Right to War in the Islamic Tradition:Jihad and its Compatibility with Modern International Law (will be submitted to the publisher in April 2014)

In the last century, Islam drew the world’s attention though such phenomena as the Islamic revolution in Iran, the fierce Muslim resistance against the Soviet invasion of Afghanistan, and the assassination of Egypt’s President Sadat by a radical Islamic group. But it was when Osama Bin Laden and his organization Al Qaeda were established to have been behind the 11 September attacks in the US, the age-old images of Islam, the fanatical and belligerent religion threatening what the Western world stands for, were revitalized. The impact of 9/11 attacks was so great that even balanced portrayals of Islam were eclipsed by stereotypical images of a fundamental, anti-Western and warmongering religion that bore the hallmarks of medieval prejudices and rhetoric. The popular image tailored for the Western audience reflected Islam as monolithic, intrinsically aggressive, and determined to engage in religious wars against the interests and values of the Western civilisation.
This book intends to help reduce, at least to a reasonable degree, the impact of sweeping, and at times tendentious, generalisations about Islamic laws of warfare. The main purpose of this book is to place the legal, cultural and historical practices of Islamic wars in their broader socio-political contexts, thereby establishing that there has been no undisputed understanding of what defensive or aggressive warfare entails in Islam, whether in doctrine or in practice.

Islamic fundamentalism since 1945:2nd revised and expanded edition

Featuring a brand new examination of Islamic fundamentalism in the wake of the Arab Spring, this fully revised and updated second edition of Islamic Fundamentalism since 1945 analyzes the roots and emergence of Islamic movements in the modern world and the main thinkers that inspired them.

Providing a much-needed historical overview of a fast-changing socio-political landscape, the main facets of Islamic fundamentalism are put in a global context, with a thematic debate of issues such as:

- the effects of colonialism on Islam

- secularism and the Islamic reaction

- Islam and violence in the 9/11 era

- globalization and transnational Islamist movements

- Islam in the wake of the Arab Awakening

Islamic Fundamentalism since 1945 provides an authoritative account of the causes and diversity of Islamic fundamentalism, a modern phenomenon which has grabbed the headlines as a grave threat to the West and a potentially revolutionary trend in the Middle East. It is a valuable resource for students and those interested in the history, effects and consequences of these Islamic movements

Anna Magdalena as Bach's Copyist

Among the wives of eighteenth-century composers, no one is perhaps more favourably and affectionately described than Bach's second wife, Anna Magdalena (1701-1760). She has been commonly pictured as her husband's trusted assistant, copying his works in handwriting which closely resembled her husband's beautiful calligraphy. No one appreciates her contributions more than today's musicologists, for her copies are usually 'neat and accurate', and are often among the most important primary sources when Bach's autographs do not survive. Occasionally, however, it is difficult to accommodate this patronising view of her role and its significance. It is well known, for instance, that her copy of Bach's Cello Suites (BWV 1007-1012) contains an unusually large number of inaccuracies and copying errors. One must ask how many of these blunders should be ascribed to her. How would a 'neat and accurate' copyist produce such an error-ridden manuscript if she had made it from a fair copy? In this paper, I shall first discuss Anna's copies of Bach's works, and see if any particular patterns or tendencies in her copying activities emerge when these are placed in this broader chronological context. In an attempt to evaluate her performance as a copyist, I shall look at typical situations in which she worked, while at the same time seeking to discover what additional values her copies may bring to our studies of Bach's life and works.