Cockney, pseudo-slang et argot de série noire : San-Antonio et le moment Peter Cheyney du roman noir français

This article examines how in post-war France slang became a byword for the noir genre. It considers the mechanisms, models, networks and translators' practices which set the tone for the "Série Noire”, whose influence, both written and on the screen, had, within a decade, become, a "mythology" studied by Roland Barthes. It argues that this use of slang is redolent of the inauthenticity which characterises this stage in the reception of the Noir genre in France. It is certain that this artificial French slang is far from devoid of charm, or even mystery. But it tends to depreciate and deform the translated works and seems to be the hallmark of an era that might have defined and acclimatised Noir fiction in France, yet remains one which has not fully understood the gravity of its purpose. While such translations seem outdated nowadays (if not quite incomprehensible ), original works written at the time in French by writers inspired by the model of " pseudo- slang" and the fashionability of American popular culture have benefited from them. In this very inauthenticity, derivative novels have found a licence for invention and freedom, with authors such as Cocteau hailing it as a revival of the French written language. We see here how the adventures of Commissaire San Antonio, by Frédéric Dard constitute the best examples of this new creativity in French and draw upon a template set for the reception of American literature

Spacing Commemorative-related Violence in Northern Ireland: Assessing the implications for a society in transition

This paper explores the geography of commemorative-related violence in Northern Ireland and considers its ramifications for a society in transition. Using original primary research, this article contributes to discussions on violence, space and memory through a spatial analysis of new quantitative archival data and existing archival material explored through a multi-disciplinary lens. It examines the complex relationship between the practices and processes of commemoration, the violence that it sometimes occasions and the places in which such violence exists. In unpacking this specific form of violence we consider the continued importance of both place and past in a post-conflict society. This includes a concern for the changing structures and forms of governance that influence how the past is negotiated as Northern Ireland marks a decade of commemorations leading up to the centenary of its contested creation.

Cascaded multimodal biometric recognition framework

A practically viable multi-biometric recognition system should not only be stable, robust and accurate but should also adhere to real-time processing speed and memory constraints. This study proposes a cascaded classifier-based framework for use in biometric recognition systems. The proposed framework utilises a set of weak classifiers to reduce the enrolled users' dataset to a small list of candidate users. This list is then used by a strong classifier set as the final stage of the cascade to formulate the decision. At each stage, the candidate list is generated by a Mahalanobis distance-based match score quality measure. One of the key features of the authors framework is that each classifier in the ensemble can be designed to use a different modality thus providing the advantages of a truly multimodal biometric recognition system. In addition, it is one of the first truly multimodal cascaded classifier-based approaches for biometric recognition. The performance of the proposed system is evaluated both for single and multimodalities to demonstrate the effectiveness of the approach.