Voices in search of a reader: the polyphonic writing of António Lobo Antunes

This paper aims at analysing the writing of the Portuguese author António Lobo Antunes, considered one of the major writers in European Literature with 26 books published, by focusing on the strategies deployed in his texts of creating micro-narratives within the main frame, and conveying the elements of individual and collective memory, past and present, the self and the others, using various voices and silences. Lobo Antunes incorporates in his writing his background as a psychiatrist at a Mental Hospital in Lisbon, until 1985 (when he decided to commit exclusively to writing), his experience as a doctor in the Portuguese Colonial War battlefield, but also the daily routines of the pre and post 25th of April 1974 (Portuguese Revolution) with subtle and ironic details of the life of the middle and upper class of Lisbon‘s society: from the traumas of the war to the simple story of the janitor, or the couple who struggles to keep their marriage functional, everything serves as material to develop and interweave a complex plot, that a lot of readers find too enwrapped and difficult to follow through. Some excerpts taken from his first three novels and books of Chronicles and his later novel – Ontem não te Vi em Babilónia (2006) – will be put forward to exemplify the complexity of the writing and the main difficulties of the reader, lost in a multitude of narrators‘ voices. Recently, Lobo Antunes has commented on his work stating: What I write can be read in the darkness. This paper aims at throwing some light by unfolding some of the strategies employed to defy new borders in the process of reading.

Writing and living on the stage of history

This article studies the intercultural trajectory of a Portuguese female aristocrat of the eighteenth to nineteenth centuries. Her trajectory of intercultural transition from a Portuguese provincial lady into an independent owner of a sugar mill in tropical Bahia is documented through family letters, which provide a polyphonic representation of a movement of personal, family, and social transculturation over almost two decades. Maria Bárbara began her journey between cultures as a simple spectator-reader, progressively becoming a commentator-actor-protagonist-author in society, in politics, and in history. These letters function as a translation that is sometimes consecutive, other times simultaneous, of the events lived and witnessed. This concept of intercultural translation is based on the theories of Boaventura de Sousa Santos (2006, 2008), who argues that cultural differences imply that any comparison has to be made using procedures of proportion and correspondence which, taken as a whole, constitute the work of translation itself. These procedures construct approximations of the known to the unknown, of the strange to the familiar, of the ‘other’ to the ‘self’, categories which are always unstable. Likewise, this essay explores the unstable contexts of its object of study, with the purpose of understanding different rationalities and worldviews.

Há Vida no Bairro! Um Projeto de Educação e Intervenção Social

O presente Relatório reflete um Projeto de Educação e Intervenção Social realizado no Empreendimento Social Padre Américo, intitulado de “Há Vida no Bairro!” que teve inicio em outubro de 2014 e, à data de escrita deste relatório, ainda se encontra em desenvolvimento. O Projeto seguiu a Metodologia de Investigação Ação Participativa tendo sido desenvolvido com os moradores do Empreendimento Social, com a finalidade de melhorar a qualidade de vida dos residentes. Partiu-se de uma análise do contexto, do bairro e dos seus moradores e, percebeu-se que existiam quatro grandes problemas: sentimentos de isolamento e de exclusão/discriminação; conflitos relacionais entre os moradores; monotonia no quotidiano das pessoas e baixos recursos económicos. Assim foram definidos dois objetivos gerais: combater os sentimentos de exclusão social dos sujeitos e promover dinâmicas relacionais satisfatórias, entre os moradores, de forma a desenvolver uma maior coesão e espírito de comunidade. Neste sentido foram definidas três ações: “Entre dedal e agulha: atelier de costura”; “O Bairro a mexer” e “Os jovens e o Bairro”. Verificou-se que os moradores do Empreendimento desenvolveram e ampliaram as suas redes de vizinhança; ocuparam o seu tempo de uma forma satisfatória; desenvolveram estratégias de resolução de conflitos; desenvolveram competências pessoais, sociais e profissionais e desenvolveram o sentimento de pertença ao bairro.