A her��ldica do ex��rcito portugu��s

A Her��ldica do Ex��rcito Portugu��s tem reconhecidamente uma qualidade excepcional e os organismos que deste ramo das For��as Armadas dependem v��m recebendo armas bem ordenadas, com simbologia adequada �� hist��ria e miss��o do organismo e de belo efeito pl��stico. Neste artigo s��o analisadas as armas e alguma emblem��tica, ordenadas nos ��ltimos anos e que se reputam de exemplares. ABSTRACT - The Portuguese Army Heraldry has exceptional quality and its organisms have been receiving correct coats of arms with appropriate symbology to the history and mission of the organism and with good aesthetics. In this article are analyzed and some iconic coats of arms produced, in recent years, by the Army heraldry office, considered good examples.

A arte e a her��ldica aut��rquica em Portugal

RESUMO: Aborda-se a her��ldica aut��rquica portuguesa n��o sob o aspecto da correc����o da ordena����o dos bras��es de armas, mas privilegiando-se a abordagem em termos art��sticos, ou seja a experimenta����o est��tica das armas e sua experimenta����o em termos de inova����o e criatividade.

Perce����o da contemporaneidade pelos pr��-adolescentes: o que se aprende com a obra de arte

Disserta����o apresentada �� Escola Superior de Educa����o de Lisboa para obten����o de grau de mestre em Educa����o Art��stica, na Especializa����o de Artes Pl��sticas na Educa����o

Weaving encounters: towards an art of participation

In the early 21st Century, with the phenomenon of digital convergence, the consecration of Web 2.0, the decrease of the cost of cameras and video recorders, the proliferation of mobile phones, laptops and wireless technologies, we witness the arising of a new wave of media, of an informal, personal and at times ���minority��� nature, facilitating social networks, a culture of fans, of sharing and remix. As digital networks become fully and deeply intricate in our experience, the idea of ���participation��� arises as one of the most complex and controversial themes of the contemporary critical discourse, namely in what concerns contemporary art and new media art. However, the idea of ���participation��� as a practice or postulate traverses the 20th century art playing an essential role in its auto-critic, in questioning the concept of author, and in the dilution of the frontiers between art, ���life��� and society, emphasizing the process, the everyday and a community sense. As such, questioning the new media art in light of a ���participatory art��� (Frieling, 2008) invokes a double gaze simultaneously attentive to the emerging figures of a ���participatory aesthetics��� in digital arts and of the genealogy in which it is included. In fact, relating the new media art with the complex and paradoxical phenomenon of ���participation��� allows us to, on the one hand, avoid ���digital formalism��� (Lovink, 2008) and analyse the relations between digital art and contemporary social movements; on the other hand, this angle of analysis contributes to reinforce the dialogue and the links between digital art and contemporary art, questioning the alleged frontiers that separate them.

Atua����o do fisioterapeuta dermatofuncional e seu reconhecimento pelos profissionais de sa��de da regi��o de Lisboa

Mestrado em Fisioterapia

A Obra ���Fa��a-voc��-mesmo��� : Est��tica da Participa����o nas Artes Digitais

Doutoramento em Ci��ncias da Comunica����o - Especialidade de Comunica����o e Artes

P��s-brutalismo das paix��es ao povoado refract��rio: disserta����o

Disserta����o submetida �� Escola Superior de Teatro e Cinema para cumprimento dos requisitos necess��rios �� obten����o do grau de Mestre em Teatro - especializa����o em Encena����o,

Utiliza����o de coberturas ajardinadas de vegeta����o intensiva, extensiva e horta urbana em edifica����es

Trabalho Final de Mestrado para obten����o do grau de Mestre em Engenharia Civil