Eduardo Malta, director do Museu Nacional de Arte Contemporânea

Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Museologia

Genotoxic effects in occupational exposure to formaldehyde: A study in anatomy and pathology laboratories and formaldehyde-resins production

ABSTRACT – Background: According to the Report on Carcinogens, formaldehyde ranks 25th in the overall U.S. chemical production, with more than 5 million tons produced each year. Given its economic importance and widespread use, many people are exposed to formaldehyde environmentally and/or occupationally. Presently, the International Agency for Research on Cancer classifies formaldehyde as carcinogenic to humans (Group 1), based on sufficient evidence in humans and in experimental animals. Manyfold in vitro studies clearly indicated that formaldehyde can induce genotoxic effects in proliferating cultured mammalian cells. Furthermore, some in vivo studies have found changes in epithelial cells and in peripheral blood lymphocytes related to formaldehyde exposure. Methods: A study was carried out in Portugal, using 80 workers occupationally exposed to formaldehyde vapours: 30 workers from formaldehyde and formaldehyde-based resins production factory and 50 from 10 pathology and anatomy laboratories. A control group of 85 non-exposed subjects was considered. Exposure assessment was performed by applying simultaneously two techniques of air monitoring: NIOSH Method 2541 and Photo Ionization Detection equipment with simultaneously video recording. Evaluation of genotoxic effects was performed by application of micronucleus test in exfoliated epithelial cells from buccal mucosa and peripheral blood lymphocytes. Results: Time-weighted average concentrations not exceeded the reference value (0.75 ppm) in the two occupational settings studied. Ceiling concentrations, on the other hand, were higher than reference value (0.3 ppm) in both. The frequency of micronucleus in peripheral blood lymphocytes and in epithelial cells was significantly higher in both exposed groups than in the control group (p < 0.001). Moreover, the frequency of micronucleus in peripheral blood lymphocytes was significantly higher in the laboratories group than in the factory workers (p < 0.05). A moderate positive correlation was found between duration of occupational exposure to formaldehyde (years of exposure) and micronucleus frequency in peripheral blood lymphocytes (r = 0.401; p < 0.001) and in epithelial cells (r = 0.209; p < 0.01). Conclusions: The population studied is exposed to high peak concentrations of formaldehyde with a long-term exposure. These two aspects, cumulatively, can be the cause of the observed genotoxic endpoint effects. The association of these cytogenetic effects with formaldehyde exposure gives important information to risk assessment process and may also be used to assess health risks for exposed worker

Visões do Império : a 1ª EXposição Colonial de 1934 e alguns dos seus álbuns

A Primeira Exposição Colonial Portuguesa realizada no Porto em 1934 foi a consequência visível do impulso que Salazar quis dar à «política colonial» portuguesa e a uma orientação imperial em que colonizar e civilizar as populações indígenas eram as palavras de ordem. Como corolário da exposição foram produzidos, entre outros, dois importantes álbuns, hoje documentos de inegável interesse histórico, não só enquanto discurso de propaganda do regime do Estado Novo, mas também enquanto narrativas visuais ou “visões do Império”. São eles, o Álbum Fotográfico da autoria do fotógrafo Domingos Alvão e o Álbum Comemorativo, com reproduções de pinturas e desenhos do pintor Eduardo Malta. Neste trabalho pretendemos reflectir sobre essas “visões do Império”, pois elas expressam uma visualidade e um imaginário que se traduz em práticas sociais, em valores e em relações de dominação que definem uma política do olhar, onde o corpo se torna um espaço de inscrição, bem como de categorização racial e cultural. Em suma, é através dessas imagens que vemos as relações de poder e as formas de dominação sobre o outro, que impregnaram a exposição.