Crossing the threshold: exile and literature in "El Canto del peregrino" (1999) by Angelina Muñiz-Huberman

This paper analyses the relation between exile and literature in Angelina Muñiz-Huberman’s work El canto del peregrino. In this collection of essays, the Spanish-Mexican writer, member of the second generation of Spanish Republican exiles in Mexico, outlines a poetics of exile. From the outset, the relation between exile and literature is presented in terms of identity: while defining exile as “literary form”, the book tends to prefer a metaphorical concept of exile over ‘merely’ historical or referential approaches to it. More in particular, this paper will examine how the author constructs an identity of ‘exiled writer’ based on the close association between exile and literature on the one hand, and on the view of exile as ‘home’ or ‘dwelling’, on the other hand. A second point of interest concerns the discursive impact of this literary and metaphorical concept of exile and the author’s personal experience. A brief analysis of the essayist’s discursive voice and her writing practice shows how Muñiz-Huberman gives shape to an intrinsically complex and paradoxical view on exile.

Do Institutional Participatory Projects Contribute to the Development of Political Capabilities?

Participation usually sets off from the bottom up, taking the form of more or less enduring forms of collective action with varying degrees of infl uence. However, a number of projects have been launched by political institutions in the last decades with a view to engaging citizens in public affairs and developing their democratic habits, as well as those of the administration. This paper analyses the political qualifying capacity of the said projects, i.e. whether participating in them qualifi es individuals to behave as active citizens; whether these projects foster greater orientation towards public matters, intensify (or create) political will, and provide the necessary skills and expertise to master this will. To answer these questions, data from the comparative analysis of fi ve participatory projects in France and Spain are used, shedding light on which features of these participatory projects contribute to the formation of political subjects and in which way. Finally, in order to better understand this formative dimension, the formative capacity of institutional projects is compared with the formative dimension of other forms of participation spontaneously developed by citizens.

En torno a la fundamentación de la dignidad personal

Las trágicas experiencias de las guerras mundiales llevaron a la Declaración Universal de los Derechos Humanos promovida por la ONU en 1948. A partir de entonces gran parte de las Constituciones de nueva creación reconocen la inviolabilidad de la dignidad humana. Sin embargo, los redactores de la declaración pusieron empeño en omitir las razones teóricas en las que se fundan dichos derechos, por el temor a que diferencias teóricas aplazaran o hicieran inviable dicho reconocimiento. La fragmentación en la que se halla la antropología filosófica desde hace varios siglos está reclamando un principio unificador de los saberes en torno al ser humano. En este contexto la dignidad humana como experiencia universal se presenta como principio unificador. Seis décadas después sigue pendiente la elaboración de una sólida, y también universalmente aceptable, fundamentación de la dignidad humana y sus derechos fundamentales, cuestión complicada que parece requerir un nuevo avance en la ontología y en la antropología filosófica.