Para lembrar do cativeiro:a memória social dos congados do Sul de Minas

Proceedings of the conference: 10 Congresso do Folclore Brasileiro

A experiência barroca e a identidade local na Semana Santa de Campanha, Minas Gerais

Este trabalho analisa a formação de uma sensibilidade barroca em Minas Gerais a partir da orientação participativa e altamente emotiva das festas coloniais, cujo legado se mantem presente nas festas religiosas de muitas antigas cidades mineradoras do estado. Enfocando as celebrações da Semana Santa na cidade sul-mineira de Campanha, o texto mostra como este evento anual era organizado pela Irmandade do Santíssimo Sacramento, passando então às mãos de uma comissão local após a extinção da irmandade. Se até meados do século XIX, havia músicos semi-profissionais contratados para tocar e cantar nas celebrações, a música foi assumida progressivamente por grupos de amadores. Assim, a festa passou a ser entendida como uma produção local e a cada ano a população renova o seu orgulho campanhense, ao contemplar sua capacidade de produzir um evento tão ‘maravilhoso’.

This paper analyses the formation of a baroque sensibility in the State of Minas Gerais (Brazil) that derives from the participatory and highly emotive orientation of the colonial festivals, the legacy of which is still present in many former mining towns in the region. By focusing upon the Holy Week celebrations in Campanha, a small town in southern Minas Gerais, the text shows how this annual event was organized by the Confraternity of the Holy Sacrament, but was then transferred to a local committee after the confraternity was made extinct. If up to the mid 19th century there were semi-professional musicians to perform for the celebrations, responsibility for the music was slowly taken over by amateur groups. In this way the festival came to be understood as a local affair, and each year the population renews its pride in itself for its capacity to stage such a ‘marvelous’ event.

Algunas consideraciones acerca de la espada de Guadalajara: ¿Un excepcional depósito desarticulado del Bronce Medio de la Meseta?

An exceptional gold-hilted sword, presumably from the province of Guadalajara, which today is kept in Madrid at the National Museum of Archaeology, has usually been treated as an isolated find. However, early references to this piece, when it was kept in the Rodriguez Bauza collection, would seem to indicate that it may have formed part of a hoard together with two other swords, one of which apparently can be associated with fragments of a second hilt-cover of gold sheet, acquired originally with the complete sword. Furthermore, during re-restoration of the first sword, traces left on its surface from at least two different hilts, demonstrated that the current gold-covered design has to be considered a secondary modification. While some Mycenean influence in the design of these weapons and their ornaments cannot be ruled out, for technical reasons a production on the Meseta at least of the gold sheets seems more likely than in the Southeast, where the ElArgarculture is usually more readily associated with the diffusion of Aegean elements.