Socio-cultural visions of interactivity within Museums

The ideas on which this paper is based are drawn from my thesis “Interactivity in Museums. A Relationship Building Perspective” written in 2007 for the fulfillment of the Master Degree in Museology at the Reinwardt Academy in Amsterdam. The main arguments are that the notion of Interactivity conceptualized within a technological orientation coupled with the pedagogic approach of mere information transmission need to be reconsidered; that Interactivity in museums is a conception both misinterpreted and under-implemented; and that the problems of understanding Interactivity will resolve by identifying the aspects which define Interactivity and most importantly focus on why they matter in a broader socio-cultural context within museums. Without an intention to attribute all the developments and advances associated with new museological practice, in some deterministic way, solely to politics and economic change, I argue that the new strategies adopted by museums towards progression and broader accessibility –at least regarding interactivity, seem to be linked more with a dominant commercialization of culture and education, than with a belief towards an effect on social change through the promotion of social interaction within a pluralistic and multicultural society, acknowledging the diversity of nature, opinion and practices, which can be combined instead of contrasting each other.

Recensao de: I. K. Healy, Social Work Practices: Contemporary Perspectives on Change, London, Sage, 2000.

Revista Lusófona de Ciências Sociais

New source-material for the socio-economic history of the Hindus of Goa

The Mhamai brothers were the suppliers of daily commodities / stationery to the viceroys / governors of Goa. Since late 18th century their agency house worked in partnership with several other trading houses all over the west coast of India. They also served as brokers for the French East India company in Goa during the critical period of anglo-french wars. The Mhamais were also revenue farmers, particularly customs and tobacco tax farming. I had the privilege of taking their family archives to the Xavier Centre of Historical Research in 1979 and making the history of the family known worldwide.

Criatividade e estilos parentais em crianças do 4º ano de escolaridade

RESUMO: A História demonstra que a criatividade tem sido uma constante da actividade humana constituindo-se como o motor da vida de qualquer comunidade (Urban, 1996). Diversas pesquisas em Psicologia demonstram a importância da interacção parental e dos estilos educativos utilizados pelos pais no desenvolvimento das crianças (Darling, 1999). Os estilos parentais exercem uma influência importante na expressão da criatividade das crianças, tendo as famílias um papel fundamental no desenvolvimento dessas capacidades criativas (Wu, 2008). Esta investigação pretende estudar a relação entre a criatividade e os estilos parentais em crianças do 4º ano de escolaridade, esperando-se que crianças submetidas a um estilo parental autoritário apresentem níveis inferiores de criatividade. A amostra é constituída por 236 alunos com idades compreendidas entre os 8-12 anos. Na avaliação da criatividade foi utilizado o TCT-DP (Test for Creative Thinking – Drawing Production) de Urban e Jellen (1986) e na avaliação dos estilos parentais foi aplicado o API (Índice de Parentalidade Autorizado) de C. Jackson, L. Henriksen e V. Foshee (1998), adaptado para a população portuguesa por M. Gaspar e M. Alarcão em 2003. Foi ainda aplicado o questionário sócio-demográfico. Verificou-se que não existem diferenças estatisticamente significativas entre os níveis de criatividade em função dos estilos parentais considerados, não confirmando a hipótese colocada. ABSTRACT: History shows that creativity has been a constant of human activity constituting itself as the engine of life of any community (Urban, 1996). Several studies in psychology show the importance of parental interaction and the educational practices used by parents on children's development (Darling, 1999). Parenting styles are considered to be an important influence on the expression of creativity of children, and the families have a fundamental role in the development of these creative abilities (Wu, 2008). This research aims to study the relationship between creativity and parenting styles in children of fourth grade, it is expected that children under an authoritarian parenting style have lower levels of creativity. The sample comprises 236 students aged between 8-12 years. In the assessment of creativity was used TCT-DP (Test for Creative Thinking - Drawing Production) by Urban and Jellen (1986) and in the assessment of parenting style was applied the API Index (Authoritative Parenting Index) of C. Jackson, L. Henriksen and V. Foshee (1998), adapted to portuguese sample by M. Gaspar and M. Alarcão in 2003. It was also applied the socio-demographic questionnaire. It wasn’t found any statistically significant differences between the levels of creativity considering the parenting styles studied, not confirming the hypothesis.