14 resultados para Assemblage (Arte)

em Biblioteca Digital da Produção Intelectual da Universidade de São Paulo (BDPI/USP)


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Reconhecidos como personagens centrais pelo grupo de intelectuais e artistas ligados à Semana de Arte Moderna de 1922, Graça Aranha e Paulo Prado são muitas vezes deixados de lado pelos estudiosos e, em geral, se fazem presentes nas análises de bastidores e/ou em referências de terceiros. Este artigo pretende observar mais atentamente suas redes de sociabilidade e inserção, o que revela, entre outras coisas, as ambivalências do engate de ambos os autores em um projeto "moderno", assim como certas ambivalências presentes no interior do próprio movimento modernista.

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Os chamados ídolos de pedra amazônicos, apesar de conhecidos há mais de cem anos, constituem uma categoria de artefatos indígenas sem contexto arqueológico, histórico ou etnográfico. Este artigo apresenta uma primeira análise formal das peças conhecidas e algumas hipóteses sobre a sua função e finalidade. O estilo, os motivos simbólicos e o detalhe funcional de pares de furos idênticos em todos os exemplares sugerem que eles eram parte do instrumental usado nos rituais xamânicos de inalação do paricá e de outras substâncias alucinógenas.

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Neglected diseases are a major global cause of illness, long-term disability and death. Chagas' disease is a parasitic infection widely distributed throughout Latin America, with devastating consequences in terms of human morbidity and mortality. The existing drug therapy suffers from a combination of drawbacks including poor efficacy, resistance and serious side effects. In 2009, we celebrate the 100th anniversary of the discovery of Chagas' disease, facing the challenges of developing new, safe and effective drugs for the treatment of this disease. This brief review attempts to highlight the state of the art, limitations and perspectives of Chagas' disease drug development.

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A irreverência e a criticidade de alguns rappers e o gingar alegre do corpo erótico proposto pelo funk sugerem um novo cenário para as metrópoles do país, em que a pluralidade da arte juvenil surge como forma de enfrentamento das marcas deixadas por fraturas sociais profundas. Os conceitos de "visão dionisíaca de mundo", "estética extrema" e "transvaloração dos valores", de Nietzsche, e o "erotismo", segundo Bataille, nortearam o método de ruptura de campo, concebido por Herrmann. Este, essencial para se repensar as noções de autoridade e tradição na sociedade contemporânea a partir das ideias veiculadas pelo rap e pelo funk. Consideramos que somente uma etnografia do olhar que apanhe a dimensão erótica e irreverente - a "eróptica", segundo Canevacci - destas manifestações poderia nelas identificar uma estética afirmativa e crítica, como diria Nietzsche, capaz de produzir uma verdadeira reversão dos valores em nossa sociedade e, no caso, no interior da própria escola.

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Este artigo objetiva discutir o processo de significação da cidade histórica turística de Ouro Preto. Desenvolve-se por meio de uma pesquisa em psicologia social baseada na fenomenologia e no estudo micro-histórico da percepção. O trabalho foi baseado em extensa pesquisa de artigos, livros e outras fontes sobre a cidade de Ouro Preto. Ao final, mostram-se os diferentes discursos concernentes a quatro campos perceptivos criados durante o século XX.

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In the present work, Raman Microscopy was employed in the characterization of the pigments used in a drawing assigned to Tarsila do Amaral, one of the most important Brazilian artists. The work (colored pencil on paper), supposedly produced in the 1920 decade, is of a very simple composition, where blue, green and brown were the colors used. Prussian Blue was found as the blue pigment, whereas green was a mixture of copper phthalocyanine and a yellow dye, probably a diarylide; the brown pigment was a carbonaceous compound. Prussian Blue was replaced by phthalocyanine as pigment since the end of the 1930's and the possibility that it could have been used as pigment in the 1920's can be ruled out.

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Este ensaio visa sistematizar os primeiros resultados de uma pesquisa, ainda em curso, sobre o processo de legitimação da fotografia pelo sistema de arte no Brasil, cujo foco principal é o museu. Os museus de arte da cidade de São Paulo foram escolhidos para dar início a essa investigação. Primeiramente, será abordada, em linhas gerais, a presença da fotografia no Museu de Arte Moderna de São Paulo e na Bienal de São Paulo, dada a vinculação de origem do Museu de Arte Contemporânea com essas duas instituições paulistanas. Na seqüência será analisada a formação do acervo fotográfico do Museu de Arte Contemporânea da Universidade de São Paulo durante a década de 1970. Por fim, esse percurso permitirá observar que a atuação de Walter Zanini, o primeiro diretor do Museu, e as particularidades da posição do MAC-USP no sistema de arte no Brasil naquele período resultaram no entendimento da fotografia prioritariamente no âmbito da arte contemporânea de caráter experimental e não como obra de arte autônoma, segundo os princípios da chamada fotografia artística.

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Thirty-eight stations were sampled in Guanabara Bay, Rio de Janeiro, Brazil, to assess the spatio-temporal diversity and biomass of sublittoral polychaetes. Samples were collected during the dry (September 2000) and rainy season (May 2001) in shallow sublittoral sediments. The polychaete spatial composition showed a heterogeneous distribution throughout the bay. A negative gradient of diversity and biomass was observed towards the inner parts of the bay and sheltered areas. A wide azoic area was found inside the bay. Some high-biomass and low-diversity spots were found near a sewage-discharge point. In these areas, the polychaete biomass increased after the rainy season. A diversified polychaete community was identified around the bay mouth, with no dramatic changes of this pattern between the two sampling periods. Deposit-feeders were dominant in the entire study area. The relative importance of carnivores and omnivores increased towards the outer sector, at stations with coarse sediment fractions. Guanabara Bay can be divided into three main zones with respect to environmental conditions and polychaete diversity and biomass patterns: A) High polychaete diversity, hydrodynamically exposed areas composed of sandy, oxidized or moderately reduced sediments with normoxic conditions in the water column. B) Low diversity and high biomass of deposit and suspension-feeding polychaete species in the middle part of the bay near continental inflows, comprising stations sharing similar proportions of silt, clay and fine sands. C) Azoic area or an impoverished polychaete community in hydrodynamically low-energy areas of silt and clay with extremely reduced sediments, high total organic matter content and hypoxic conditions in the water column, located essentially from the mid-bay towards the north sector. High total organic matter content and hypoxic conditions combined with slow water renewal in the inner bay seemed to play a key role in the polychaete diversity and biomass. Sedimentation processes and organic load coming from untreated sewage into the bay may have negatively affected the survivorship of the fauna.

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Drosophila Fallen, 1823 (Diptera, Drosophilidae) is for long a well-established model organism for genetics and evolutionary research. The ecology of these flies, however, has only recently been better studied. Recent papers show that Drosophila assemblies can be used as bioindicators of forested environment degradation. In this work the bioindicator potential of drosophilids was evaluated in a naturally opened environment, a coastal strand-forest (restinga). Data from nine consecutive seasonal collections revealed strong temporal fluctuation pattern of the majority of Drosophila species groups. Drosophila willistoni group was more abundant at autumns, whereas D. cardini and D. tripunctata groups were, respectively, expressive at winters and springs, and D. repleta group at both seasons. The exotic species D. simulans Sturtevant, 1919 (from D. melanogaster group) and Zaprionus indianus Gupta, 1970 were most abundant at summers. Overall, the assemblage structure did not show the same characteristics of forested or urban environments, but was similar to the forests at winters and to cities at summers. This raises the question that this locality may already been under urbanization impact. Also, this can be interpreted as an easily invaded site for exotic species, what might lead to biotic homogenization and therefore can put in check the usage of drosophilid assemblages as bioindicators at open environments.

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We investigated two of the most studied relationships in the macroecological research program (species richness vs. body size and abundance vs. body size) of a local chironomid assemblage from southeastern Brazil. Although numerous Studies have examined these relationships, few have investigated how they vary at different temporal scales. We used data from a forested stream to document and examine these patterns at monthly intervals. Both the species body size distribution and the abundance-body size relationship varied temporally. In some months the body size distribution was skewed to the right. whereas in others it approached normality. We Found both linear relationships (with different values of slopes). and a polygonal pattern in the abundance-body size relationship. This temporal variation was not related to environmental variables. Our results suggest that body size relationships are temporally instable properties of this chironomid assemblage. (C) 2007 Gesellschaft fur Okologie. Published by Elsevier GmbH. All rights reserved.