O grupo do Brooklin: semente da percussão contemporânea no Brasil

This dissertation proposes to disclose the production and the “fruits” generated in Brasil by the Percussion Ensemble of the Conservatório Musical Brooklin Paulista. This group was an important vehicle in Brazil for the emergence of new groups, new schools, new works and the making of percussion instruments. It contains semi-structured interviews with almost every member of the group, and conductors, composers and teachers who were connected with percussion practiced in Brasil in the 1960s and 1970s.

Ansiedade na performance musical: estudo de caso com a Orquestra Filarmonia das Beiras

A ansiedade na performance musical (APM) é um distúrbio que afeta alguns músicos independentemente da sua idade, experiência, dedicação ou tipo de instrumento. A APM se faz presente em músicos de orquestras, coros e solistas e surge como um fenômeno fisiológico, psicológico, cognitivo e emocional. Este trabalho consiste em uma pesquisa acerca da ansiedade na performance musical em uma orquestra portuguesa. Através da aplicação do questionário STAI-Y comparou-se como 36 músicos da Orquestra Filarmonia das Beiras se sentiram antes do concerto (ansiedade-estado) e em uma situação geral (ansiedade-traço). Além disso, correlacionou-se os dados obtidos com dados sobre a população portuguesa. Concluiu-se que os músicos da OFB não apresentaram diferenças significativas entre os dois momentos e apresentaram baixos índices de ansiedade-estado e ansiedadetraço comparativamente à população portuguesa.

Trajetórias do canto coral no Maranhão: FEMACO como referência histórica num processo de continuidades e rupturas

O FEMACO – Festival Maranhense de Coros – teve durante a sua existência (1977-2012) um forte impacto sociocultural em São Luís, capital do Maranhão e contribuiu decisivamente para a formação de diretores corais e educadores musicais nesta região. A presente investigação constitui um levantamento histórico dos 36 anos de existência deste festival e uma reflexão sobre a sua contribuição para a música coral no Estado do Maranhão. Para chegar a estes objetivos foi realizado um levantamento dos materiais impressos que constam do arquivo do próprio Festival, existente na Universidade Federal do Maranhão, nomeadamente dos cartazes e brochuras com os programas do festival, e dos registos existentes nos jornais locais sobre o mesmo. Foram realizadas entrevistas com os autores do projeto FEMACO e foi ainda feito um inquérito, através de um questionário, a professores e regentes que participaram no festival. Sendo este o primeiro registo histórico sobre o FEMACO, um dos festivais de corais mais antigos da região Nordeste do Brasil, pretende-se realizar uma reflexão sobre a sua influência na música coral no Maranhão e fornecer dados que, esperamos, poderão servir como fonte de consulta para futuras investigações.

Extension of electrochemically active sites in SOFCs and SOECs

Solid oxide fuel (SOFCs) and electrolyzer (SOECs) cells have been promoted as promising technologies for the stabilization of fuel supply and usage in future green energy systems. SOFCs are devices that produce electricity by the oxidation of hydrogen or hydrocarbon fuels with high efficiency. Conversely, SOECs can offer the reverse reaction, where synthetic fuels can be generated by the input of renewable electricity. Due to this similar but inverse nature of SOFCs and SOECs, these devices have traditionally been constructed from comparable materials. Nonetheless, several limitations have hindered the entry of SOFCs and SOECs into the marketplace. One of the most debilitating is associated with chemical interreactions between cell components that can lead to poor longevities at high working temperatures and/or depleted electrochemcial performance. Normally such interreactions are countered by the introduction of thin, purely ionic conducting, buffer layers between the electrode and electrolyte interface. The objective of this thesis is to assess if possible improvements in electrode kinetics can also be obtained by modifying the transport properties of these buffer layers by the introduction of multivalent cations. The introduction of minor electronic conductivity in the surface of the electrolyte material has previously been shown to radically enhance the electrochemically active area for oxygen exchange, reducing polarization resistance losses. Hence, the current thesis aims to extend this knowledge to tailor a bi-functional buffer layer that can prevent chemical interreaction while also enhancing electrode kinetics.The thesis selects a typical scenario of an yttria stabilized zirconia electrolyte combined with a lanthanide containing oxygen electrode. Gadolinium, terbium and praseodymium doped cerium oxide materials have been investigated as potential buffer layers. The mixed ionic electronic conducting (MIEC) properties of the doped-cerium materials have been analyzed and collated. A detailed analysis is further presented of the impact of the buffer layers on the kinetics of the oxygen electrode in SOFC and SOEC devices. Special focus is made to assess for potential links between the transport properties of the buffer layer and subsequent electrode performance. The work also evaluates the electrochemical performance of different K2NiF4 structure cathodes deposited onto a peak performing Pr doped-cerium buffer layer, the influence of buffer layer thickness and the Pr content of the ceria buffer layer. It is shown that dramatic increases in electrode performance can be obtained by the introduction of MIEC buffer layers, where the best performances are shown to be offered by buffer layers of highest ambipolar conductivity. These buffer layers are also shown to continue to offer the bifunctional role to protect from unwanted chemical interactions at the electrode/electrolyte interface.

Self-regulatory behaviours and flow dispositions in musical practice: a survey with advanced performers

Flow experience, a holistic sensation of total involvement in an activity, seems to have positive influences on musical performance activities. Although its main requirements (balance between challenges and skills, clear goals and unequivocal feedback) are inherent elements of musical practice, there is a lack of research about flow occurrences in the context of musical practice and on how specific practice behaviours affect the experience of flow and its particular dimensions. The aims of this thesis were to investigate advanced performersʼ dispositions to flow in musical practice, and to investigate whether the frequency of these experiences of holistic engagement with practice are associated with self-regulatory practice behaviours. 168 advanced classicallytrained performers (male = 50.0%; female = 50.0%), ranging in age from 18 to 74 years (m = 34.41, SD = 12.39), answered a survey that included two measures: the Dispositional Short Flow Scale, assessing performersʼ flow dispositions, and the Self-Regulated Practice Behaviours Questionnaire, developed specifically for the present research. The overall results of the survey suggested that advanced musicians have high dispositions to flow in musical practice, but not associated with the participantsʼ demographic characteristics. Three of the individual flow indicators were less experienced, suggesting that the most intense flow experiences are rare in musical practice. However, the results point to the existence of another relevant experience, named optimal practice experience. Practice engagement levels were positively associated with knowledge of oneʼs own personal resources and a capacity for practice organization, but not with inclusion/use of external resources. A capacity for setting optimal practice goals was related to self-regulation and to immersion aspects of flow. Current findings offer new clues about the assessment of flow dispositions in performers, helping to clarify how daily practice can heighten positive affective responses in musicians who are vulnerable to the requirements and difficulties of deliberate practice, as well as to other negative practice outcomes. The current research questions issues pertaining to the optimization and sustaining of flow in daily practice, suggesting future directions in the study of the affective subjective functioning of engagement with deliberate practice.