3 resultados para segmentation and reverberation
em Repositório Institucional da Universidade de Aveiro - Portugal
Resumo:
O presente trabalho de investigação visa propor uma metodologia de elaboração de uma base de dados terminológica destinada a um público não- -especialista, e surge como resposta à necessidade de transmissão de informação ao consumidor, fruto de falta de – ou parca – compreensão do mesmo, relativa a géneros alimentícios com alegações de saúde disponíveis no mercado: os denominados alimentos funcionais. A proposta metodológica de segmentação e caracterização do processo terminográfico, baseada no modelo desenvolvido por Gouadec, para organização do processo global de tradução, encontra-se organizada em três fases – pré-terminografia, terminografia e pós-terminografia –, e compreende três vertentes de análise – uma vertente conceptual, uma vertente comunicativa e uma vertente textual. Em termos gerais, na fase de pré-terminografia é desenvolvido um trabalho preparatório – de familiarização com a área de especialidade e de delimitação da subárea de especialidade, de identificação dos contextos comunicativos e de constituição de corpora especializados – essencial à subsequente fase executória – fase de terminografia – de elaboração do recurso terminológico. A última fase – fase de pós-terminografia – compreende o desenvolvimento de esforços com vista à aplicação industrial do recurso, assim como a sua posterior constante actualização. Constituem objecto de análise do presente trabalho as duas primeiras fases supramencionadas e as etapas que as constituem. A consideração de três vertentes de análise é, de igual forma, relevante.Tal facto é demonstrado ao longo do processo terminográfico, designadamente a nível da análise das repercussões, na fase de terminografia, de cada uma destas vertentes, consideradas já na fase de pré-terminografia. Com este trabalho de investigação pretendemos demonstrar o papel social da Terminologia, no contributo que pode prestar na divulgação de ciência, concretamente através da apresentação de uma proposta de uma base de dados terminológica sobre alimentos funcionais para o consumidor – a AlF Beta. Do mesmo modo, temos por objectivo contribuir a nível da reflexão teórica e metodológica em Terminologia, nomeadamente no que concerne a sua vertente aplicada, através da elaboração de recursos terminológicos destinados a públicos não-especialistas.
Resumo:
Coronary CT angiography is widely used in clinical practice for the assessment of coronary artery disease. Several studies have shown that the same exam can also be used to assess left ventricle (LV) function. LV function is usually evaluated using just the data from end-systolic and end-diastolic phases even though coronary CT angiography (CTA) provides data concerning multiple cardiac phases, along the cardiac cycle. This unused wealth of data, mostly due to its complexity and the lack of proper tools, has still to be explored in order to assess if further insight is possible regarding regional LV functional analysis. Furthermore, different parameters can be computed to characterize LV function and while some are well known by clinicians others still need to be evaluated concerning their value in clinical scenarios. The work presented in this thesis covers two steps towards extended use of CTA data: LV segmentation and functional analysis. A new semi-automatic segmentation method is presented to obtain LV data for all cardiac phases available in a CTA exam and a 3D editing tool was designed to allow users to fine tune the segmentations. Regarding segmentation evaluation, a methodology is proposed in order to help choose the similarity metrics to be used to compare segmentations. This methodology allows the detection of redundant measures that can be discarded. The evaluation was performed with the help of three experienced radiographers yielding low intraand inter-observer variability. In order to allow exploring the segmented data, several parameters characterizing global and regional LV function are computed for the available cardiac phases. The data thus obtained is shown using a set of visualizations allowing synchronized visual exploration. The main purpose is to provide means for clinicians to explore the data and gather insight over their meaning, as well as their correlation with each other and with diagnosis outcomes. Finally, an interactive method is proposed to help clinicians assess myocardial perfusion by providing automatic assignment of lesions, detected by clinicians, to a myocardial segment. This new approach has obtained positive feedback from clinicians and is not only an improvement over their current assessment method but also an important first step towards systematic validation of automatic myocardial perfusion assessment measures.
Resumo:
This thesis explores the possibilities of spatial hearing in relation to sound perception, and presents three acousmatic compositions based on a musical aesthetic that emphasizes this relation in musical discourse. The first important characteristic of these compositions is the exclusive use of sine waves and other time invariant sound signals. Even though these types of sound signals present no variations in time, it is possible to perceive pitch, loudness, and tone color variations as soon as they move in space due to acoustic processes involved in spatial hearing. To emphasize the perception of such variations, this thesis proposes to divide a tone in multiple sound units and spread them in space using several loudspeakers arranged around the listener. In addition to the perception of sound attribute variations, it is also possible to create rhythm and texture variations that depend on how sound units are arranged in space. This strategy permits to overcome the so called "sound surrogacy" implicit in acousmatic music, as it is possible to establish cause-effect relations between sound movement and the perception of sound attribute, rhythm, and texture variations. Another important consequence of using sound fragmentation together with sound spatialization is the possibility to produce diffuse sound fields independently from the levels of reverberation of the room, and to create sound spaces with a certain spatial depth without using any kind of artificial sound delay or reverberation.