The practice of book illustration: Three examples by Norah Borges

This article focuses on three different examples of book illustration carried out by Norah Borges in the 1930s and 1940s (Canciones de mar y tierra by Concha Méndez, Platero y yo by Juan Ramón Jiménez, and Paul et Virginie by Bernardin de Saint-Pierre). Its purpose is twofold: to show how illustrations can shape our reading of texts and to examine how the artist's work can be assimilated to a current of neorromanticismo in Spanish letters dating back to the pre-Civil War period. Her work might serve as an illustration of what Ramón Gómez de la Serna termed the cursi bueno, a marginalized reaction to the dehumanization of art that speaks of sentiment, domesticity and, in women's case, of repressed longing.

Review of João M. Cabrita, Mozambique. The Tortuous Road to Democracy.

Book review in Lusotopie, 2002, no.1 of João M. CABRITA, Mozambique. The Tortuous Road to Democracy, Basingstoke (G.-B.) et New York (E.U.A.), Palgrave (St. Martin’s Press), 2000, 311p., ISBN 0-333-92001-5.