Turismo religioso: potencial de desenvolvimento turístico da Vila de Arcozelo, Vila Nova de Gaia

RESUMO: Existem vários turistas que se descolam para um determinado destino impulsionados por uma ou mais motivações. De qualquer das formas, devido ao intenso ritmo de vida das pessoas, a religião tem sido, cada vez mais, um elemento turístico que atrai várias pessoas que têm como principal motivação a fé. O Turismo Religioso ou Turismo com destino religioso, não tem sido considerado individualmente. Isto significa que este tipo de Turismo tem uma ligação forte com o património existente em áreas que desenvolvem a actividade turística. Por sua vez, o Turismo Religioso só é praticado quando existe esse património. A Vila de Arcozelo em Vila Nova de Gaia é um local que se depara com algumas limitações em termos económicos pelo que o Turismo poderá desempenhar um papel importante na sua estratégia de desenvolvimento. Apesar de afastada do grande centro urbano portuense, consegue atrair vários tipos de turistas, nomeadamente turistas de sol e mar e religiosos. Estes últimos têm como principal curiosidade visitar a “Santa” Maria Adelaide, mais conhecida por a “Santa das Noivas”. Em síntese, em termos científicos, esta Dissertação, procurou analisar as influências e o potencial que o Turismo Religioso pode representar para esta Vila e assim contribuir de forma consistente para o desenvolvimento local. ABSTRACT: There are many tourists who travel to a certain destination driven by one or more motivations. Anyway, due to the intense pace of life, religion has been, increasingly, a tourist element that attracts many people whose main motivation is faith. Religious tourism or tourism to a religious destination has not been considered. This means that this type of tourism has a strong connection with the existing heritage areas to develop tourism. On the other hand, religious tourism is practiced only when there is such a heritage. The Village of Arcozelo in Vila Nova de Gaia is a place that faces some limitations in terms of economics therefore tourism can play an important role in its development strategy. Although away from the major urban centre of Porto, the place manages to attract various types of tourists, especially sun and sea tourists, and religious tourist. These last ones have the curiosity to visit “Santa Maria Adelaide”, better known as the “Saint of the Brides”. Summarising, in scientific terms, this thesis sought to analyze the influences and the potential that religious tourism can bring to this village and this way consistently contribute to local development

Elizabeth Bishop’s sounds of sanity

In this article, I examine the implications of rewriting definitions of sanity and insanity through the use of noise, silence, and language,positioningElizabeth Bishop’s short story “In the Village” as a form of resistance against traditional readings of madness, logocentrism, and identity. I suggest that by writing her characters as undivided from the world of sound, Elizabeth Bishop’s story shifts understandings of insanity, which is often conceptualized through denials of agency, allowing her characters to escape in noises and hesitations in language and communication. “In the Village” avoids silencing the “insane” mother through her placement in a caesura of sound and silence. This article avoids a biographical reading of “In the Village,” which is often connected with her own mother’s “mental breakdown,” because Bishop’s writing would have been as much affected by her conscious awareness of her past as it was by the unconscious impulses and histories of writing in the West. Rather, I take into account Bishop’s own personal history as well as the repetitions that reflect a placement in a tradition appearing in the story itself. Using this particular lens, I believe a rereading of “In the Village” is in order, where the “mad mother” is not silenced by the oppressive social structures that control the insane,” but she instead finds escape in the multitudes of sounds that associate with her, erasing the power of language and opening a new world where agency exists in a scream or in a striking hammer.

Introduction

"TRAINING FOR THE UNIVERSAL MUSEUM" addresses a theme of our time. A Canadian, Marshall McLuhan, coined the phrase "global village" for this age which has witnessed mass travel, mass communications, even mass credit. Are we now about to see the "mass museum", a museum presumably homogenized and popularized for whatever constitutes the greatest cohort of global visitor which might arrive on the doorsteps of every-museum, every-where? The contributors to this volume think not. But there is in these papers some evidence of worry that we as individuals and institutions responsible for the education and professional development of museum workers are failing to consider seriously the impacts of the "global" forces at work in modern societies. Angelica Ruge discusses how the Germans are re-organizing museum training into a cohesive scheme, searching out the best elements from the former two states that now comprise the new German state. Margaret Greeves and Chris Newbery document the British search for a value free (and universally applicable?) set of museological skills which will underpin performance standards in the workplace. Both of these papers offer a response to the redefinition of the post-modern national state which as we watch, is redrawing political boundaries on every continent, and emphasizing the portability of skills and learning for the itinerant knowledge-industry worker.

Museum training to develop the social awareness of cultural identity in a time of universalization

The main theme of the ICTOP'94 Lisbon meeting is museum personnel training for the universal museum. At the very beginning it is important to identify what the notion universal museum can cover. It is necessary to underline the ambiguity of the term. On the one hand, the word 'universal' can be taken to refer to the variety of collected museum materials or museum collections, on the other hand it could refer to the efforts of the museum to be active outside the museum walls in order to achieve the integration of the heritage of a certain territory into a museological system. 'Universal' could also refer to the "new dimensions of reality: the fantastic reality of the virtual images, only existing in the human brain" (Scheiner 1994:7), which is very close to M. McLuhan's view of the world as a 'global village'. Thus, what is universal could be taken as being common and available to all the people of the world. 'Universal' can imply also the radical broadening of the concept of object: "mountain, silex, frog, waterfonts, stars, the moon ... everything is an object, with due fluctuations" (Hainard in Scheiner 1994: 7), which will cause the total involvement of the human being into his/her physical and spiritual environment. In the process of universalization, links between cultural and natural heritage and their links with human beings become more solid, helping to create a strong mutual interdependence.

Universal Museum - universal language? Art historian - curator

Marshal McLuhan’s prophetic vision of the global village is about to be realized. If we are aware of the fact that mass communication reduces the dimensions of our world and makes it more unified and universal, we should take this into consideration when planning the Universal Museum and the language that should be used in it. As curators, educators and museum staff we should not ignore the fact that the spectator/viewer is drawn to the exhibits not only by their own merit, but also guided and assisted by verbal messages, i. e. Labels, brochures. Catalogues etc. Hence, the crucial question is what we, the museologists, use as a means of communication when preparing for a Universal Museum. Should we use pictorial semiotics? This may be a partial solution, which is mainly restricted to objects that can be manipulated and moved by the visitor, as is the case in most of the technological museums. But since the range of objects on display at museums is vast and varied - fine art, archaeological finds, ethnographic objects etc., it may not be the answer to the whole spectrum of exhibits. Dr. Ludwig Lazarus Zamenhof, being an optimist, hoped that by introducing Esperanto to the multi-lingual world population, humanity would be able to bridge and diminish the gap of linguistic differences, thus creating a better understanding between the international communities. Unfortunately this vision was not realized. Esperanto was and still is an utopian and esoteric phenomenon. The barriers between nations still exist although, as mentioned earlier, mass media do help, in some ways, to reduce them.

Pequenas mãos que produzem: a questão do Trabalho Infantil no Povoado de Lagoinha - PB

O presente estudo tem como objetivo traçar um panorama geral sobre o trabalho infantil, no povoado de Lagoinha, Paraíba, Brasil. Para isso, fez-se necessário investigar e demonstrar as estatísticas de trabalho infantil no município de Lagoinha, investigar e demonstrar as repercussões de ações de erradicação no município de Lagoinha, verificar a procedência familiar das crianças trabalhadoras investigadas, verificar as atividades de lazer, educação e de trabalho que são executadas pelas crianças investigadas, averiguar os riscos a que estas crianças estão sujeitas, bem como suas perspectivas de futuro. Participaram deste estudo 12 crianças e adolescentes, entre 8 e 15 anos, dando ênfase às atividades por eles realizadas no comércio (venda de picolé) e carrinho de mão (carregando frutas e verduras), carvoeiras, serralharia e trabalho doméstico. Para uma melhor assimilação do estudo, a análise dos dados foi dividida por períodos. Cada período, (com a ajuda dos nossos teóricos), foi analisado sob aspectos psicológicos, social e físico, no decorrer dos 18 (dezoito) meses, visando compreender e identificar as principais problemáticas relativas à exclusão social no campo do trabalho infantil e suas formas de ressonâncias no espaço familiar, escolar e social.

O Lugar como Simbiose : Centro Histórico de Torres Vedras

A presente dissertação tem como principal objectivo a análise morfológica do centro histórico de Torres Vedras. Após um rigoroso estudo do seu plano estratégico de reabilitação urbana, verifica-se a ausência de um documento complementar que permita conhecer sua identidade. A informação existente é bastante planimétrica, pouco esclarecedora da qualidade espacial do Lugar. Devido à escassa cartografia existente, julgou-se essencial desenvolver a reconstituição urbanística da cidade, permitindo dissipar algumas memórias artificiais, fomentadas pelo ‘neo-romantismo’ do Estado Novo, mas que ainda hoje se fazem sentir na memória colectiva dos torrienses. O estudo da génese fundacional do Lugar e do seu enquadramento histórico é fundamental para o entendimento do valor patrimonial enquanto conceito subjacente às políticas de reabilitação dos centros históricos. O estudo da evolução urbana de Torrres Vedras desde a vila medieval, até à cidade do séc. XXI, dando a conhecer os pólos de atracção do crescimento periurbano, e a sua relação com o centro histórico, permitiu um conhecimento mais aprofundado sobre os elementos essenciais que caracterizam a sua Identidade. Verifica-se que a matriz urbana fundacional, ainda hoje perceptível, provém da ocupação romana, materializada pelos dois principais eixos reguladores: cardus e decumanus. A leitura do passado, alicerçada sobre a historiografia e arqueologia, pretende apenas mostrar que os núcleos urbanos antigos foram sempre elementos dinâmicos, capazes de se adaptarem às circunstâncias de cada época, garantindo a sua permanência e importância até ao início do séc. XX. A abordagem feita ao centro histórico pretende demonstrar a sua potencialidade para se tornar num elemento activo da cidade de Torres Vedras, capaz de se adaptar às necessidades da sociedade do séc. XXI, sem perder a sua identidade.