4 resultados para appetite sensations

em Universidad de Alicante


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The aim of this study was to identify Spanish stakeholders’ views on the relationship between childhood obesity and the marketing and advertising of food and beverages aimed at children in Spain, as well as on the corresponding of regulations. We performed a qualitative study based on semi-structured interviews with Stakeholders/Key Informants (KI) from 13 organisations: experts (2), consumer advocates (1), public health advocates (2), food manufacturers (2), advertising advocates (1), government representatives (1), child/family/school advocates (2) and media (1). The variables studied were Prevalence of childhood obesity and its relationship to marketing/advertising and Regulation of marketing. In order to identify the most relevant arguments (pearls) in the discourses, a blind independent analysis by four members of the research team was performed. We found that the prevalence of childhood obesity was perceived to be higher than the European average. Self-regulation was identified as the main form of marketing control. Only food manufacturers and advertising agencies considered voluntary action and supervisory procedures to be effective. The other stakeholders advocated state control through legislation and non-state actions such as external assessment and sanctions. Despite the divergence of opinion between stakeholders, there was agreement on the need to improve supervision and to ensure compliance with current self-regulatory codes in Spain.

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When the GoPro camera was first put on the market in 2004, it brought about a new generation of ultracompact cameras designed to be attached to the user’s body, and which came to be known as action cams. Their principal characteristics were their tiny size, their high-quality images and a wide-angle, fixed-focal-length lens. This combination has made it much simpler to get spectacular subjective shots with considerable depth of field. The users of this technology now form a whole generation of citizen-filmmakers who produce thousands of videos every day in a novel realistic style dominated by first-person narrative. Their work is principally shared via video platforms like YouTube and Vimeo, which provide instant feedback in the form of millions of views. In this paper we analize the common features of the action cam recording style and we state these videos will bring about a redefinition of the realist visual style. Furthermore, we propose to relate the success of the action cam phenomenon with the cognitive concept of embodiment and argue that the viewer’s mirror neurons copy the real sensations and enable the viewer to experience, virtually and in safety, the same emotions felt by the person actually taking part in the action.

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Los estudios referentes a las sensaciones térmicas son de gran interés y utilidad en diferentes sectores de la sociedad, máxime en la provincia Cienfuegos (Cuba) donde existe un alto potencial económico en continuo desarrollo. Es por eso que este trabajo tiene como objetivo caracterizar temporal y espacialmente las sensaciones térmicas en horarios extremos del día en la provincia Cienfuegos durante el período 1981-2010. Para ello se calcularon los índices bioclimáticos Temperatura Efectiva-TE y Temperatura Efectiva Equivalente-TEE los cuales resultan adecuados para evaluar las sensaciones térmicas de los cubanos aclimatados a las condiciones cálidas y húmedas. Como principales resultados se obtuvo que en la provincia, las mañanas de noviembre a abril son generalmente frescas mientras las tardes de ese período pueden ser confortables o calurosas. Esta última situación es común en las mañanas de mayo a octubre cambiando a calurosas o muy calurosas en horas de la tarde. Las mayores diferencias espaciales se encontraron entre el litoral sur oriental y la zona montañosa resaltando esta última por una permanencia de sensaciones frescas o confortables.

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A finales del siglo pasado y principios del siglo XXI el número de instituciones culturales se ha incrementado expresivamente. Países como Japón, Reino Unido y también Brasil son sorprendidos con nuevos museos a un ritmo singular. Este texto pretende ampliar la comprensión sobre el creciente número de establecimientos culturales, los nuevos formatos de los museos y las innovaciones en los espacios museísticos por medio de la perspectiva de los visitantes. Encuestas realizadas en el Instituto Inhotim, en Brasil, demuestran que la existencia de museos y símiles en nuevos formatos está en conformidad con las expectativas de una sociedad contemporánea donde las personas buscan vivir nuevas experiencias, valoran las sensaciones y privilegian el tiempo presente.