5 resultados para Elaboration

em ReCiL - Repositório Científico Lusófona - Grupo Lusófona, Portugal


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The paper attempts to explore the interrelation between a) the architects’ individualism and “pre-structures” b) research- based findings during the design process through experimentation and c)an integrated design approach, where morphology, construction and bioclimatic design are integrated from an early design stage. Through a thorough presentation and analysis of a competition proposal for the Cyprus News Agency, we discuss a number of important findings in relation to the present and possibly future form of the design studio. We suggest that the designer’s “prestructures” may not only be the basis for creative action, but also the basis for understanding and interpretation. Design informed and enriched at every stage by a research-based process, might well be the transmission and transformation of “prestructures”, a process of elaboration and discovery which facilitates and enhances design creativity and possibly allows for a multiplicity of approaches through a range of possibilities. Furthermore, an integrated approach from the early stages of the design process facilitates innovation in materials and systems.

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The article if considers to identify in the fields of the public sphere, the public politics and the theory of the complexity elements that take the public politics to reconsider the citizen as principal actor of the public sphere, verifying evidences of its use in strategical lines of the cities. By means of research qualitative and exploratória concludes that, in the majority of the experiences of public politics analyzed the citizen, when is taken in consideration, it occupies secondary positions. Of the theoretical point of view, this if must to the fact predominate in the processes of elaboration of the public politics, linear, instrumental and exculpatory rationalities, in detriment of nonlinear and opened rationalities to the yearnings of the citizens.

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A pesquisa realizada teve como finalidade analisar os pressupostos compreendidos nos conceitos de topofilia e de terrafilia, considerando como sujeitos os alunos e professores da Escola de Ensino Fundamental e Médio Ministro Jarbas Passarinho, no Município de Sobral, Estado do Ceará. Foi feita uma análise da identidade territorial, a vivida e a desejada, buscando avaliar o sentido de pertença à escola e aos bairros Terrenos Novos e Vila União, bem como a sua atratividade. Isto permitiu verificar as consequências que pode trazer tornar o sentimento de pertença em algo construtivo na resolução de problemas existentes na escola e nos bairros em questão, no sentido de contribuir para a formação da cidadania. A metodologia participativa adotada consistiu na realização de oficinas sobre os conhecimentos, atitudes e prática (CAP)/Terrafilia, aplicadas a alunos do 3º ano do ensino médio e a seus respectivos professores de Geografia. Os resultados permitiram a elaboração de um diagnóstico retrospectivo e prospectivo a respeito das diversas mudanças ocorridas na gênese da identidade territorial e proporcionou aos participantes uma abertura dialógica, onde puderam expressar suas opiniões e preocupações, permitindo assim, um ensaio das escolhas, deveres e responsabilidades, a partir de indicações e formulação de propostas para fortalecimento do sentimento de terrafilia.

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In the last few years, reflections around knowledge building in the museology area have increased considerably, allowing us to cast many gazes over our actions, and, consequently, enabling us to a wider debate around our professional action field, decreasing our exclusion from the academic environment – museologists reproducing the knowledge produced in other areas. In the present work, we shall approach some issues related to the museological process, taking as a reference several studies about the subject, which, due to the time given to us in this round table, could not be re-presented here for discussion. Besides, we have dedicated a chapter to such approach in our publication titled “Museological Process and Education: building a didactic-community museum”. So we have opted instead to carry out a reflection about exclusion, looking into the museum institution and into the application of museological processes; in other words, we shall carry out a self-criticism, in which I include myself, affecting an analysis that will be debated here, considering, additionally, that the museums and museological practices are in relation to the other social global practices, therefore, they are the result of human relations at each historical moment. Finally, based on our lived experience, we shall give continuity to our reflection process, highlighting the importance of knowledge production for the area of museology and the relevance of the theory-practice relation, punctuating some aspects we think that may contribute to the construction of a museological action that may serve as a historical elaboration in securing a space for self- determination.

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Museology has emerged and has been organised as a field of knowledge, precisely to frame the technical, theoretical and methodological aspects, regarding the constitution, implementation and evaluation of the processes that societies establish for the selection, treatment and extroversion of the memory indicators, transforming them into patrimonial references and projecting them into the constitutive fields of cultural heritage. It is therefore, one of the areas of knowledge that deals with the framing of heritage and their professionals are agents of memory education. The constitution of the parameters that define and delimit the museological action field has been outlined in the course of the centuries, if we consider the technical efforts related to the identification and organisation of collections, in addition to the curatorial treatment of specimens from nature, of objects, of the intangible heritage registers. The same length of elaboration is true if we evaluate the communication initiatives and of education of the senses.