Truth at 24 frames a second? A working dialogue between a film-maker and a historical consultant about the making of The Enigma of Frank Ryan

We employ a practice-based methodology based on a ‘live’ film project to explore the different ways that film-makers and historians narrate the past. Through a case-study of the production and exhibition of a drama-documentary feature-film, The Enigma of Frank Ryan, on which both authors (film-maker Bell and historian McGarry) worked respectively as director and historical consultant, we explore a range of critical issues arising from our collaboration. Through a dialogue between a director and a historian, a model of good practice between historians and film-makers emerges.

Electron-impact ionization of Xe 24 +

Configuration-average distorted-wave calculations are carried out for the electron-impact single ionization of Xe 24 + . Contributions are included from direct ionization of the 3s, 3p, 3d and 4s subshells and from indirect ionization via 3s → nl , 3p → nl and 3d → nl excitations followed by autoionization. Branching ratios are found for single versus double ionization of the 3s and 3p subshells and for autoionization versus radiative decay of all 3 l → nl excitations. Additional distorted-wave and R -matrix calculations find resonant-capture double-autoionization contributions to be quite small. The total ionization cross section for Xe 24 + is found to be dominated by indirect excitation–autoionization contributions, especially near the single-ionization threshold. An approximate 15% reduction in the total ionization cross section is found due to the radiative decays included in the branching ratios.