2. Luzulo (carpetanae)-Juncetum ellmanii Rivas-Martínez 1963, nombre inválido según el CNF

Rivas-Martínez (Anal. Inst. Bot. Cavanilles 21(1): 134. 1963) describe una asociación de cervunales carpetanos para la que propone el nombre «Luzulo-Juncetum ellmanii as. nova», la que sinonimiza con la asociación Luzula sudetica-Pedicularis sylvatica Tx. & Oberd. 1958. descrita en la excursión de la IPE de la misma Sierra de Guadarrama.

La vegetación de la clase Epilobietea angustifolii

Dentro de la vegetación de los claros de bosques húmedos (clase Epilobietea angustifolii) en los Pirineos catalanes distinguimos básicamente tres asociaciones: Epilobietum montani-angustifolii as. nova, ampliamente extendida por todo el territorio, aunque a menudo bastante pobre floristicamente; Atropetum belladonnae (Br.-Bl. 1930) Tx. 1950, más bien esporádica y a menudo fragmentaria, y Sambuco-Rubetum idaei O. de Bolós 1979, dentro del que se reconocen dos subasociaciones, rubetosum glandulosi (= typicum), limitada a los valles más occidentales y de carácter más o menos atlántico, y rubetosum idaei nova, de área más general y de ambientes relativamente secos.

Aportaciones al conocimiento de los hayedos basófilos cantábricos

Con este trabajo se ha tratado de realizar un análisis de loos hayedos basófilos cantábricos, reconociendo la existencia de dos subalianzas: Scillo-Fagenion Obertodfer 1987 y Cephalanthero-Fagenion R. Tx.1995En la subalianza Scillo-Fagenion Oberdorfer 1957 reconocemos la asociación Caria syvaticae-Fagentum (Rias-Martínez 1964) Carmen Navarro 1981. Dentro de la subasociación Carici sylvatiae-Fagenion Pimpinellotosum sufolia nova.En la subalianza Cephalantero-Fagenion reconocemo la asociación Epiapaenes-Fagentun Br-Bl et Susplugar 1937, en cuyo seno proponemos la subasociación Epipactido helleborines-Fagentum laserpitietosum (nesteli) cliasi nova.En cada sintaxon se señalan los aspectos florísticos, dinámicos, corológicos y ecológicos, indicando los pisos bioclimáticos en que tienen su óptimo desarrollo

Nomenclature and syntaxonomic notes on some high-rank syntaxa of the European grassland vegetation

We present descriptions of a new order (Ranunculo cortusifolii-Geranietalia reuteri and of a new alliance (Stachyo lusitanicae-Cheirolophion sempervirentis) for the herbaceous fringe communities of Macaronesia and of the southwestern Iberian Peninsula, respectively. A new alliance, the Polygalo mediterraneae-Bromion erecti (mesophilous post-cultural grasslands), was introduced for the Peninsular Italy. We further validate and typify the Armerietalia rumelicae (perennial grasslands supported by nutrient-poor on siliceous bedrocks at altitudes characterized by the submediterranean climate of central-southern Balkan Peninsula), the Securigero-Dasypyrion villosae (lawn and fallow-land tall-grass annual vegetation of Italy), and the Cirsio vallis-demoni-Nardion (acidophilous grasslands on siliceous substrates of the Southern Italy). Nomenclatural issues (validity, legitimacy, synonymy, formal corrections) have been discussed and clarified for the following names: Brachypodio-Brometalia, Bromo pannonici-Festucion csikhegyensis, Corynephoro-Plantaginion radicatae, Heleochloion, Hieracio-Plantaginion radicatae, Nardetea strictae, Nardetalia strictae, Nardo-Callunetea, Nardo-Galion saxatilis, Oligo-Bromion, Paspalo-Heleochloetalia, Plantagini-Corynephorion and Scorzoneret alia villosae. 

Social Work and theatre: considering intersections

Theatre is a cultural and artistic form that involves a process of communication between creators and is received in a space and time located in the public sphere, which has meant that, over the centuries, it has acted as a space for expression, exchange and debate regarding all manner of ideas, causes and struggles. Implicit within this process are processes of expression, creation and reception, by way of which people demonstrate, analyse and question ways of seeing and understanding life, and ways of being and existing in the world. This gives rise to educational, cultural, social and political potential, which has been endorsed in numerous studies and investigations. In this work, in which theoretical orientation is established through a review of the relevant literature, we consider different intersections that occur between theatre and social work in order to also show that dramatic and theatrical expression offers substantive methodologies for achieving some objectives of social work, particularly in areas such as critical literacy, reflexivity and recognition, awareness raising, social participation, personal and/or community development, ownership of cultural capital and access to personal and social wellbeing.