3 resultados para terrorist attacks

em Portal de Revistas Científicas Complutenses - Espanha


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El terrorismo es considerado en la Estrategia Global para la Política Exterior y de Seguridad de la UE como una de las principales amenazas a la seguridad de la Unión Europea. La lucha contra el terrorismo ha dado sus frutos en los últimos quince años, pero este artículo analiza la nueva Estrategia y se pregunta si será suficiente para responder con eficacia a esta amenaza y si se están empleando todos los medios necesarios para atajarla.

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Starting from a descriptive analysis of the main attacks by Daesh in Tunisia, this article examines the nature and evolution of the terrorist organization in this North African country. Thus, it examines the characteristics and vicissitudes of the attack on the Bardo Museum in March 2015, the attack on the Susa beach in June 2015, the bombing of the Presidential Guard in November 2015 and, finally, the military offensive against the town of Ben Gardane in March 2016. In addition, it presents some previous facts that are relevant in this research, such as the important presence of Tunisian foreign fighters in Syria or Libya, and, in particular, the threat of Daesh in Libya to the Tunisian State

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It is almost a tradition that celluloid (or digital) villains are represented with some characteristics that remind us the real political enemies of the producer country of the film, or even enemies within the country according to the particular ideology that sustains the film. The case of Christopher Nolan The Dark Knight trilogy, analyzed here, is representative of this trend for two reasons. First, because it gets marked by political radicalization conducted by the US government after the attack of September 11, 2001. Secondly, because it offers a profuse gallery of villains who are outside the circle of friends as the new doctrine “either with us or against us” opened by George Bush for the XXI century. This gallery includes from the very terrorists who justify the War on Terror (Ra's al Ghul, the Joker), to the “radical left” (Bane, Talia al Ghul) including liberal politicians (Harvey Dent), and corrupt that take advantage of the softness of the law to commit crimes with impunity (Dr. Crane, the Scarecrow).