1 resultado para films made for music
Filtro por publicador
- Adam Mickiewicz University Repository (1)
- AMS Tesi di Dottorato - Alm@DL - Università di Bologna (5)
- AMS Tesi di Laurea - Alm@DL - Università di Bologna (1)
- Anuario Musical Espanhol (1)
- ArchiMeD - Elektronische Publikationen der Universität Mainz - Alemanha (3)
- Aston University Research Archive (2)
- B-Digital - Universidade Fernando Pessoa - Portugal (1)
- Biblioteca Digital da Produção Intelectual da Universidade de São Paulo (11)
- Biblioteca Digital da Produção Intelectual da Universidade de São Paulo (BDPI/USP) (108)
- Biodiversity Heritage Library, United States (12)
- Brock University, Canada (66)
- Bucknell University Digital Commons - Pensilvania - USA (1)
- CentAUR: Central Archive University of Reading - UK (6)
- Central European University - Research Support Scheme (1)
- Cochin University of Science & Technology (CUSAT), India (13)
- Consorci de Serveis Universitaris de Catalunya (CSUC), Spain (140)
- Cor-Ciencia - Acuerdo de Bibliotecas Universitarias de Córdoba (ABUC), Argentina (1)
- CORA - Cork Open Research Archive - University College Cork - Ireland (2)
- Digital Commons @ Winthrop University (2)
- Digital Commons at Florida International University (2)
- Digital Peer Publishing (2)
- DigitalCommons - The University of Maine Research (1)
- Doria (National Library of Finland DSpace Services) - National Library of Finland, Finland (90)
- DRUM (Digital Repository at the University of Maryland) (1)
- Gallica, Bibliotheque Numerique - Bibliothèque nationale de France (French National Library) (BnF), France (6)
- Harvard University (1)
- Illinois Digital Environment for Access to Learning and Scholarship Repository (1)
- Institute of Public Health in Ireland, Ireland (8)
- Instituto Politécnico de Leiria (1)
- Instituto Politécnico do Porto, Portugal (48)
- Iowa Publications Online (IPO) - State Library, State of Iowa (Iowa), United States (21)
- Martin Luther Universitat Halle Wittenberg, Germany (5)
- Portal de Revistas Científicas Complutenses - Espanha (1)
- QSpace: Queen's University - Canada (2)
- QUB Research Portal - Research Directory and Institutional Repository for Queen's University Belfast (1)
- ReCiL - Repositório Científico Lusófona - Grupo Lusófona, Portugal (2)
- Repositorio Academico Digital UANL (1)
- Repositório Científico do Instituto Politécnico de Lisboa - Portugal (67)
- Repositório da Produção Científica e Intelectual da Unicamp (3)
- Repositório da Universidade Federal do Espírito Santo (UFES), Brazil (1)
- Repositório Digital da UNIVERSIDADE DA MADEIRA - Portugal (1)
- Repositório do Centro Hospitalar de Lisboa Central, EPE - Centro Hospitalar de Lisboa Central, EPE, Portugal (1)
- Repositório Institucional da Universidade Estadual de São Paulo - UNESP (1)
- Repositório Institucional UNESP - Universidade Estadual Paulista "Julio de Mesquita Filho" (45)
- RUN (Repositório da Universidade Nova de Lisboa) - FCT (Faculdade de Cienecias e Technologia), Universidade Nova de Lisboa (UNL), Portugal (28)
- Scielo Saúde Pública - SP (46)
- Universidad Autónoma de Nuevo León, Mexico (5)
- Universidad de Alicante (1)
- Universidad del Rosario, Colombia (1)
- Universidade do Minho (50)
- Universidade dos Açores - Portugal (1)
- Université de Lausanne, Switzerland (75)
- Université de Montréal (2)
- Université de Montréal, Canada (9)
- University of Michigan (5)
- University of Queensland eSpace - Australia (60)
- University of Washington (1)
- WestminsterResearch - UK (1)
Resumo:
This article investigates the distribution of Italian horror cinema in the age of video streaming, analyzing its presence and categorization on the platform Lovefilm Instant UK, in order to investigate the importance of ‘niche’ in what is known as the long tail of online distribution and the online availability of exploitation films. I argue that looking at the streaming presence of Italian horror and comparing it to its prior distribution on home video formats (in particular VHS and DVD) we can grasp how distribution and access have shaped the understanding of the genre. In particular, I address the question of the categorization of the films made by the S-VOD services and the limits of streaming distribution, such as lack of persistency in availability and the need of enhanced curatorship.