Some Contrasting Visions of Luso-Tropicalism in India

A visão lusotropicalista de Gilberto Freyre e o seu apelo propagandistico são compreensiveis no contexto das suas ligações familiares e pessoais a Portugal e da conjuntura política portugesa e internacional em que ele viveu. É possível colher visões direrentes e contrárias das pessoas que fizeram parte do lusotropicalismo na Índia, e dos que observaram o fenómeno de perto no subcontinente. São visões que diferem substancialmente da euforia gilbertiana. O lusotropicalismo na Índia é visto na mais recente novela de Salman Rushdie como um conjunto de aberrações culturais e genéticas. O ùltimo suspiro do mouro não será uma nova versão de Versos Satânicos dedicados aos Descobrimentos Portuguess? Curiosamente, a conhecida sensibilidade patrótica dos portugueses não se tem pronunciado apesar do aparecimento da versão portuguesa do livro nas vésperas do início das comemorações.

The “right way” of Hermetism: disputes on Gnostic’s, Pagan’s and Christian’s (re-)visions of the Hermetic phonomenon in late antiquity

This paper aims to understand the phenomenon of Hermetism though the perspective of its process of reception and reproduction in society. It will explore the phenomenon that was the transformation of the Hermetica into a social discourse. The so-called technical and philosophical Hermetica are texts. A text is the result of a production: it is composed by men, and addressed to men. It is important to consider the intentions and values present in a text’s production, and to understand that its process of reception and reproduction in society are, in fact, complex and dynamic.

Socio-cultural visions of interactivity within Museums

The ideas on which this paper is based are drawn from my thesis “Interactivity in Museums. A Relationship Building Perspective” written in 2007 for the fulfillment of the Master Degree in Museology at the Reinwardt Academy in Amsterdam. The main arguments are that the notion of Interactivity conceptualized within a technological orientation coupled with the pedagogic approach of mere information transmission need to be reconsidered; that Interactivity in museums is a conception both misinterpreted and under-implemented; and that the problems of understanding Interactivity will resolve by identifying the aspects which define Interactivity and most importantly focus on why they matter in a broader socio-cultural context within museums. Without an intention to attribute all the developments and advances associated with new museological practice, in some deterministic way, solely to politics and economic change, I argue that the new strategies adopted by museums towards progression and broader accessibility –at least regarding interactivity, seem to be linked more with a dominant commercialization of culture and education, than with a belief towards an effect on social change through the promotion of social interaction within a pluralistic and multicultural society, acknowledging the diversity of nature, opinion and practices, which can be combined instead of contrasting each other.