Adaptive deblocking filter for transform domain Wyner-Ziv video coding

Wyner-Ziv (WZ) video coding is a particular case of distributed video coding, the recent video coding paradigm based on the Slepian-Wolf and Wyner-Ziv theorems that exploits the source correlation at the decoder and not at the encoder as in predictive video coding. Although many improvements have been done over the last years, the performance of the state-of-the-art WZ video codecs still did not reach the performance of state-of-the-art predictive video codecs, especially for high and complex motion video content. This is also true in terms of subjective image quality mainly because of a considerable amount of blocking artefacts present in the decoded WZ video frames. This paper proposes an adaptive deblocking filter to improve both the subjective and objective qualities of the WZ frames in a transform domain WZ video codec. The proposed filter is an adaptation of the advanced deblocking filter defined in the H.264/AVC (advanced video coding) standard to a WZ video codec. The results obtained confirm the subjective quality improvement and objective quality gains that can go up to 0.63 dB in the overall for sequences with high motion content when large group of pictures are used.

Statistical motion learning for improved transform domain Wyner-Ziv video coding

Wyner - Ziv (WZ) video coding is a particular case of distributed video coding (DVC), the recent video coding paradigm based on the Slepian - Wolf and Wyner - Ziv theorems which exploits the source temporal correlation at the decoder and not at the encoder as in predictive video coding. Although some progress has been made in the last years, WZ video coding is still far from the compression performance of predictive video coding, especially for high and complex motion contents. The WZ video codec adopted in this study is based on a transform domain WZ video coding architecture with feedback channel-driven rate control, whose modules have been improved with some recent coding tools. This study proposes a novel motion learning approach to successively improve the rate-distortion (RD) performance of the WZ video codec as the decoding proceeds, making use of the already decoded transform bands to improve the decoding process for the remaining transform bands. The results obtained reveal gains up to 2.3 dB in the RD curves against the performance for the same codec without the proposed motion learning approach for high motion sequences and long group of pictures (GOP) sizes.

Response of a multi-domain continental margin to compression: Study from seismic reflection-refraction and numerical modelling in the Tagus Abyssal Plain

The effects of the Miocene through Present compression in the Tagus Abyssal Plain are mapped using the most up to date available to scientific community multi-channel seismic reflection and refraction data. Correlation of the rift basin fault pattern with the deep crustal structure is presented along seismic line IAM-5. Four structural domains were recognized. In the oceanic realm mild deformation concentrates in Domain I adjacent to the Tore-Madeira Rise. Domain 2 is characterized by the absence of shortening structures, except near the ocean-continent transition (OCT), implying that Miocene deformation did not propagate into the Abyssal Plain, In Domain 3 we distinguish three sub-domains: Sub-domain 3A which coincides with the OCT, Sub-domain 3B which is a highly deformed adjacent continental segment, and Sub-domain 3C. The Miocene tectonic inversion is mainly accommodated in Domain 3 by oceanwards directed thrusting at the ocean-continent transition and continentwards on the continental slope. Domain 4 corresponds to the non-rifted continental margin where only minor extensional and shortening deformation structures are observed. Finite element numerical models address the response of the various domains to the Miocene compression, emphasizing the long-wavelength differential vertical movements and the role of possible rheologic contrasts. The concentration of the Miocene deformation in the transitional zone (TC), which is the addition of Sub-domain 3A and part of 3B, is a result of two main factors: (1) focusing of compression in an already stressed region due to plate curvature and sediment loading; and (2) theological weakening. We estimate that the frictional strength in the TC is reduced in 30% relative to the surrounding regions. A model of compressive deformation propagation by means of horizontal impingement of the middle continental crust rift wedge and horizontal shearing on serpentinized mantle in the oceanic realm is presented. This model is consistent with both the geological interpretation of seismic data and the results of numerical modelling.

O repeat viewing no contexto do metacinema

Partindo da explicação daquilo que neste ensaio se entende por “metacinema” e a sua relevância como discurso autoral sobre a sétima arte, aborda-se o fenómeno do visionamento múltiplo de uma mesma obra (aspeto conhecido em inglês como “repeat viewing”). Este fenómeno permite um contato privilegiado entre o meta espetador, propenso a aderir em maior grau aos metafilmes, e o meta realizador, inclinado a construir uma carreira em torno da execução dos mesmos. Em causa está o visionamento e o fabrico de obras, direta ou indiretamente, especializadas no universo cinematográfico. A mediação do dispositivo cinematográfico na projeção em sala ou a apropriação de novas e cada vez mais versáteis tecnologias de captação e reprodução audiovisual permite transformar o vidente cinéfilo num utilizador compulsivo, conferindo ao cinema atualmente uma dimensão háptica que ele não detinha da mesma forma anteriormente. O espetador apropria-se de obras criadas por outrem, atribuindo-lhes uma nova forma e um novo sentido, mas dentro de um contexto cinéfilo. Inversamente, o criador é voluntariamente apropriado pela indústria, permitindo o consumo de si mesmo nas edições em videograma e trabalhando internamente as obras e os seus mecanismos formais e narrativos para geraram maior e mais multiplicadas formas de consumo junto dos espetadores. Assim se fomenta uma jornada que não é do herói, mas sim do vidente. Para concluir, defende-se que a maior acessibilidade fílmica permitida pela disseminação de novas janelas de consumo cinematográfico incrementa o repeat viewing e uma apropriação cada vez maior das obras, mas em contrapartida, pode desencadear a nulidade do discurso metacinematográfico e o esboroar do metacinema como tal.