First Curl, Then Wrinkle

The excellent properties of elastomers are exploited to trigger wrinkling instabilities in curved shells. Micro- and nano-fibres are produced by electrospinning and UV irradiated: each fibre consists of a soft core and a stiff outer half-shell. Upon solvent de-swelling, the fibres curl because the shell and the core have different natural lengths. Wrinkling only starts after the fibre has attained a well-defined helical shape. A simple analytical model is proposed to find the curling curvature and wrinkle wavelength, as well as the transition between the “curling” and “wrinkling” regimes. This new instability resembles that found in the tendrils of climbing plants as they dry and lignify.

A class of singular first order differential equations with applications in reaction-diffusion

Agências Financiadoras: FCT e MIUR

Travelling to India: Eliza Fay’s narrative account of her voyages

Eliza Fay’s Original Letters from India (1817), initially sold to the Calcutta Gazette to pay off her debts, aroused the curiosity and interest of Edward M. Forster, while he was doing research for his best-selling novel, A Passage to India. In his own words, “Eliza Fay is a work of art.” (apud Fay 7) The value of E. Fay’s travelogue, comprising not one, but three voyages to India (in 1779, 1784, 1796) can be easily explained if we take into account the scope of its geographical coverage, the hardships of its historical context (the political chaos brought about by the fall of the Mughal empire and the consolidation of the British rule in the Indian subcontinent) and the heroism of the first person-narrator that emerges behind the descriptive sketches and the scenes of adversity and imminent danger. Thus the current analysis will focus on the E. Fay’s adventurous mode of narrating, e.g., the discursive situatedness of the traveller visà- vis the Other(s) (European and non-European peoples and loci) and the constraints imposed by the patriarchal idealization of the domestic Woman and their alleged feebleness.

Mono(Eta(5)-cyclopentadienyl)metal(II) complexes with thienyl acetylide chromophores: synthesis, electrochemical studies, and first hyperpolarizabilities

A series of mono(eta(5)-cyclopentadienyl)metal-(II) complexes with nitro-substituted thienyl acetylide ligands of general formula [M(eta(5)-C5H5)(L)(C C{C4H2S}(n)NO2)] (M = Fe, L = kappa(2)-DPPE, n = 1,2; M = Ru, L = kappa(2)-DPPE, 2 PPh3, n = 1, 2; M = Ni, L = PPh3, n = 1, 2) has been synthesized and fully characterized by NMR, FT-IR, and UV-Vis spectroscopy. The electrochemical behavior of the complexes was explored by cyclic voltammetry. Quadratic hyperpolarizabilities (beta) of the complexes have been determined by hyper-Rayleigh scattering (HRS) measurements at 1500 nm. The effect of donor abilities of different organometallic fragments on the quadratic hyperpolarizabilities was studied and correlated with spectroscopic and electrochemical data. Density functional theory (DFT) and time-dependent DFT (TDDFT) calculations were employed to get a better understanding of the second-order nonlinear optical properties in these complexes. In this series, the complexity of the push pull systems is revealed; even so, several trends in the second-order hyperpolarizability can still be recognized. In particular, the overall data seem to indicate that the existence of other electronic transitions in addition to the main MLCT clearly controls the effectiveness of the organometallic donor ability on the second-order NLO properties of these push pull systems.

O espectador (in)visível: reflexividade na óptica do espectador em Inland empire de David Lynch

Com INLAND EMPIRE (2006) David Lynch realiza uma obra inteiramente metacinematográfica, provando que este género transversal à História do cinema é passível de coexistir com uma poética arrojada, de pendor moderno, segundo a divisão que Gilles Deleuze faz da Sétima Arte. A produção teórica sobre esta vertente fílmica de Lynch é em termos internacionais muito escassa e em Portugal virtualmente inexistente, justificando que se proceda um trabalho de investigação nestes moldes. Ademais, INLAND EMPIRE não é um exemplo isolado na obra do cineasta, mas sim o ponto culminante de uma carreira que tem vindo a prestar cada vez mais atenção à temática meta-espectatorial. A abordagem de Lynch tem a particularidade de congregar num único trabalho o desejo de manifestar o vidente espelhando igualmente o filme, o que permite abordar INLAND EMPIRE como reflexividade na óptica do espectador. Trata-se de encenar uma alegoria do vidente, mas equacionando produção com recepção. Deste modo, o presente livro adopta o mecanismo da enunciação como base da reflexividade institucional e narrativa em duas secções teóricas distintas versando, respectivamente, a (re)duplicação especular e a mise en abyme. A cada um destes capítulos corresponde uma análise prática directamente relacionada com os factores teóricos apontados. A obra culmina com um areflexão sobre as implicações do cinema digital para a execução de alegorias cinematográficas e a sua influência em INLAND EMPIRE, que já foi inteiramente produzido com esta tecnologia.