focuses museum professionals and curators of popular music exhibitions as members of a group, namely their goals, motivations and perspectives. The theoretical frameworks adopted were drawn from the fields of ethnomusicology, popular music studies, and museum studies. The written materials of the exhibitions were subjected of methods of discourse analysis methods. Semi-structured interviews with curators and museum professional were also conducted and analysed. From the museum studies perspective, the study research suggests that the practice adopted by popular music museums largely matches that of conventional museums. From the ethnomusicological and popular music studies stand point, the two case studies reveal two distinct conceptual worlds: the first exhibition, curated by an academic and an independent researcher, points to a mental configuration where popular music is explained through a framework of genres supported by different musical practices. Moreover, it is industry actors such as decision makers and gatekeepers that govern popular music, which implies that the visitors' romantic conception of the musician is to some extent dismantled; the second exhibition, curated by a record collector and specialist, is based on a more conventional process of the everyday historical speech that encodes a mismatch between “good” and “bad music”. Data generated by a survey shows that only one curator, in fact that of my first case study, has an academic background. The backgrounds of all the others are in some way similar to the curator of the second case study. Therefore, I conclude that the second case study best conveys the current practice of exhibiting Popular Music in Portugal.