3 resultados para Piaget Jean, 1896-1980
em Repositório Científico do Instituto Politécnico de Lisboa - Portugal
Resumo:
Seleção e tradução de alguns textos teóricos de 1896 de Alfred Jarry.
Resumo:
Em Portugal, as doenças cerebrovasculares estão entre as principais causas de morbilidade e invalidez. AVC - Alterações sensitivas, alterações perceptivas, alterações cognitivas, alterações de comunicação. Estudo realizado entre Setembro de 2008 e Dezembro de 2010. Objectivo - Investigar os efeitos de um programa de fortalecimento do membro inferior afectado no controlo postural e na funcionalidade de indivíduos que sofreram um AVC.
Resumo:
ABSTRACT - Jean Cocteau, French cinema auteur avant la lettre, has consecrated his uniqueness to the defense of the “poet” and the promotion of its artistic ideals, before the French Nouvelle Vague inspired the break away from the filmic tradition and ahead of the eulogistic tendency to consider the director the undisputed creative entity of the filmmaking process. The Orphic trilogy expresses Cocteau’s cinematic philosophy in action. In other words, it reveals the way by which the creative entity affirms itself as the major filmic enunciator, through an allegorical relationship with vision. Therefore, Cocteau’s self-reflexive metacinema conjoins, in a fertile attunement, the starting point and the ultimate goal, the creation and the reception. Without being exactly a cinema about the cinema, this artistic practice is, nonetheless, very much with the cinema, feeding as it does on its essence. The films Le Sang d’un poète (“The Blood of a Poet”, 1932), Orphée (“Orpheus”, 1950) and Le Testament d’Orphée, ou ne me demandez pas pourquoi! (“Testament of Orpheus”, 1960) recreate, in allegorical form, the double creative function: the look of the directing entity reflects the gaze of the observer, just as this one always restores the presence of the creator. In short: Cocteau’s films, more than anyone else’s, deliberately reflect its auteur as enunciator.
