ANTITHAMNION-DENSUM (SUHR) HOWE FROM CLARE ISLAND, IRELAND - A MARINE RED ALGA NEW TO THE BRITISH-ISLES

The diminutive marine red alga Antithamnion densum (Suhr) Howe (Ceramiales, Rhodophyta), previously known in the north Atlantic from three sites in north-western France, is reported from the subtidal of a wave-exposed site at Clare I., Co. Mayo, Ireland, where it grows epiphytically on various macroalgae. The previously restricted distribution of this species in the North Atlantic gave rise to speculation that it represented an introduced plant. The geographical isolation of the Irish locality and the restricted habitat in which plants were found suggests that A. densum may be native to the north eastern Atlantic. However, the finding of the Trailliella-phase of the adventive red alga Bonnemaisonia hamifera Hariot at Clare I. in 1911, shortly after it had been discovered on the south coast of England, indicates the potential for the transport of introduced species to the west coast of Ireland.

A new landscape of arts-based buildings and comparative cultural policies on the island of Ireland: the curse of Jocasta's necklace

Much current cultural policy research focuses on activity traditionally viewed as arts practice: visual arts, music, literature and dance. Architecture’s role in the discussion of cultural policy is, however, less certain and thus less frequently interrogated. The study presented here both addresses this dearth of in-depth research while also contributing to the interdisciplinary discussion of cultural policy in wider terms. In seeking to better understand how architectural culture is regulated and administered in a specific case study, it unpacks how the complicated relationships of nominal and explicit policies on both sides of the Irish/Northern Irish border contributed to the significant expansion of arts-based buildings 1995-2008. It contrasts political and cultural motivations behind these projects during a period of significant economic growth, investment and inward immigration. Data has been gathered from both official published policies as well as interviews with elite actors in the decision-making field and architects who produced the buildings of interest in both countries. With the sizeable number of arts-based buildings now completed in both Republic of Ireland and Northern Ireland, one must wonder if this necklace of buildings is, like Jocasta’s, a thing of both beauty and redolent with a potential future curse. It is the goal of this project to contribute to the larger applied and critical discussion of these issues and to engage with future policy design, administration and, certainly, evaluation.