3 resultados para Choruses, Sacred (Mixed voices) with organ.

em Universidad de Alicante


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Seventy-five years ago, Walter Benjamin showed us that the line between "production" and "reproduction" had begun to blur. Reproduction was no longer optional, consequential and degrading (the shredding of the original’s aura), but was instead being transformed into a principle of production itself: something was produced bearing in mind how it was to be reproduced. No longer did the original exist (in photography, film, music recordings), but instead diffusion, exhibition. The work existed precisely at the time and place of its enjoyment. Today, the cultural pirates of the new digital era take this principle to the extreme, with a certain characteristic also foreseen by Benjamin: a yearning to participate, to post-produce something captured in order to later return it to the Internet, modified in some way and made available to others. This postproduction is what is now often mixed up with reception, just as production and reproduction used to be in Benjamin’s day. Postproduction on the receiver’s side, which somehow augments and extends the received work, in other words creates an etymologically rigorous author-ization (auctor as the root of both author and augmentation). The cultural pirate only deserves redemption thanks to this creative augmentation.

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A series of CeO2–Nb2O5 mixed oxides with different Nb content, as well as the pure oxides, have been synthesized by co-precipitation with excess urea. These materials have been used as supports for platinum catalysts, with [Pt(NH3)4](NO3)2 as precursor. Both supports and catalysts have been characterized by several techniques: N2 physisorption at 77 K, X-ray diffraction, Raman spectroscopy, X-ray photoelectron spectroscopy, UV–vis spectroscopy, scanning electron microscopy, transmission electron microscopy, temperature-programmed reduction and temperature-programmed desorption (CO and H2), and their catalytic behaviour has been determined in the PROX reaction, both with an ideal gas mixture (CO, O2 and H2) and in simulated reformate gas containing CO2 and H2O. Raman spectroscopy analysis has shown the likely substitution of some Ce4+ cations by Nb5+ to some extent in supports with low niobium contents. Moreover, the presence of Nb in the supports hinders their ability to adsorb CO and to oxidize it to CO2. However, an improvement of the catalytic activity for CO oxidation is obtained by adding Nb to the support, although the Pt/Nb2O5 catalyst shows very low activity. The best results are found with the Pt/0.7CeO2–0.3Nb2O5 catalyst, which shows a high CO conversion (85%) and a high yield (around 0.6) after a reduction treatment at 523 K. The effect of the presence of CO2 and H2O in the feed has also been determined.

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Este artículo aborda la investigación, realizada con los estudiantes del primer semestre de la titulación de Informática de la Facultad de Filosofía, Letras y Ciencias de la Educación de la Universidad Central del Ecuador, cuyo propósito ha sido analizar el uso de entornos de programación no mediados simbólicamente como herramienta didáctica para el desarrollo del pensamiento computacional. Se pretende establecer las posibles ventajas de aplicar este tipo de entorno para que los estudiantes desarrollen habilidades del pensamiento computacional tales como la creatividad, modelación y abstracción, entre otras, consideradas relevantes dentro de la programación. La metodología en que se apoyó la investigación es mixta, con investigación de campo y documental a nivel descriptivo. Se utilizó como instrumento un cuestionario para la recolección de datos entre el alumnado de la titulación. Finalmente, con la información recopilada se procedió al procesamiento de datos a partir de la estadística descriptiva para, así, obtener resultados que permitiesen alcanzar las pertinentes conclusiones y recomendaciones.