''L'intervallo perduto'' nella Metropoli Modern

The city is not only a visual environment, but it is also sonorous and therefore the “unintentional hearing which is much more influencing” is involved in an urban space experience just as sight is. Beginning with Assunto’s consideration in Il paesaggio e l’estetica, the analysis we provide cannot avoid outlining the peculiarities of aestetic fruition of the city seen as a space we cross, in which we live and in which we, as a matter of fact, are agent actors. And it is as a consequence of this peculiarity that silence has a leading role in our urban experience. Seen as a presence of itself, it is a positive value especially if we consider that nowadays modernity is expressed through its absence. It is an absence that reaches its climax in the experience of the metropolis. Besides Assunto, there is another witness of this in Simmel’s The Metropolis and Mental Life from which our analysis cannot leave out of consideration. Given that this analysis is a sort of analytic excursus it develops around a well defined barycentre represented by the acoustic experience of the city that focuses on the presence/absence of silence as a result of modernity. Taking the first steps from Assunto and Simmel’s assumptions, this work takes into account the theme of silence in the metropolis and introduces it as a loss of interval and thus uses the analysis carried out by Dorfles in L’intervallo perduto and in Horror Pleni. The metropolitan experience is highly characterized by a sensory disorientation for which we can detect a “strong” starting, the Great War, which shows a caesura that outlines the edges of a new mental world. It shows the systematic use of modern technique, of its sonorous universe and urbanization which appears as a corollary of this picture.

The construction of the museological object

"Exhibiting is or should be to work against ignorance, especially against the most refractory of all ignorance: the pre-conceived idea of stereo typed culture. To exhibit is to take a calculated risk of disorientation - in the etymological sense : ( to lose your bearings), disturbs the harmony, the evident , and the consensus, that constitutes the common place ( the banal). Needless to say however it is obvious that an exhibition that deliberately tries to scandalise will create an inverted perversion which results in an obscurantist pseudo-luxury - culture ... between demagogy and provocation, one has to find visual communication's subtle itinerary. Even though an intermediary route is not so stimulating : as Gaston Bachelard said "All the roads lead to Rome, except the roads of compromise."

As migrações : uma leitura política e uma visão humanista

Ao ter como base geral de pesquisa – A Europa diante do fenómeno migratório - a procura de uma nova Humanização – o objectivo deste trabalho consistiu na análise de algumas formas de manifestação e do impacto deste fenómeno nas sociedades democráticas inseridas nesse espaço. A consciência que as migrações têm seguido a história do mundo e as civilizações e que a sua análise permite avaliar o destino de seres humanos que partem em busca de soluções para as suas vidas. A convicção que a configuração das migrações tem um amplo significado social, cultural e económico e que uma política de imigração fechada, repressiva ou redutora do seu verdadeiro significado pode dividir a Humanidade. O receio que gera a continuidade de uma visão unilateral do Mundo e o esquecimento das condições existenciais difíceis de alguns países de emigração. A renúncia de alguns em escutar um discurso carecido de autenticidade e em apoiar um diálogo comprometido com alguns pressupostos ideológicos pouco claros. O desejo de participar na denúncia da propagação de atitudes facilitadoras dos sentimentos racistas e xenófobos. O repúdio pelo desnorteamento ontológico traduzido pela defesa de certas atitudes persecutórias infringidas aos imigrantes clandestinos. A adopção de uma política basicamente norteada pelo controlo das fronteiras e pela exploração económica dos imigrantes. A indignação pelo esquecimento ou negligência na vigilância e aplicação dos direitos fundamentais, em concreto, o direito ao uso da liberdade, a uma vida familiar normal, situações que lesam muitos. Foram, em suma, as razões que motivaram o trabalho. Porque, igualmente o exercício da cidadania e a inserção num espaço mundial em transformação requerem a actualização da leitura das relações dos homens entre eles e com as formas espaciais; porque o papel dos imigrantes na economia contemporânea é sentido como algo fundamental, e também a importância do seu lugar na estratégia de um desenvolvimento sustentável deve ser demonstrada e respeitada, desejou-se partilhar com outros a oportunidade de defender a participação colectiva sob princípios e premissas mais humanistas, e considerados fundamentais, para a construção de uma política de imigração digna, mais abrangente e indutora de pontes abertas e não de áreas amuralhadas.

The construction of the museological object

Exhibiting is or should be to work against ignorance, especially against the most refractory of all ignorance: the pre-conceived idea of stereo typed culture. To exhibit is to take a calculated risk of disorientation - in the etymological sense: (to lose your bearings), disturbs the harmony, the evident , and the consensus, that constitutes the common place (the banal). Needless to say however it is obvious that an exhibition that deliberately tries to scandalise will create an inverted perversion which results in an obscurantist pseudo-luxury - culture ... between demagogy and provocation, one has to find visual communication's subtle itinerary. Even though an intermediary route is not so stimulating: as Gaston Bachelard said "All the roads lead to Rome, except the roads of compromise." It is becoming ever more evident that museums have undergone changes that are noticeable in numerous areas. As well as the traditional functions of collecting, conserving and exhibiting objects. museums have tried to become a means of communication, open and aware of the worries of modern society. In order to do this , it has started to utilise modern technology now available and lead by the hand of "marketing" and modern business management.