"Church in Goa: Servants, slaves and rebels

This article in Goa Herald daily seeks to respond to a round-table conference convoked by Minister Eduardo Faleiro to reflect upon the need of calling the attention of the Goa Church to lack of transparency and accountability in its administration of Church properties.

O videoclipe victimless crime e as imagens nos videoclipes

RESUMO: No âmbito do Mestrado em Estudos Cinematográficos da Universidade Lusófona de Humanidades e Tecnologias, propôs-se a concretização de um Projecto-Tese na área do videoclipe. O projecto consiste na produção, realização e edição de um videoclipe. Victimless Crime é o nome da música, criada durante o ano de 2009 e lançada em Maio de 2010, da banda pop lisboeta Soulbizness. O resultado é um videoclipe com a duração de três minutos e vinte e seis segundos, que entende a possibilidade de uma utilização real. Na componente teórica procede-se ao estudo do videoclipe enquanto formato audiovisual e suas especificidades. Segue-se a análise de Victimless Crime, através do Modelo de Análise proposto por Francisco J. G. Tarín, assente em três vectores essenciais: Análise Textual; Análise de Recursos Expressivos e Narrativos; e Interpretação. ABSTRACT: Within the scope of the MFA in Cinematography at the Universidade Lusófona de Humanidades e Tecnologias, a thesis project was proposed in the field of music video. The project consists of producing, directing and editing a music video for the song Victimless Crime, created in 2009 and released in May 2010 by the Lisbon-based pop band Soulbizness. The result is a three minute, twenty-three second music video, complete and ready to be released. The project also includes a theoretical component, consisting of a general review of the music video as an audiovisual format and its characteristics, followed by an analysis of Victimless Crime, as per the Analysis Model proposed by Francisco J. G. Tarín, which is based on three main topics: Textual Analysis; Narrative Analysis and Expressive Language Analysis; and Interpretation.

Mobile Internet : perspectives from the Stakeholders

Mobile internet represents a major new trend in communication technologies use and consumption, but few evidence exists that confirms claims of novelty and social change in association with this technology use. This paper characterizes the use of mobile internet in a southern European country and associated patterns of use, focusing both on users’ profiles, forms of access, motivations to use and most popular activities undertaken via this technology, from a diffusion of innovations and social adoption of technologies perspectives, and tries to compare mobile it with fixed access to the internet in order to validate possible transformations that point to new social configurations. We seek to understand the way stakeholders perceive and characterize the European context of mobile internet. The depicted study involved a qualitative stage consisting of a set of interviews with mobile communications industry representatives and market research community in the country. These interviews were analysed in Nvivo, leading to the following eleven main categories that are explored throughout the paper: smartphones in Europe, mobile internet in Europe, users profiles, obstacles to the spread, forms of access, forms of use, motivations to use mobile internet, limitations of smartphones, apps, digital divide VS digital union and predictions for the future, as well as several subcategories forming a tree categorization. According to the data collected, mobile phones’ sales are decreasing in Europe and worldwide but on the other hand smartphones are having an exponential growth which leads to the democratization of internet access via mobile devices. As a consequence of this, it is believed that mobile internet access will soon exceed the fixed one. Mobile internet users are multiplatform, they exploit all the possibilities of mobility and they are spending less time on computers. The main obstacles to the spread of mobile internet are the high prices of price plans and there is still a lack of information and knowledge regarding the service. Mobile internet users are developing new online surfing behaviours based on apps and less in browsers and social networks represent a very high share of internet traffic through mobile phones. With mobility, “dead time” is turning into useful time and users are more likely to be available to try new services and analyze products. Innovative services concerning geolocation, consumerism, share and relationships are growing and it is necessary to highlight that mobile internet allows calling and texting, which can turn telecommunications companies into the role of Dump Pipes. This exploratory design raises questions in relation with mobile internet access and its social consequences, and provides interesting indicative research results relevant for future research in this area.

Estudo tipológico e conceptual de uma creche e jardim de infância para o Bairro da Cova da Moura

Esta Tese tem como objectivo, contribuir para a construção de uma Creche e Jardim de Infância num bairro social de modo a minimizar a realidade actual, bem como a problemática nos "Bairros Sociais". Este estudo incidiu sobre o Bairro da Cova da Moura, situado no concelho da Amadora, sendo considerado um dos mais perigosos da cidade de Lisboa. O Trabalho iniciou-se com uma análise á origem do Bairro da Cova da Moura, ao seu desenvolvimento e, posteriormente aos seus habitantes a fim de, compreender as suas características e vivências. Na sequência deste trabalho, verificou-se a existência de inúmeras carências afectas ao bairro e à sua população, constatando-se que são nas camadas mais jovens, nomeadamente da infância à adolescência que incidem a maioria destas adversidades. Neste contexto, a proposta de trabalho será a concepção do Projecto de uma Creche e Jardim de Infância, apelando a uma educação mais eficaz e proveitosa, proporcionada em condições de conforto arquitectónico, tendo em conta a zona onde se insere e a população que servirá, tentando interligar o bairro e a convivência dos seus habitantes com as populações periféricas. Mediante a análise destes espaços serão mostradas algumas apreciações feitas para a concepção deste tipo de Equipamento, bem como de alguns conceitos e renovações nos mesmos referentes a questões antropológicas, ergonómicas, tipológicas, funcionais e de alguns problemas e dificuldades associados.

The light representation of religion and power in sound

The thematic and anathematic in music-making a reflection occurring after listening to an art song and a pop song from the 19th and 20th century Levantine music. Bach’s Orchestral Suites keep popping up, elegantly unveiling “the truth”.

Lost in the supermarket – The Traditional Museums Challenges

“I’m all lost in the supermarket. I can no longer shop happily. I came in here for the special offer. A guaranteed personality”. The song by The Clash, released in 1979, “Lost in the Supermarket” describes the protagonist struggle to deal with an increasingly commercialized society and the depersonalization of the world around him. The song speaks about alienation and the feelings of disillusionment and lack of identity that come through modern society. There are different ways which one can decrease those feelings and promote knowledge, self-awareness and understanding. The museum, when used with all its potential, is one of the ways. But how to do that? That is the question museum professionals ask themselves. This paper analyses how the traditional museum can use the new museology concepts, and the challenges of this approach, to become a vehicle for community development and empowerment, diminishing the feelings sang by The Clash.

Museums, memories and social movements

From modernity to the contemporary world, museums have been acknowledged for their power to produce metamorphoses of meanings and functions, for their ability to adapt historic and social determination, and for their calling for cultural mediation. They derive from creating gestures which bind the symbolic and the material, which bind what is sensitive and what is intelligible. For this very reason the bridge metaphor fits them well, a bridge cast between different times, spaces, individuals, social groups and cultures, a bridge that is built with images and which holds a special place in the imaginary.